Ahead of their upcoming tour next year, we got the chance to one-half of legendary DJing duo, Fabio and Grooverider, who’ll be coming to Manchester early next year.
‘The Godfathers of Drum and Bass’ were there at the very start of it all and have been able to see how the genre, along with offshoots like jungle, has evolved over the years — so it’s only right that they be the ones to deliver a real education to ravers and newcomers this January.
Bringing their ‘History of Jungle and Drum & Bass‘ to the Manchester Academy on Saturday, 13 January, 0161 is just one of three places that have been chosen for the limited run of shows and, as Fabio told us on the call, it because this city has a rich relationship with the genre and pioneering underground music in general.
So you’ve got the tour starting in the New Year and it’s a very limited run of shows — what can you tell us about what you’ve got in store?
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What we’ve got in store is the best of live drum and bass and something very unique. It’s a great show and honestly, even if I wasn’t involved in this I’d go along and definitely enjoy it.
It’s everything that we expected and with a project like this, it’s not something that’s not really been done before, especially not with an orchestra of this size, anyway.
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We want it to sound authentic and that’s what’s happened with the band; The [Outlook] Orchestra‘s amazing, the musicians are great and it’s a very entertaining two hours.
How have you found building this as a full production with the Orchestra and fine-tuning everyone’s performances on stage?
Well, over the course of our careers in general, it’s just got a lot tighter and we’ve all got a lot more confident. You’ve got to remember when this all started we’d never done anything like it before, you know — we’re DJs and we were on BBC Radio 1 for 14 years and then Kiss for seven.
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Public speaking is a completely different thing than speaking in front of a mic, so that was really daunting at first, I’ve got to say; the first one we did I was really nervous and we still get that sense of anticipation, but where it was a bit around the edge at the start, the audience didn’t know that and now I’d say it’s almost 100% the way we want it.
We’ve been doing it two years now and, yeah, it’s just a process of tweaking those fine margins and getting your timings right — when you’ve got 40 musicians, even if you’re a millisecond off it can kind of throw everything.
Sounds like you’ve really nailed it. The idea of a ‘History of Jungle and Drum & Bass’ — how far back are you going into the genre and how do you think it’s changed over the years?
So we go back to 1992. It’s crazy for us to think that was 31 years ago, but yeah, we’re going right back to the beginning and we literally break up the set into years: ’92-93, 94-96 and so on into the 2000s.
I think it has changed over time and you can certainly hear it when you compare the likes of the first track we do, Johnny L’s ‘Hurt You So’, which is kind of like jungle techno, to the modern-day stuff which gets on the radio now, it’s different. But that’s the great thing about both genres, they move on real quick.
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Say if you’re a drum and bass head now and took a year off and then came back, you’d be like, ‘What is this?’ but drum and bass is always like that, every single year.
It’s going through a great time at the moment, probably the best in three decades. It’s bigger now than I think that it’s ever been and I think it’s because it’s been accepted by the public get it; they understand it more and it’s less of a niche.
People have always known about house music but now people actually recognise the big names like Chase and Status, Pendulum and so on. It’s in a very healthy place and I know some of the real purists are a little bit p*ssed and feel it’s gone a bit commercial but the underground scene is still there and I don’t think that will ever die.
DJ Fabio (right), Grooverider and The Outlook Orchestra are set to school Manchester on jungle and all things drum and bass.
Yeah, and I suppose that’s what the beauty of events like these is you can play to both of those crowds. Do you find the audience has that mix?
Well, that’s why we’ve tried to get that fine balance between big tunes that your everyday, casual listener will recognise as well as keep some underground stuff in so the real ‘heads’ can come and dive into it.
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It’s been very deliberate and we’ve sat down to really think about how to strike that combination and it’s another thing that’s been done really well.
And, obviously, you guys are London kings but how big a role do you think Manchester has played in the scene and how it’s progressed?
Oh man, it’s always been really important. Going back to A Guy Called Gerald who was one of the first truly big English producers, when people listened to ‘Voodoo Ray‘, even the Americans thought was a guy from New York and he’s a bit of an unsung hero really.
He made some of the first jungle tunes as well, so we’ve always felt the influence and link with Manchester, especially over the last 10 to 15 years when it’s been really, really strong here.
You know, you’ve got DRS and, of course, had Marcus Intellect, God bless his soul, who always flew the flag for Manchester, you know what I’m saying? And, um, you know, there’s a really healthy, uh, seed in Manchester.
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Strategy, Dogger, Mindstate: a lot of those guys are very important to drum and Bass and a lot of them grew up knowing each other as well, which is cool. We’ve also got Jenna G in the show and not only is she from Manchester but she’s one of the real highlights of the show, she’s absolutely amazing.
Also, it’s really important that we put on a good show because the Manchester music crowd know their sh*t as well — you can’t really con them.
Absolutely, and in terms of artists right now, whether they’re from Manchester or elsewhere, who’s really exciting you at the minute?
I mean, the staple is obviouslyChase and Status who have helped get [the genre] some radio play to the point where there were four drum and bass tracks in the top 40 just last year. Absolutely insane.
Hedex and all those guys are also helping grow the underground scene but, honestly, there’s too many names to mention that lifting up others so we’re in a real good spot at the minute.
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Are there any favourite Manchester venues that come to mind?
Band on the Wall — I LOVE it in there and, of course, Warehouse Project which is basically flying the flag for drum and bass across Britain right now. WHP is possibly the hottest venue in the UK so, yeah, Manchester was always a no-brainer and we’re really looking forward to coming there.
Nice, and lastly, if you could describe the upcoming shows in three words what would they be?
It was a pleasure chatting with Fabio; both he and Grooverider are not just radio veterans but drum and bass royalty.
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From the glimpses we’ve caught of what the set looks and sounds like with the full might of The Outlook Orchestra behind them, this thing is going to be blockbuster.
There are still tickets left to see all three live at Manchester Academy on Saturday, 13 January HERE.
Featured Images — Supplied/@matthiggs (via Instagram)
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Five Manchester artists we’ve been listening to this month | April 2024
Danny Jones
Oh yes, it’s that time again – time for our favourite thing: sharing a bunch of great tunes with our mates, i.e. you lot and, of course, they all happen to artists from the wonderful world that is the Manchester music scene.
Be it a band, solo artist or any other configuration you like, we spend a good chunk of our time every month digging through the best stuff coming out of this city and the surrounding boroughs.
Luckily, there’s so much talent around these parts that we never struggle for choice, the only tough bit is singling out a mere handful every few weeks.
It’s tough work, we know, but we keep calm and carry on, for you. You’re welcome. Anyway, enough of that, let’s get stuck into the Manchester artists who’ve released new music or those who’ve simply stood out to us of late.
Five Manc bands and solo artists on our radar recently
1. Antony Szmierek
First up is the local king of spoken word and multi-talented Antony Szmierek from Hyde, whose melodic poetry spans multiple genres from hip-hop and electronic to alternative and even indie notes here and there, but always comes back to one core linchpin: the lyrics.
Bursting onto the scene with his debut EP, Poems To Dance To, back in 2023 – a title that still pretty much sums up his whole style – we’ve got a lot of love for the teacher who’s split his time between mentoring children with special needs and chasing his dream. Now he gets to go full speed on the latter.
The obvious love for literature runs throughout all of his material but it’s always delivered in such an effortlessly relatable, casual and almost conversational manner, as if you’re just sat in listening to his stream of consciousness. ‘Heaven Is Other People’, ‘The Words to Auld Lang Syne’ and ‘Rounders’ are our entry points, but you’ll get a little something different from all of them – and you’ll definitely dance.
Over to Stockport next and no, we won’t be listening to any ‘it’s Cheshire nonsense’ today because we firmly want to put The Rolling People in our camp as there’s something just so familiar about them even though they’ve only just started putting out music.
The Stopfordian four-piece delivers good defiant British rock with very few frills, often fast-paced and Oasis-sounding in riffs, whilst other times reminding us of Shed Seven and drawing other contemporary comparisons such as The Crooks or resembling Tom Concannon of The Stanleys in vocals only just a touch gruffer.
These lads are still only in college but given how big they sound already, we’re expecting great things from them. For your first listen, there isn’t tonnes to get through but we’d go for ‘Grateful For Nothing’, ‘I’ll Be There’ and their latest single which has seen some love on Radio X, ‘Before It’s Gone’.
They also appeared on one of StreamGM’s most recent episodes of Spill The Sound.
3. Pip Millett
Another big genre swing now and we’re going to the R&B meets funk and soul stylings of the ever-so-smooth Pip Millett, who might just be one of our favourite artists in Manchester at the minute, let alone outright vocalists.
Having hit another boom following her most recent COLOURS performance, we do not forgive if you’re only coming across her (tut-tut) but she’s been pretty prolific when it comes to releasing music ever since 2018 and has already collaborated with Maverick Sabre, Chase and Status, Ghetts and more.
We reckon you won’t find many better singers in Greater Manchester right now and if you enjoy female artists like Jorja Smith, Joy Crookes and Miraa May, you’ll love ‘r Pip. Start with ‘Heavenly Mother’, ‘June’ ‘Slow’ and go from there. We truly think she’s going full global soon enough so enjoy here whilst she’s still kind of our little secret.
Back to the guitar-driven stuff now and another solo artist who’s been putting in the hard yards for some time now but is finally starting to reap the rewards. It’s everyone’s favourite curly-haired busker, Alex Spencer.
The young lad from Droylsden has gradually gone from chatting with us lot on Market Street and playing City Square at the Etihad before games to now playing for the players themselves, supporting the likes of fellow Manc rising star Seb Lowe on tour and booking his biggest headline shows yet.
He’s having quite the journey for someone who only just finished his GCSEs back in June 2023 and now that he’s signed to the same label as The Lottery Winners and The Coral, he can really push on. ‘Do What I Wanna’ and ‘Love And Let Go’ are probably his most well-rounded tracks, but we’ve still got a soft spot for his debut ‘A Night To Waste’ as we know the graft that went into getting to that point.
THE LOVE FOR FEAR WILL KILL THE FUTURE HAS BEEN CRAZYY! Thankyou so much❤️🩶🔥
Here’s the lyric video for it and its finally on YouTube for everyone asking!
Now to our final act and we have only two moods left: head-bobbing while our hair drapes to the ground or lying up on our backs as we stare up at a starry sky. That’s our best description of how the shoegaze approach of Manchester alt-rock outfit cruush makes us feel.
That new wave space in music can sometimes be a hard-to-define corner of modern music and that’s often why we love it so much but, in the case of this fuzzy-sounding local foursome, those distorted guitars and and floating vocals are textbook.
You get notes of everything from Wolf Alice and Slowdive to My Bloody Valentine and even Drop Nineteens if the lead singer was a girl. They’re everything you want from modern shoegaze and whether it’s ‘Ladybird Song’, ‘Stick in the Mud’ or ‘All My Plants Are Dead’, they never deviate too far from a winning formula we know and love.
Aww, and that’s all she wrote for another month. It always goes so quick.
We know you’re gutted, we are too but don’t worry, the thing about these regular series and having such a rich pool to fish from is that we’ll be back with more up-and-coming Manchester artists come the end of May – god, isn’t finding new music just the best?
Keep soaking in those tunes, folks, and be sure to let us know who you’ve been enjoying lately in the comments. We thank you in advance.
Oh, and of course, if you haven’t caught up on our picks from last month, look no further.
Featured Images — Pip Millett (via Facebook)/cruush (via IG)/Press Image
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Co-op Live assures fans arena WILL open this week in time for Olivia Rodrigo and other gigs
Daisy Jackson
Manchester’s huge new arena the Co-op Live has assured fans that it will definitely, actually, for sure open this week.
The staggering new music venue beside the Etihad Stadium has been hit by a couple of high-profile delays in the last fortnight.
Although a test event with Rick Astley went ahead on 21 April, giving a small audience a glimpse inside the state-of-the-art arena, the brakes were slammed on soon afterwards.
Co-op Live pushed its opening date back while it ironed out some kinks, namely ‘power supply issues’, and underwent rigorous testing to ‘run all shows safely’.
That meant Peter Kay was rescheduled to 29 and 30 April… but then got postponed again, along with The Black Keys, who were meant to perform last weekend.
All the delays have left fans panicking that their shows will also be delayed, with some huge shows like Olivia Rodrigo, Take That, and Liam Gallagher lined up in the coming weeks and months.
But Co-op Live has now issued a statement reassuring gig-goers that they are full steam ahead and ready to open as planned this week.
The first act to perform here officially will now be A Boogie Wit Da Hoodie on 1 May (not quite as local a name as they were gunning for, but we move).
He’ll be followed by Olivia Rodrigo and her Guts Tour, who will perform two sold-out gigs on 3 and 4 May.
Olivia Rodrigo has announced a Manchester gig at Co-op Live. Credit: Nick WalkerKeane – Photography by ALEX LAKE insta @twoshortdays WWW.TWOSHORTDAYS.COMOlivia Rodrigo and Keane will both play Co-op Live in Manchester this week when it finally opens
Then Keane will play the Co-op Live on 5 May to mark 20 years since the release of Hopes and Fears.
Co-op Live posted: “Let’s do this! Less than 48 hours until we kick off our full opening season.
“Our scheduled shows with @aboogievsartist, @oliviarodrigo and @keaneofficial are going ahead.
“Ticket holders can expect an email with everything they need to know about this week’s events to land in your inboxes tomorrow!”
Fans have breathed a sigh of relief at the news, with one person writing: “YAY THANK GOD OMG THIS IS AMAZING WAS LITERALLY HAVJNG A MENTAL BREAKDOWN BOUT OLIVIA BEING CANCELLED.”
Another commented: “THANK GOD!!! 4th mayyyy.”
Someone else posted: “IM SO HAPPY AHHHHHH I’VE BEEN NERVOUS ALL WEEK BUT NOW I KNOW ITS GONNA BE FINE AHHH.”
Olivia Rodrigo fans are BIG believers in an all-caps comment, clearly.
Co-op Live will open in Manchester on Wednesday 1 May.
It’s going to be worth the wait, we’re pretty sure…
Danny Jones -
8th December 2023 
