A mum has claimed a hairdresser got drunk while dying her hair and fitting a weave, which left her with a needle stuck in her scalp and the “worst hairstyle of 2020”.
Emily Hunt – a 24-year-old fellow hairdresser from Bolton – said she “wanted to die” when she realised just how terrible her hair looked after asking a former work colleague if she would touch up her roots, add some highlights and attach a £225 sew-in weave just prior to salons closing due to the second national lockdown amid the coronavirus (COVID-19) pandemic.
The hairdresser and friend – whom Emily said she’d recently reconnected with – agreed and asked for £70 to cover her time and expertise.
She also quoted £25 to apply the hair dye Emily provided and a further £45 to braid and sew in the hair piece, but Emily admitted the hairdresser then spent four-and-a-half hours at her home carrying out the work, while necking gin and bizarrely washing her own hair too.
Emily said the woman responsible for her disastrous do was someone she used to work at a salon with, and as a friendly gesture, offered the hairdresser a drink while doing her hair, but said she didn’t expect her to drink as much as she did.
The mum-of-one claimed she was also forced to do “half the work” herself – mixing the colours for her own hair, rinsing it out and even sewing some of the hair pieces together – and she said the hairdresser even demanded the money before she left.
ADVERTISEMENT
Emily Hunt – Kennedy News & Media
Recalling the situation, Emily said: “We were on lockdown from Thursday, so that’s why I needed to get my hair done by someone quick.
“As I’m a hairdresser, I’ve got a trade card so I provided the medium blonde colour and hair piece. She made me fix the colour, all she did was paint me some roots on and then told me to wash it off while she was having a cig at the door. She put eight highlights throughout the top and I even took the eight foils out of my hair myself too.
ADVERTISEMENT
“I thought it was a bit weird, I remember thinking ‘why am I even paying someone when I’m doing half of the job myself?’.”
After Emily rinsed the dye off her hair, the woman told her to partially-dry her own hair before she attached the hair piece.
Emily continued: “She told me she had to do my plaits while my hair was wet, which I found weird. She said to only dry it 20% [so] I stood in the kitchen and I blasted it myself while she went for another cig.”
ADVERTISEMENT
The hairdresser then plaited three rows of hair to attach the sew-in weave to.
“When she’d done the first row of weave she went for a shower and washed her hair with my shampoo and conditioner then she came back to it.” Emily said.
“She did three plaits, but the bottom one was very, very low and then she didn’t leave a big enough gap to go up to the other one. They were just all very loose and I could feel the top of the hair extensions touching my ears and the back of my neck. [Usually] when that happens, that’s when you need to get it re-done, not when you’ve just had it done [and] when she was sewing the hair onto the plait she’s not secured it, she’s not even finished off the sewing and she’s left the thread hanging down with a needle.
“When she left she said ‘transfer me that money now’, I was put in a position where I couldn’t really not send it.”
After sharing pictures of the horror hairstyle on social media, the post went viral racking up nearly 12,000 likes, shares and comments, with one person aptly saying “if 2020 was a weave”.
ADVERTISEMENT
Kennedy News & Media
In a desperate attempt to get the situation rectified, Emily admitted to frantically messaging a nearby hair salon and pleading for an appointment to sort it out.
She said: “I didn’t sleep properly, I kept waking up all night and I messaged a stylist at 2am saying ‘please can you fit me in tomorrow morning because you’re never going to believe it. You’re going to see this weave and you’re going to laugh your head off, honestly it’s so bad’.
“When they asked what was up with it, I replied ‘What’s right with it? When I sit on the chair you’ll see’.
“Everybody’s eyes were popping out of their heads and their jaws were dropping, all the stylists were saying it’s the worst weave they’ve ever seen’. It took no longer than an hour to fix. She did it really nicely and then cut and styled it for me, I loved it.
“When the hairdresser got to the second row, that’s when she found the needle when it pricked her finger. She couldn’t believe it was there and said ‘what the hell? Where did that come from?’
ADVERTISEMENT
“[The original hairdresser] caught my scalp with the needle tip and it hurt. It’s got a scab on it now so it must have bled. I remember thinking, ‘oh my god that could have stabbed me in the head all night.'”
Kennedy News & Media
This unfortunately wasn’t the end of the ordeal though.
After sending messages to the original hairdresser for a refund and getting no reply, Emily wrote a Facebook post sharing her hair horror.
The woman got in touch and offered to fix her hair, but Emily declined and has since contacted the hairdresser’s boss and reported her to Trading Standards.
“I shared the post because she was ignoring my messages.” Emily said.
ADVERTISEMENT
“She sent me a voice note saying ‘I’m sure I’ve done a really bad job, I’ll come back on Wednesday to sort it out [but] I said I would be out and then asked her for a refund and she started kicking off. She then started saying she should have charged me £110, which is the standard price for all of those hair treatments, and offered to refund me £30.
“I contacted her boss who said a message would be passed on, but mentioned it happened outside of work and was nothing to do with them.
“I won’t be letting her do my hair again and I’ve contacted Trading Standards.
“I just want my money back, I also don’t want anyone else getting the same treatment.”
Trending
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Tracey Neville appointed as Managing Director of brand new Stockport County Women’s team
Danny Jones
Stockport County FC have finally and officially launched their new women’s team in what they are hailing as a “new era” for the female football in the area.
Moreover, they’ve hired an experienced international coach to head up the department, with Tracey Neville MBE selected as the Managing Director of the new outfit.
Sister to footballing brothers Phil and Gary Neville, but with an oft-overlooked impressive reputation of her own – having not only won bronze at both the 1998 Commonwealth Games and World Netball Championship in ’99 before going on to coach her national team – she arrives with plenty of pedigree.
Now swapping her discipline for a different set of nets, Tracey Neville will lead the pre-existing Stockport County Ladies setup into their next modern chapter as the SCFC Women.
The club is delighted to announce the launch of Stockport County Women, marking an exciting new era for women’s football in our town.
Writing in a short announcement on social media, the Hatters said: “The club is delighted to announce the launch of Stockport County Women, marking an exciting new era for women’s football in our town.
“Founded in 1989 as Stockport County Ladies, the team has spent 37 years as a volunteer-led community club, providing opportunities for women and girls across the borough.
“From the 2026–27 season, the team will compete as Stockport County Women, reflecting the growth of the women’s game and the club’s commitment to equality and opportunity.”
Also confirming the appointment of an experienced women’s and international sports personality, Tracey Neville, as the new MD, they’ve issued a clear mission statement.
Put simply, she and the rest of her staff are going to be tasked with creating “a clear pathway from grassroots to elite women’s football for Stopfordians.”
Commenting on her new role in a lengthier club statement, Neville said: “I am incredibly proud to be joining Stockport County at such a pivotal moment for the club and for the women’s game.
“My career in elite sport has shown me what is possible when there is a clear vision, strong leadership and a genuine commitment to developing talent from the ground up. Women’s football is at a defining point, and Stockport has the opportunity to do something special.
She goes on to add: “This is a community club with deep roots, and my focus will be on creating a clear, credible pathway for girls and women to progress, while building the standards, culture and infrastructure needed to compete at the highest level.”
“We want young girls in Stockport to believe that they can reach the top of the game without leaving their community. That’s how you build something powerful, sustainable and truly representative of the people it serves.”
This comes following another major announcement with the news of the next phase of the infrastructural development, with the wider football club set to take control of Stockport Sports Village (SSV) and turn it into the home not only of the youth academy, but County Women and grassroots club Stockport Town.
As for Stockport County Women, it was only last year that they were playing against Liverpool’s female senior first team at Edgeley Park, and with all the investment happening in and around the organisation, you can expect more dates like these in the near future.
Stockport County Ladies become Women from next season onwards.