Ahead of their upcoming tour next year, we got the chance to one-half of legendary DJing duo, Fabio and Grooverider, who’ll be coming to Manchester early next year.
‘The Godfathers of Drum and Bass’ were there at the very start of it all and have been able to see how the genre, along with offshoots like jungle, has evolved over the years — so it’s only right that they be the ones to deliver a real education to ravers and newcomers this January.
Bringing their ‘History of Jungle and Drum & Bass‘ to the Manchester Academy on Saturday, 13 January, 0161 is just one of three places that have been chosen for the limited run of shows and, as Fabio told us on the call, it because this city has a rich relationship with the genre and pioneering underground music in general.
So you’ve got the tour starting in the New Year and it’s a very limited run of shows — what can you tell us about what you’ve got in store?
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What we’ve got in store is the best of live drum and bass and something very unique. It’s a great show and honestly, even if I wasn’t involved in this I’d go along and definitely enjoy it.
It’s everything that we expected and with a project like this, it’s not something that’s not really been done before, especially not with an orchestra of this size, anyway.
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We want it to sound authentic and that’s what’s happened with the band; The [Outlook] Orchestra‘s amazing, the musicians are great and it’s a very entertaining two hours.
How have you found building this as a full production with the Orchestra and fine-tuning everyone’s performances on stage?
Well, over the course of our careers in general, it’s just got a lot tighter and we’ve all got a lot more confident. You’ve got to remember when this all started we’d never done anything like it before, you know — we’re DJs and we were on BBC Radio 1 for 14 years and then Kiss for seven.
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Public speaking is a completely different thing than speaking in front of a mic, so that was really daunting at first, I’ve got to say; the first one we did I was really nervous and we still get that sense of anticipation, but where it was a bit around the edge at the start, the audience didn’t know that and now I’d say it’s almost 100% the way we want it.
We’ve been doing it two years now and, yeah, it’s just a process of tweaking those fine margins and getting your timings right — when you’ve got 40 musicians, even if you’re a millisecond off it can kind of throw everything.
Sounds like you’ve really nailed it. The idea of a ‘History of Jungle and Drum & Bass’ — how far back are you going into the genre and how do you think it’s changed over the years?
So we go back to 1992. It’s crazy for us to think that was 31 years ago, but yeah, we’re going right back to the beginning and we literally break up the set into years: ’92-93, 94-96 and so on into the 2000s.
I think it has changed over time and you can certainly hear it when you compare the likes of the first track we do, Johnny L’s ‘Hurt You So’, which is kind of like jungle techno, to the modern-day stuff which gets on the radio now, it’s different. But that’s the great thing about both genres, they move on real quick.
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Say if you’re a drum and bass head now and took a year off and then came back, you’d be like, ‘What is this?’ but drum and bass is always like that, every single year.
It’s going through a great time at the moment, probably the best in three decades. It’s bigger now than I think that it’s ever been and I think it’s because it’s been accepted by the public get it; they understand it more and it’s less of a niche.
People have always known about house music but now people actually recognise the big names like Chase and Status, Pendulum and so on. It’s in a very healthy place and I know some of the real purists are a little bit p*ssed and feel it’s gone a bit commercial but the underground scene is still there and I don’t think that will ever die.
Yeah, and I suppose that’s what the beauty of events like these is you can play to both of those crowds. Do you find the audience has that mix?
Well, that’s why we’ve tried to get that fine balance between big tunes that your everyday, casual listener will recognise as well as keep some underground stuff in so the real ‘heads’ can come and dive into it.
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It’s been very deliberate and we’ve sat down to really think about how to strike that combination and it’s another thing that’s been done really well.
And, obviously, you guys are London kings but how big a role do you think Manchester has played in the scene and how it’s progressed?
Oh man, it’s always been really important. Going back to A Guy Called Gerald who was one of the first truly big English producers, when people listened to ‘Voodoo Ray‘, even the Americans thought was a guy from New York and he’s a bit of an unsung hero really.
He made some of the first jungle tunes as well, so we’ve always felt the influence and link with Manchester, especially over the last 10 to 15 years when it’s been really, really strong here.
You know, you’ve got DRS and, of course, had Marcus Intellect, God bless his soul, who always flew the flag for Manchester, you know what I’m saying? And, um, you know, there’s a really healthy, uh, seed in Manchester.
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Strategy, Dogger, Mindstate: a lot of those guys are very important to drum and Bass and a lot of them grew up knowing each other as well, which is cool. We’ve also got Jenna G in the show and not only is she from Manchester but she’s one of the real highlights of the show, she’s absolutely amazing.
Also, it’s really important that we put on a good show because the Manchester music crowd know their sh*t as well — you can’t really con them.
Absolutely, and in terms of artists right now, whether they’re from Manchester or elsewhere, who’s really exciting you at the minute?
I mean, the staple is obviouslyChase and Status who have helped get [the genre] some radio play to the point where there were four drum and bass tracks in the top 40 just last year. Absolutely insane.
Hedex and all those guys are also helping grow the underground scene but, honestly, there’s too many names to mention that lifting up others so we’re in a real good spot at the minute.
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Are there any favourite Manchester venues that come to mind?
Band on the Wall — I LOVE it in there and, of course, Warehouse Project which is basically flying the flag for drum and bass across Britain right now. WHP is possibly the hottest venue in the UK so, yeah, Manchester was always a no-brainer and we’re really looking forward to coming there.
Nice, and lastly, if you could describe the upcoming shows in three words what would they be?
It was a pleasure chatting with Fabio; both he and Grooverider are not just radio veterans but drum and bass royalty.
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From the glimpses we’ve caught of what the set looks and sounds like with the full might of The Outlook Orchestra behind them, this thing is going to be blockbuster.
There are still tickets left to see all three live at Manchester Academy on Saturday, 13 January HERE.
Featured Images — Supplied/@matthiggs (via Instagram)
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Sam Fender at Co-op Live Manchester – one of the world’s greatest live acts
Harry Quick
Sam Fender, the down-to-earth lad from North Shields has both the crowd and his black and white striped Fender Stratocaster in the palm of his hand alike as he embarks on the first of two nights at Co-op Live.
Strutting out on stage with the nonchalance of a superstar, he’s done it all before. The Pyramid stage at Glastonbury, headlining festivals worldwide and playing in front of 50,000 at his beloved St James Park. Howay man!
Yet, however he does it, it almost feels like it’s just you and him in the room. His relaxed, baggy jeans and oversized t-shirt are emblematic of his laid back approach to just having fun with his mates, even on the biggest of stages.
The humble 30-year-old hit maker, who has now been touring stadiums for seven years, still treats his audience like they’re locals at the Low Lights Tavern – unblinded by the 23,500 flashbulbs in the UK’s largest indoor arena.
Fittingly supported by Wunderhorse, one of the UK’s best upcoming bands, they warm the crowd up with their own supply of rock anthems including Midas, Purple and Teal.
Sam Fender then opens up with Dead Boys, a tune he hadn’t played so far on his 2024 People Watching Tour, and it was to some reception in front of the Manchester crowd.
Alongside his gifted guitar talent, his lyricism is generational, with Dead Boys being a cult favourite and the perfect opener to what is to be an incredible showcase.
The first song chosen from the critically acclaimed Seventeen Going Under album, ‘Getting Started’ follows and in its namesake he’s right…
The floor to the back row are on their feet in unison as Fender and the band catapult into full swing.
In his repertoire of heartfelt classics, Sam gives the Manchester crowd the taste of many a playlist favourite with the production to match.
‘The Boarders’ hits a tone that only builds from start to finish, with the anguish of life as a young lad from the North East playing into poetry, a personal favourite. When the guitar solo hits in the final third of the track, the light show on display gets mesmerising. The saxophone solo takes the spectacle to new levels – as they always do.
Sandwiched between two tracks from his upcoming release is one of his oldest, ‘All Is On My Side’. If there was an indie rhythm to epitomise my adolescent years it would be this one. It is a tune that describes growing up and the challenges that come with it.
Across the tour so far, it has been welcomed back into the setlist with open arms paying homage to the music that took him to where he is that features a signature Stratocaster crescendo.
As an early Christmas gift, People Watching EP dropped into our streaming services with a taste of what is to come on the 2025 full album. Wild Long Lie, which we have already sampled on full release, is paired alongside Nostalgia’s Lie and Arms Length which somewhat dissipated momentum.
Nonetheless, it clearly shows signs of something to become Fender staples in the near future.
Amongst the chaos of the floor, it’s poignant to note the moral compass of the man on stage. Midway through one of his brand new releases, the down-to-earth Geordie pulls the plug to care for fans struggling in the heat of the pit, making a point of looking after each other during the show. Something I can only think he would have resonated with during his youthful yesteryears as a gig-goer on the other side of the barrier. Class act!
‘We Will Talk?’ kickstarts proceedings off again, showering the crowd with another archetypal hit to get the Co-op Live firmly on their feet.
When you know a song is about to blow the roof off the place, as a proud songwriter he only had to say one word. Spice. Dating back to November 2018, ‘Spice’ came along with ‘Dead Boys’ in his debut EP and it holds cult status six years down the line. If the sheer genius of the anthem isn’t enough to keep the audience engaged, then the massive pyrotechnic display firing out the back of the stage might have!
Now, as a man who has religiously listened to Sam Fender’s collection throughout the year, a song that placed number one for me was ‘Howdon Aldi Death Queue’ – specifically the Finsbury Park live version. In its presence for the first time in the flesh, this more than lives up to expectations.
For a song that, on a surface level – describes separating a reasonable distance from the person in front of you during a global pandemic at a supermarket in Wallsend – it holds about two minutes of the greatest guitar solos you would hear this side of the Tyne Bridge.
Shades of Springsteen, Petty and Hendrix, and that is high praise, just listen. Breathtaking. Rock. Music.
Running into the final phase of the performance, we were somewhat brought back down to earth with ‘Get You Down’ and ‘Spit of You’. The latter is always a touching tribute to his old man, performed with a backdrop of Polaroid images of children and their parents. More specifically the conversational difficulties between a father and son, but something that could pull on the heartstrings of the entire audience.
Then they arrive… the big finish, the final three. Some may have felt disheartened to miss out on the likes of ‘That Sound’, ‘Saturday’ and ‘Play God’ (me being exactly that person) but listen, he can’t play them all.
To close us out, Sam takes to the keys as the faint intro to ‘The Dying Light’ creeps across the venue. The melancholy piano feels like it could awaken the entirety of East Manchester on a crisp winter morning before creeping up into the traditional electric guitar with an explosive, confetti-worthy finish!
As an encore, ‘Seventeen Going Under’ and ‘Hypersonic Missiles’ provide the musical culmination of truly one of Britain’s (if not the world’s) greatest live acts.
As the Geordie star and the band prepare for their swan song, the canny lad teases the crowd with waves of acapella Ohhh, Ohhh, Ohh, Ohhhhhh’s, pre-empting the grand finale.
Fireworks, fog machines and confetti pair with an overwhelming chorus of applause to conclude what was undoubtedly one of 2024 best live acts – and he fancies doing it all over again tonight.
Sam Fender setlist
Dead Boys (Tour Debut)
Getting Started
The Borders
Wild Long Lie
All Is on My Side
Nostalgia’s Lie
Arm’s Length
Will We Talk?
People Watching
Spice
Howdon Aldi Death Queue
Get You Down
Spit of You
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The Dying Light
Seventeen Going Under
Hypersonic Missiles
Featured image: Publicity picture
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The top 10 biggest gigs in Manchester music history
Thomas Melia
When you think of Manchester one of the first things that comes to mind obviously after ‘best city in the world’ is one word: ‘music’.
Our capital of the North West has birthed some of the world’s greatest singers of all time and welcomed some of the planet’s biggest stars.
Manchester has many live music venues to host impressive gigs including stadiums, arenas, parks and a wide variety of performance spaces.
The real reason these artists keep coming back is because of you, everyone who shows up and shows out to every single tour and performance happening in our culturally rich city.
With a tour titled ‘KylieX2008’, the Aussie sensation made our heads spin around in 2008 as she graced the AO Arena for six nights of pop perfection from 11 July to 18 July.
Minogue has a special connection to Manchester and this arena specifically, performing here over 30 times to a total of 400,000 people.
Taylor Swift performing on the B-Stage at Etihad Stadium in 2018.Credit: The Manc Group
‘Baby let the games begin!’ Swift opened her ‘Reputation Stadium Tour’ in 2018 while standing behind a backdrop of snakes, scales and reptile-like patterns.
The legendary pop star commanded the stage even walking through the crowd to greet fans with smiles and high fives, making sure to get up close and personal even in a venue this grand.
‘Tay-Tay’s last visit to the North West saw her playing three nights of her monumental ‘The Eras Tour’ just a stone’s throw away at Anfield Stadium and who knows, maybe once the Etihad renovation is complete, she might be keen to make another appearance.
8. Oasis: 80,000 – Maine Road (1996)
In signature Liam style, the tambourine is in hand and ready to accompany both the brother’s vocals.Credit: Wikimedia Commons
The Burnage boys were always destined to be on this list in one way or another due to their incredible impact in pushing Manchester music and bands to the mainstream.
Singing hits from their well-known music catalogue, Oasis attracted 80,000 to Manchester City’s former ground in the mid-90s.
Unlike the tour taking place in 2025, tickets for this gig would’ve only set you back £17.50, you’d have been silly not to grab yourself one!
7. Harry Styles: 99,526 – Old Trafford Cricket Ground (2022)
The former One Direction star Harry Styles spent two nights in June spreading the love with his mega ‘Love On Tour’ and the feeling was definitely mutual.
On 15 and 16 June the ‘Watermelon Sugar’ singer had nearly 100,000 devotees in the palm of his hand as he belted out some of his best solo numbers.
The Cheshire-born superstar even paused his show to find his primary school teacher who he’d been informed was in the crowd, thanking her for all her help and hard work while he was in education. Adorable.
6. Foo Fighters: 100,000 – Old Trafford Cricket Ground (2024)
The Washington-formed band put on two impressive nights where Mancs witnessed ‘music royalty’ on their ‘Everything or Nothing at All Tour’ in June.
As well as ‘The Pretender’ hitmakers, the sold-out shows were spoilt with not one but four support acts split across the two dates, including Wet Leg.
On 13 June the rock champions even previewed an unreleased track ‘Unconditional’ for the first time, adding it to the setlist for the 15 June show too!
Old Trafford Cricket Ground was a spectacle this June.The American chaps swooned by the roars of the crowd.Credit: The Manc Group / Publicity Picture (Supplied)
5. Spice Girls: 150,955 – Etihad Stadium (2019)
Etihad Stadium and Spice Girls spiced up our lives three times in 2019 with three non-consecutive performances from 29 May to 1 June.
This tour was missing one key ingredient, ‘Posh Spice’, who missed out on this string of shows for the first time in her career.
In addition to these four fierce ladies, another UK household act Jess Glynne joined them on the bill as a support act. The girls were met with raptures as they made their entrance to Manchester after 11 years since their last visit.
Just look at those iconic fits! Spice Girls performing at Wembley Stadium on the same tour that visited Manchester.Credit: Wikimedia Commons
In 2023 they brought their Music Of The Spheres world tour to Manchester from 31 May to 4 June for four nights of dazzling lights, wowed fans and of course incredible live arrangements.
Altogether, these shows brought together almost 200,000 attendees who had the opportunity to get involved with the show’s production themselves by cycling electric bikes and kinetic dancefloor which both helped power the stage.
The Coldplay lads in all their glory.An awe-inspiring crowd lighting up the already phenomenal Etihad Stadium.Credit: Wikicommons / The Manc Group
3. Ed Sheeran: 218,639 – Etihad Stadium (2022)
Starting his musical career just over the hill busking in Hebden Bridge before becoming one of the UK’s most prominent and successful artists of all time.
In 2022, the ‘Galway Girl’ singer took to Manchester City‘s awesome stadium to play hits from his full discography titled ‘The Mathematics Tour’ in honour of his equation-themed album titles.
The one-man, one-guitar show attracted almost 55,000 people across four nights who watched the singing red-head belt out his bangers on a 360 circular stage.
Ed Sheeran at V Festival in 2014, already a star in his own right.Credit: Wikimedia Commons
2. The Stone Roses: 225,000 – Heaton Park (2012)
The Manchester rock pioneers played a three-night hometown residency as part of their reunion tour following a 17-year concert hiatus.
Fans came in abundance to pack out to Heaton Park, a notorious music-hosting site which has hosted a plethora of acts as well as this formidable band.
Spanning from 29 June to 1 July, The Stone Roses played to a whopping 75,000 fans every night across the three sold-out Manchester shows at Heaton Park in 2012.
The Stone Roses performing at Fuji Rock Festival in 2012, the same year as their Heaton Park residency.Credit: Wikicommons Media
In 2011, ‘The Flood’ boys put on a remarkable eight nights for nearly half a million lucky Mancs from 3 June till 12 June, making for a summer everyone could ‘Never Forget’.
However, they weren’t the only boyband gracing the Manchester City stadium as dance duo Pet Shop Boys supported them on their ‘Progress Live’ tour across the UK.
A fan-captured moment of Take That reunited amidst their eight show run at Etihad Stadium in Manchester.Credit: Wikimedia Commons
Honourable Mentions
One Love Manchester, 55,000 – Old Trafford Cricket Ground (2017)
Even though this event may not be topping the attendance records, this concert was a special and remarkable moment in Manchester’s history.
Fronted by Ariana Grande, just two weeks after the Manchester Arena attack, Old Trafford Cricket Ground saw a multitude of artists coming together to celebrate the importance of music while paying respect to those affected by the events in the month prior.
BBC reported the ‘One Love Manchester’ live show had 14.5 million viewers at its peak with an average of 10.9 million worldwide and this benefit concert has since raised more than £10 million for the ‘We Love Manchester Emergency Fund’.
Grande may be reaching height after unthinkable height as a musical artist, but she has always had a special place for Manchester in her heart, donating toys to children in Manchester hospitals at Christmastime.
Oasis Live ’25, 320,000 (Predicted) – Heaton Park (2025)
Brothers Liam and Noel Gallagher are heading across the globe next year on their reunion tour of a lifetime, 16 years since their last live performance, with four Manchester dates.
Although the band might not have performed yet, Heaton Park is expected to welcome a ‘Wonderwall’ of around 80,000 fans every night.
We’re not sure we’ll ever be emotionally ready for this but bring it on. We’ve waited long enough. The question is, what do want to hear them play?