Ahead of their upcoming tour next year, we got the chance to one-half of legendary DJing duo, Fabio and Grooverider, who’ll be coming to Manchester early next year.
‘The Godfathers of Drum and Bass’ were there at the very start of it all and have been able to see how the genre, along with offshoots like jungle, has evolved over the years — so it’s only right that they be the ones to deliver a real education to ravers and newcomers this January.
Bringing their ‘History of Jungle and Drum & Bass‘ to the Manchester Academy on Saturday, 13 January, 0161 is just one of three places that have been chosen for the limited run of shows and, as Fabio told us on the call, it because this city has a rich relationship with the genre and pioneering underground music in general.
So you’ve got the tour starting in the New Year and it’s a very limited run of shows — what can you tell us about what you’ve got in store?
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What we’ve got in store is the best of live drum and bass and something very unique. It’s a great show and honestly, even if I wasn’t involved in this I’d go along and definitely enjoy it.
It’s everything that we expected and with a project like this, it’s not something that’s not really been done before, especially not with an orchestra of this size, anyway.
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We want it to sound authentic and that’s what’s happened with the band; The [Outlook] Orchestra‘s amazing, the musicians are great and it’s a very entertaining two hours.
How have you found building this as a full production with the Orchestra and fine-tuning everyone’s performances on stage?
Well, over the course of our careers in general, it’s just got a lot tighter and we’ve all got a lot more confident. You’ve got to remember when this all started we’d never done anything like it before, you know — we’re DJs and we were on BBC Radio 1 for 14 years and then Kiss for seven.
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Public speaking is a completely different thing than speaking in front of a mic, so that was really daunting at first, I’ve got to say; the first one we did I was really nervous and we still get that sense of anticipation, but where it was a bit around the edge at the start, the audience didn’t know that and now I’d say it’s almost 100% the way we want it.
We’ve been doing it two years now and, yeah, it’s just a process of tweaking those fine margins and getting your timings right — when you’ve got 40 musicians, even if you’re a millisecond off it can kind of throw everything.
Sounds like you’ve really nailed it. The idea of a ‘History of Jungle and Drum & Bass’ — how far back are you going into the genre and how do you think it’s changed over the years?
So we go back to 1992. It’s crazy for us to think that was 31 years ago, but yeah, we’re going right back to the beginning and we literally break up the set into years: ’92-93, 94-96 and so on into the 2000s.
I think it has changed over time and you can certainly hear it when you compare the likes of the first track we do, Johnny L’s ‘Hurt You So’, which is kind of like jungle techno, to the modern-day stuff which gets on the radio now, it’s different. But that’s the great thing about both genres, they move on real quick.
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Say if you’re a drum and bass head now and took a year off and then came back, you’d be like, ‘What is this?’ but drum and bass is always like that, every single year.
It’s going through a great time at the moment, probably the best in three decades. It’s bigger now than I think that it’s ever been and I think it’s because it’s been accepted by the public get it; they understand it more and it’s less of a niche.
People have always known about house music but now people actually recognise the big names like Chase and Status, Pendulum and so on. It’s in a very healthy place and I know some of the real purists are a little bit p*ssed and feel it’s gone a bit commercial but the underground scene is still there and I don’t think that will ever die.
DJ Fabio (right), Grooverider and The Outlook Orchestra are set to school Manchester on jungle and all things drum and bass.
Yeah, and I suppose that’s what the beauty of events like these is you can play to both of those crowds. Do you find the audience has that mix?
Well, that’s why we’ve tried to get that fine balance between big tunes that your everyday, casual listener will recognise as well as keep some underground stuff in so the real ‘heads’ can come and dive into it.
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It’s been very deliberate and we’ve sat down to really think about how to strike that combination and it’s another thing that’s been done really well.
And, obviously, you guys are London kings but how big a role do you think Manchester has played in the scene and how it’s progressed?
Oh man, it’s always been really important. Going back to A Guy Called Gerald who was one of the first truly big English producers, when people listened to ‘Voodoo Ray‘, even the Americans thought was a guy from New York and he’s a bit of an unsung hero really.
He made some of the first jungle tunes as well, so we’ve always felt the influence and link with Manchester, especially over the last 10 to 15 years when it’s been really, really strong here.
You know, you’ve got DRS and, of course, had Marcus Intellect, God bless his soul, who always flew the flag for Manchester, you know what I’m saying? And, um, you know, there’s a really healthy, uh, seed in Manchester.
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Strategy, Dogger, Mindstate: a lot of those guys are very important to drum and Bass and a lot of them grew up knowing each other as well, which is cool. We’ve also got Jenna G in the show and not only is she from Manchester but she’s one of the real highlights of the show, she’s absolutely amazing.
Also, it’s really important that we put on a good show because the Manchester music crowd know their sh*t as well — you can’t really con them.
Absolutely, and in terms of artists right now, whether they’re from Manchester or elsewhere, who’s really exciting you at the minute?
I mean, the staple is obviouslyChase and Status who have helped get [the genre] some radio play to the point where there were four drum and bass tracks in the top 40 just last year. Absolutely insane.
Hedex and all those guys are also helping grow the underground scene but, honestly, there’s too many names to mention that lifting up others so we’re in a real good spot at the minute.
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Are there any favourite Manchester venues that come to mind?
Band on the Wall — I LOVE it in there and, of course, Warehouse Project which is basically flying the flag for drum and bass across Britain right now. WHP is possibly the hottest venue in the UK so, yeah, Manchester was always a no-brainer and we’re really looking forward to coming there.
Nice, and lastly, if you could describe the upcoming shows in three words what would they be?
It was a pleasure chatting with Fabio; both he and Grooverider are not just radio veterans but drum and bass royalty.
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From the glimpses we’ve caught of what the set looks and sounds like with the full might of The Outlook Orchestra behind them, this thing is going to be blockbuster.
There are still tickets left to see all three live at Manchester Academy on Saturday, 13 January HERE.
Featured Images — Supplied/@matthiggs (via Instagram)
Audio
Smirnoff teams up with Co-op Live for new Summer Series
Danny Jones
Smirnoff, the world’s number-one vodka brand not to mention a leading force in wider music culture, has officially partnered with Co-op Live to mark the opening of the new state-of-the-art venue and its debut calendar.
The partnership will see the new ‘Co-op Live Summer Series presented by Smirnoff‘ run until 13 September 2024. As part of the collaboration, the vodka brand will surprise and delight guests visiting the venue with great-tasting drinks and the ultimate night out, with VIP packages and more.
Co-op Live has curated a stacked lineup of popular bands, singers and entertainers, including some of the biggest names in music, who are set to perform at Europe’s largest indoor entertainment venue.
Starting the Summer Series off with a bang presented by Smirnoff celebrations, the brand is offering friends a chance to win tickets to see their favourite stars perform live, hosted by celebrities including TV favourite Callum Jones, as well as social media and makeup virtuoso Mitchell Halliday.
Alongside their hosts, winners will enjoy access to the exclusive Decibel Club and enjoy the concert from a private suite hosted by Smirnoff, fully immersing themselves in the ultimate venue experience. Competition details (18+ only) can be found on Smirnoff’s Instagram page.
Attendees at the 23,500 capacity Co-op Live arena will have the opportunity to choose from a range of Smirnoff favourites, including Smirnoff Raspberry Crush, Smirnoff Mango and Passionfruit Twist, Smirnoff No.21 and more.
These drinks will be available to guests over 18 at bars and grab-and-go stations throughout the venue, including the Smirnoff Founders Bar. Guests can also try the newest addition to the range, Smirnoff Spicy Tamarind, at the bar located on the concourse – fingers crossed there’ll be plenty of sun too.
There is a unique must-try experience for all gig attendees: a 360-photo booth on Level 3, where guests can use fun props to snap the best and most high-end selfies they’ve ever taken, and have a chance to get their tickets upgraded that evening.
Operated by holding group Diaego, the aim of Smirnoff’s Co-op Live Summer Series is to reflect the vodka brand’s ongoing commitment to making music more accessible to everyone.
Smirnoff recently rolled out its ‘WE DO US’ campaign, activated through a series of initiatives that aim to reignite social connections and lower barriers to socialising.
Tyler Monk, Smirnoff Brand Manager at Diageo Great Britain, said: “Smirnoff is on a mission to make music more accessible and create unforgettable experiences that bring people together through live music. We’re proud to partner with Co-op Live and be part of Manchester’s vibrant music scene, offering great-tasting Smirnoff drinks, music, and unique experiences to a wider audience.”
Check the website for the full schedule of events at Co-op Live HERE.
Featured Images — Smirnoff (supplied)/The Manc Group
Audio
Tramlines Festival 2024 – tickets, stage times, drinks prices and everything you need to know
Emily Johnson
Tramlines Festival returns to Hillsborough Park for another year and we here at Audio North cannot wait to walk back out onto that field.
Between Friday, 26 July and Sunday, 28 July 2024, festival-goers will have the opportunity to watch some of the UK’s best musical talent and discover new acts on the smaller stages in the musical city of Sheffield.
The line-up is stacked this year, with Paolo Nutini, Jamie T and Snow Patrol taking the headline slots over the weekend, alongside huge acts such as Sophie Ellis-Bextor, Bombay Bicycle Club, Miles Kane, The Human League, Bombay Bicycle Club and Tom Grennan.
Over 100 acts are expected to perform at Tramlines 2024 across five stages, with an array of genres from indie rock, pop, punk, hip hop, comedy and more. There’s definitely something for everyone.
Credit: Tramlines (supplied)
Tramlines lineup 2024
Friday 26 July
Kicking off the weekend and setting the bar high, Paolo Nutini is set to headline the main stage on Friday 26 July. With huge hits like ‘New Shoes’, ‘Candy’ and all-time favourite ‘Last Request’, the soulful Scot knows how to get a crowd going.
Bombay Bicycle Club will also perform in the evening, the perfect band to play as the sunsets over Hillsborough Park. With over six albums to pick from, we’re guaranteed some bangers.
The full line-up for Friday includes Sophie Ellis-Bextor, Miles Kane, Coach Party, The View, The Charlatans, SOFT PLAY, The Mysterines, Dylan John Thomas, Mitch Santiago, Lucy Beaumont, Hannah Rowe and Matilda Shakes.
The Sarah Nulty stage schedule is as follows:
Paolo Nutini: 8.15pm-10.15pm
Bombay Bicycle Club: 6.15pm-7.15pm
Sophie Ellis-Bextor: 4.45pm-5.30pm
Miles Kane: 3.50pm-4.15pm
Coach Party: 2.30pm-3pm
The View (Special Guests): 1.15pm-2pm
Bedroom High Club: 12.15pm-12.45pm
Credit: Supplied
Saturday 27 July
The excitement continues over the weekend with indie legend Jamie T taking the headline slot Saturday night, with the crowd belting out British classics of ‘Sheila’, ‘Zombie’, and ‘Sticks n Stones’. We’re proper buzzing for it. The crowd will be warmed up with Tom Grennan and Scottish indie rock band, The Snuts.
The Sarah Nulty stage schedule is as follows:
Jamie T: 8.45pm-10.15pm
Tom Grennan: 6.45pm-7.45pm
The Snuts: 5pm-5.45pm
Sprints: 3.45pm-4.15pm
Nieve Ella: 2.45pm-3.15pm
Everly Pregnant Brothers: 1.15pm-2.15pm
The Leadmill Studio Orchestra: 12.15pm-12.45pm
Credit: Supplied
Sunday 28 July
Snow Patrol will close the festival Sunday night, with tear-jerking tunes like ‘Chasing Cars’ and ‘Open Your Eyes’. But before the Irish trio take the stage and switch up the genre, The Human League will perform before Example will get the crowd partying with his massive hits like ‘Kickstarts’ and ‘Changed the Way You Kiss Me’.
The Sarah Nulty stage schedule is as follows:
Snow Patrol: 7.45pm-9.15pm
The Human League: 5.45pm-6.45pm
Example: 4pm-4.45pm
Flowerovlove: 2.45pm-3.15pm
Maximo Park (Special Guests): 1.30pm-2.15pm
Phillipa Zawe: 12.30pm-1pm
Credit: Supplied
Tickets
There are still some tickets are still available on the Tramlines website. The gates open at 12pm each day, with the last entry being at 19:30.
Resale tickets for the full weekend are set at £140; Friday will cost £65, Saturday £45 and Sunday £55 and there are lots of affordable prices for kids too.
You can see the full list of prices and grab yours HERE.
Tramlines Festival map and how to get there
Arriving by train
For people travelling into the city from elsewhere, Sheffield is easily accessible from all across the country, with regular trains running around the region and one central station. From there, the festival site is accessible via taxi, bus or tram, and only takes approximately 15 mins.
The tramlines to, well, Tramlines…
As the name would suggest, the festival is pretty much built for public transport and Sheffield’s great tram links mean it’s really easy to get there. Supertram has all the info you need for your weekend travel and can find all the info and ticket prices by downloading the TSY Mobile app.
You can catch these from the following key locations:
Yellow Route
Middlewood Park & Ride
The Cathedral
Meadowhall Park & Ride
Use Hillsborough Park stop and head for the Middlewood Rd Entrance.
Blue Route
Malin Bridge Park & Ride
The Cathedral
Sheffield Railway Station / Hallam University
Halfway Park & Ride
Use Hillsborough stop and head for the Middlewood Rd Entrance.
Supertram services will run every six minutes from the city centre to Hillsborough Park, which is then just a short two-minute walk to the festival.
As for when you’re leaving, it’s worth noting that the Hillsborough Park and Hillsborough Corner stops will be closed after the show, so you will have access to the Leppings Lane stop from within the park after the headliners have finished. You can view the full list of stops or plan your journey HERE.
There are two entrances: Penistone Rd, S6 2AN OR Middlewood Rd, S6 4HA
By bus
Just like the rail, Sheffield also has great bus links in Sheffield that can help you get to and from Tramlines. There is a dedicated Hillsborough Park bus stop but do keep in mind that there will likely be some disruptions/delays when leaving the festival. You can plan your journey via Travel South Yorkshire.
By car
Given that Tramlines is a Metropolitan festival and built for public transport, organisers strongly recommend not driving to the event given the amount of congestion and in an effort to reduce the environmental impact over the weekend; however, you can find out more about parking etc. HERE.
As a pedestrian
In all honesty, once you’re in Sheffield, one of the easiest ways to get to Tramlines is simply on foot after hopping on a tram or a bus, but should you also want to cycle to the festival, there is a bike rack at the Penistone Road entrance (S6 2AN).
Food and drink – vendors and prices
With all that partying you will definitely build up an appetite. Luckily, Tramlines has tons of food vendors for you to choose from, including gluten-free, vegetarian and vegan options.
With over 40,000 festival goers to feed, there are plenty of options to keep you full, from Proove Pizza, ‘As Tha Got Beef and Get Wurst just to name a few.
As for drink prices this year, a pint at Tramlines will cost you anywhere from £6-£7 depending on what beer you go for, whereas cans of cider start from £6.25; wine starts from £10 for English sparkling white wine, with rose and pinot grigio costing £16 for a half or £32 for a full bottle.
Sprit and mixers deals start from £7.25 with the option to double up for £2.50 and you can push all the way up to £9.25 for an official Red Bull cocktail. Meanwhile, your shots are a fiver (barring jager bombs set at £6.50), soft drinks start from £2.90 and water is £2.70.
And with that, this should be just about all you need to know ahead of Tramlines 2024 – all that’s left to do is go and enjoy yourselves, and The Sheff crew will see you there!
Oh, and make sure to keep your eyes over on the brand-new Audio North for all the best coming out of this year’s festival. It’ll look a little something like this…