Ahead of their upcoming tour next year, we got the chance to one-half of legendary DJing duo, Fabio and Grooverider, who’ll be coming to Manchester early next year.
‘The Godfathers of Drum and Bass’ were there at the very start of it all and have been able to see how the genre, along with offshoots like jungle, has evolved over the years — so it’s only right that they be the ones to deliver a real education to ravers and newcomers this January.
Bringing their ‘History of Jungle and Drum & Bass‘ to the Manchester Academy on Saturday, 13 January, 0161 is just one of three places that have been chosen for the limited run of shows and, as Fabio told us on the call, it because this city has a rich relationship with the genre and pioneering underground music in general.
So you’ve got the tour starting in the New Year and it’s a very limited run of shows — what can you tell us about what you’ve got in store?
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What we’ve got in store is the best of live drum and bass and something very unique. It’s a great show and honestly, even if I wasn’t involved in this I’d go along and definitely enjoy it.
It’s everything that we expected and with a project like this, it’s not something that’s not really been done before, especially not with an orchestra of this size, anyway.
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We want it to sound authentic and that’s what’s happened with the band; The [Outlook] Orchestra‘s amazing, the musicians are great and it’s a very entertaining two hours.
How have you found building this as a full production with the Orchestra and fine-tuning everyone’s performances on stage?
Well, over the course of our careers in general, it’s just got a lot tighter and we’ve all got a lot more confident. You’ve got to remember when this all started we’d never done anything like it before, you know — we’re DJs and we were on BBC Radio 1 for 14 years and then Kiss for seven.
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Public speaking is a completely different thing than speaking in front of a mic, so that was really daunting at first, I’ve got to say; the first one we did I was really nervous and we still get that sense of anticipation, but where it was a bit around the edge at the start, the audience didn’t know that and now I’d say it’s almost 100% the way we want it.
We’ve been doing it two years now and, yeah, it’s just a process of tweaking those fine margins and getting your timings right — when you’ve got 40 musicians, even if you’re a millisecond off it can kind of throw everything.
Sounds like you’ve really nailed it. The idea of a ‘History of Jungle and Drum & Bass’ — how far back are you going into the genre and how do you think it’s changed over the years?
So we go back to 1992. It’s crazy for us to think that was 31 years ago, but yeah, we’re going right back to the beginning and we literally break up the set into years: ’92-93, 94-96 and so on into the 2000s.
I think it has changed over time and you can certainly hear it when you compare the likes of the first track we do, Johnny L’s ‘Hurt You So’, which is kind of like jungle techno, to the modern-day stuff which gets on the radio now, it’s different. But that’s the great thing about both genres, they move on real quick.
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Say if you’re a drum and bass head now and took a year off and then came back, you’d be like, ‘What is this?’ but drum and bass is always like that, every single year.
It’s going through a great time at the moment, probably the best in three decades. It’s bigger now than I think that it’s ever been and I think it’s because it’s been accepted by the public get it; they understand it more and it’s less of a niche.
People have always known about house music but now people actually recognise the big names like Chase and Status, Pendulum and so on. It’s in a very healthy place and I know some of the real purists are a little bit p*ssed and feel it’s gone a bit commercial but the underground scene is still there and I don’t think that will ever die.
DJ Fabio (right), Grooverider and The Outlook Orchestra are set to school Manchester on jungle and all things drum and bass.
Yeah, and I suppose that’s what the beauty of events like these is you can play to both of those crowds. Do you find the audience has that mix?
Well, that’s why we’ve tried to get that fine balance between big tunes that your everyday, casual listener will recognise as well as keep some underground stuff in so the real ‘heads’ can come and dive into it.
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It’s been very deliberate and we’ve sat down to really think about how to strike that combination and it’s another thing that’s been done really well.
And, obviously, you guys are London kings but how big a role do you think Manchester has played in the scene and how it’s progressed?
Oh man, it’s always been really important. Going back to A Guy Called Gerald who was one of the first truly big English producers, when people listened to ‘Voodoo Ray‘, even the Americans thought was a guy from New York and he’s a bit of an unsung hero really.
He made some of the first jungle tunes as well, so we’ve always felt the influence and link with Manchester, especially over the last 10 to 15 years when it’s been really, really strong here.
You know, you’ve got DRS and, of course, had Marcus Intellect, God bless his soul, who always flew the flag for Manchester, you know what I’m saying? And, um, you know, there’s a really healthy, uh, seed in Manchester.
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Strategy, Dogger, Mindstate: a lot of those guys are very important to drum and Bass and a lot of them grew up knowing each other as well, which is cool. We’ve also got Jenna G in the show and not only is she from Manchester but she’s one of the real highlights of the show, she’s absolutely amazing.
Also, it’s really important that we put on a good show because the Manchester music crowd know their sh*t as well — you can’t really con them.
Absolutely, and in terms of artists right now, whether they’re from Manchester or elsewhere, who’s really exciting you at the minute?
I mean, the staple is obviouslyChase and Status who have helped get [the genre] some radio play to the point where there were four drum and bass tracks in the top 40 just last year. Absolutely insane.
Hedex and all those guys are also helping grow the underground scene but, honestly, there’s too many names to mention that lifting up others so we’re in a real good spot at the minute.
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Are there any favourite Manchester venues that come to mind?
Band on the Wall — I LOVE it in there and, of course, Warehouse Project which is basically flying the flag for drum and bass across Britain right now. WHP is possibly the hottest venue in the UK so, yeah, Manchester was always a no-brainer and we’re really looking forward to coming there.
Nice, and lastly, if you could describe the upcoming shows in three words what would they be?
It was a pleasure chatting with Fabio; both he and Grooverider are not just radio veterans but drum and bass royalty.
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From the glimpses we’ve caught of what the set looks and sounds like with the full might of The Outlook Orchestra behind them, this thing is going to be blockbuster.
There are still tickets left to see all three live at Manchester Academy on Saturday, 13 January HERE.
Featured Images — Supplied/@matthiggs (via Instagram)
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The Strokes at Co-op Live, Manchester – stage times, setlist, tickets and more
Lydia Mastrolonardo
This Autumn, everybody’s favourite New York-based indie band The Strokes have been treating fans across the globe to their energetic live shows – and Monday is finally Manchester’s turn.
That’s right – one of the most iconic indie rock bands of the era are set to bring their Reality Awaits tour to the Co-op Live for the first ever time, with their decade-spanning catalogue of indie anthems purely for our listening pleasure.
The Strokes formed back in 1998 and soon earned attention from major labels after becoming known for their intense live shows and with the release of their 2001 EP The Modern Age. This was closely followed by their first album, ‘Is This It,’ and ever since they’ve had fans absolutely transfixed.
These American rockers have dominated the charts with four Top 10 albums over the last decade, earning numerous awards along the way and even landing a spot on Rolling Stone’s Top 10 Debuts of All Time list. Now it’s our time to see them in the flesh – we absolutely can’t wait.
Here’s everything you need to know about the Manchester night, including dates, tickets, support, setlist, and how to get to the arena.
Gig Guide | The Strokes at Co-op Live, Manchester
Stage times for The Strokes at Co-op Live, Manchester
These are the only times that are confirmed, but it’s expected that support acts will begin around 8:00pm, followed by The Strokes on stage around 9:00pm.
For the Manchester gig, The Strokes will be joined by special guests, Alex Cameron and Fat White Family.
Alex Cameron is an Australian singer-songwriter, specialising in synth-pop and soft rock, joining us all the way from Sydney. He also has an impressive history having written for the likes of The Killers.
Fat White Family are and English rock band, which formed in 2011 in Peckham, London. The band are set to provide one of their typically high energy performances, which will be sure to get the crowd warmed up for The Strokes.
What songs can fans expect to hear?
It is set to be an unmissable show with frontman Julian Casablancas’ distinct vocals on albums containing crowd favourites like “Reptilia” and “Last Nite,” as well as material from their most recent album ‘The New Abnormal,’ and upcoming album ‘Reality Awaits.’
Based on the reported setlist from their Paris show on 22 October, Manchester fans can look forward to a strong selection of familiar hits, however as always it is subject to change.
The suspected set list goes as follows:
Going to Babble On
Reptilia
Hard to Explain
Dine N’Dash
Soma
Lonely in the Future
Juicebox
The Adults Are Talking
Heart in a Cage
Going Shopping
You Only Live Once
Meet Me in the Bathroom
One Way Trigger
Automatic Stop
Someday
Tyrants of the Mellow Moon
Take It or Leave It
Last Nite
Encore
New York City Cops
Threat of Joy
Ode to the Mets
Encore 2
Selfless
How to get to Co-op Live
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live.
Getting there by car and parking
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
Mercury Prize 2026 review: RAYE takes home the crown as Newcastle celebrates the very best in music
Clementine Hall
One of the biggest nights in music kicked off last night as the Mercury Prize 2026 was awarded.
If there was ever a night to fall head over heels in love with British and Irish music, the 2026 Mercury Prize made a very convincing case.
Bringing together some of the country’s most exciting artists under one roof in Newcastle, this year’s ceremony was a reminder of just how much talent is packed into the current music scene.
From established legends to the names shaping what comes next, it was an absolute belter.
Images: Audio North
Held at the Newcastle Utilita Arena for the second year running, I think everybody in that room felt very lucky to be there to see firsthand who took home the coveted prize.
The shortlist brought together an impressive mix of artists, with Florence + The Machine, Olivia Dean, JADE, Suede, Pulp, Dave and Sir Paul McCartney among the big names making the lineup very star studded indeed.
Suede kicked things off with ‘Dancing With The Europeans’, bringing their unmistakable energy to the ceremony, while Pulp delivered ‘Begging For Change’ as part of the HELP(2) charity compilation.
It was a line-up that demonstrated the sheer range of music being made across the UK and Ireland, from contemporary pop to established rock and even jungle thanks to Bradford’s own Nia Archives.
And of course, there was one woman who had every reason to leave with a smile on her face.
RAYE took home the coveted Mercury Prize for THIS MUSIC MAY CONTAIN HOPE., an ambitious, genre-hopping album that blends jazz, soul, R&B and classical influences into something so fabulously unique.
Image: Audio North
Newcastle’s own Knats performance was definitely a highlight of the evening, combining slick jazz with spoken-word poetry against a projection of The Tyne Bridge.
A fitting image, and one that underlines the importance of holding such huge events in the north and highlighting the obvious talent that thrives here.
The 2026 Mercury Prize was a brilliant showcase of the country’s music at its best.
And with RAYE taking home the trophy, it’s clear there is plenty of ‘hope’ left in British music.