One of the country’s best gig venues, The Leadmill, has announced it’s facing closure after it was served with an eviction notice.
The legendary music venue, which has been operating since 1980, says it’s being ‘forced to close’ next year when its tenancy expires.
But its landlord has today insisted that the building will remain a ‘special music venue’, though the ‘management may change’, The Hoot reports.
The Leadmill has issued a heartfelt plea for support on social media, writing: “Today we have received some devastating news that in 1 year’s time, our Landlord is trying to evict us, forcing us to close.
“Since 1980 The Leadmill has spent millions of pounds on what was a derelict warehouse, transforming it into one of the U.K’s most respected venues where countless acts from across the globe have performed over the years.
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“Please show your support by sharing this news & sharing your best memories that we can gather to help show them reasons why #WeCantLoseLeadmill.”
Since The Leadmill posted about the possible closure last night, some of the biggest names in music have thrown their weight behind the campaign.
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Kaiser Chiefs wrote: “We played @Leadmill in our early days and not only do we have very fond memories, it really helped us, too. It would be a huge loss not just for Sheffield and Yorkshire, but the whole UK music scene. #WeCantLoseLeadmill.”
Charlatans frontman Tim Burgess added: “Such a brilliant venue. Let’s do all we can to stop The @Leadmill from closing.”
Barnsley band The Sherlocks wrote: “This venue is such a special place for so many reasons. We genuinely can’t imagine Sheffield without The @Leadmill. We as a band have so many special memories there! Get behind the venue everyone #WeCantLoseLeadmill”
And The Cribs posted: “The Leadmill is a wonderful and important venue. These are the sort of places that cities cannot afford to lose, the platform they give young musicians is invaluable. Great Leadmill memories are stagediving to Radish (@benkweller) in ‘97, hanging with the White Stripes in 2002.”
Landlord Dominic Madden, from Electric Group, said this morning: “I’ll be making a statement regarding @Leadmill shortly. For avoidance of doubt, we are music people, we spend our lives running independent music venues and the Leadmill will continue to operate as a special music venue. The management may change but the song stays the same.”
Featured image: The Leadmill
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Lead singer of Aussie band blasts mystery Manc café for rude and ‘aggressive’ treatment by staff member
Danny Jones
The lead singer of Australian indie and alternative band, The Buoys, has come out to criticise a mystery Manchester café after receiving rude and ‘aggressive’ treatment from a member of staff.
Lead vocalist and rhythm guitar player, Zoe Catterall, hopped on the band’s TikTok account to vent and indirectly inform others about the as-yet-unnamed coffee shop ahead of the group’s show at Gorilla in the city centre this week.
Noting that much of her family originates from Manchester and she usually gets “excited” by the “sense of home” away from home whenever she comes here on tour, her visit this time around was sadly marred somewhat by the treatment by one unknown member of staff.
As Catterall details in the video, despite going out of her way to be polite and familiarise herself with a new city centre spot as a tourist, she was unfortunately met by the purportedly blunt female worker, who “rolled her eyes” at a simple question and a general rude demeanour. Here’s how she says it went down:
Admitting she “was not expecting the response that I got”, she goes on to detail the woman finger-pointing and exhibiting just a generally rude tone.
Initially suspecting that she might be holding up a queue or irking the staff in some other way, she eventually goes on to describe her behaviour as “being an arsehole for no reason” and reiterating that you “don’t have to be that mean”.
Adding that she was welling up and feeling overwhelmed by the whole incident after a jet-lagged morning without any breakfast or caffeine in her system yet, she eventually felt so uncomfortable that she decided to grab her coffee and go decompress elsewhere.
Moreover, after explaining that she ended up going on to the café’s Google reviews out of curiosity, it turned out that the Manchester spot had racked up quite a few people who also had negative experiences and rude or ‘aggressive’ treatment by staff.
We’re not going to join in on the speculation but the comments have some ideas.
To Zoe and anyone else who may have unfortunately been on the receiving end of this rude individual’s service, we’re sorry you had to put up with that and we assure you it doesn’t represent the majority of Manchester hospitality.
And for those trying to help get to the bottom of who the mystery Manc coffee shop/employee was, we hope it serves as a kick up the backside for whoever it may be and a reminder that it takes virtually nothing to be nice.
All that being said, we can’t think of any better way of helping Zoe and co. shrug it off besides plugging their gig supporting fellow Aussie alt-rockers Vacations at one of our favourite venues on Thursday night.
If you fancy going along you can grab a ticket HERE. Oh, and if you think you know which Manchester café might be, don’t go and be rude to anyone yourself – we’re better than that. We’re sure they’ll come across it themselves soon enough, don’t worry.
Take That shine at the AO Arena in an over-the-top spectacle of a show that we’ll never forget
Danny Jones
Iconic 90s boy band and homegrown heroes Take That played the first of their five-night run at the AO Arena this Tuesday night and boy do these lads know how to put on a show.
I’m going to start this off by admitting I wasn’t necessarily the biggest Take That fan going in – the hordes of huns, mums and tipsy grans firmly won that – but I did walk out with my headphones full blast listening back to all the greatest hits I’d just had brought to life in front of me in glorious technicolour.
At one point, it looked like they might not get to play their truly massive Manc arena shows after the drama with Co-op Live’s ‘opening’ fortnight was derailed but, fortunately, the AO Arena were there to rescue this week’s performances and put together the frankly barmy production in just a few days.
So, first of all, big props have to go to them and they rightly did on the night; the venue helped keep lots of people’s dream gig alive, with both the headliners themselves and support act Olly Murs encouraging a huge round of applause from the packed-out 23,000 cap arena.
‘Olly olly’ opening (yes, he did chant get the entire crowd to chant that)
Speaking of Olly, again, I can’t pretend to be the biggest Murs fan but two things are true, I knew most of the words to his biggest hits as he played a medley of his career from start to finish and the man has bundles of energy.
He cut a George Michael and almost Harry Styles-esque figure at times (even if a few years older, sure), sprinting from one side of the stage to another, cycling through the whole roster of dance moves and giving the crowd exactly what they wanted: that cheeky chappy vibe that got him where he is.
While the 2010s UK chart-topper was a deeply unserious performer for the most part, simply having fun and pratting about as he wished – he even had a fun little stunt where people could call his number on stage – we’re not mad at it because make no mistake, he showed everyone a good time.
And it wasn’t all just playing forgotten pop tunes to his main and admittedly adoring demographic, he he paid a touching tribute to his late friend Caroline Flack with a slower ballad and gave plaudits to his live band who helped bring plenty more. And then these three other lads emerged through the fog…
Olly Murs opens for Take That at the AO ArenaIt was never going to be just an ordinary show…Credit: The Manc Audio
Non-stop shenanigans and we loved every second of it
Quite literally, we mean: Take That’s entrance felt like some kind of weird second coming and, to be fair, it looked to be a biblical experience for the die-hards who began to scream at pitches we’ve rarely heard as they walked out to ‘Keep Your Head Up’, the opener from their last year’s album.
An obvious way to start their Manc tour dates off, we had some idea of the shenanigans about to happen after spotting a few videos on social media but in no way we’re prepared for the thematic whiplash that was about to take place. Or how much we were going to enjoy it.
We’re not joking when we say we lost track of how many costume changes there were, how many times the set design shifted from a set of stairs (think of a Vegas-style cabaret show, only at one point they were on fire) to a walkway descending from the ceiling and so much more madness.
The overarching narrative, in short, was a slightly sardonic twist on a Take That TV show, with Gary, Mark and Howard introducing and flicking through all the big moments down the years. It reminded us of The 1975 stage production at times, only a little less artsy and a bit more wink-wink, nudge-nudge.
If we had to give you a top-line summary of the show overall, it’s intentionally camp, over-the-top and often silly by design, but all with plenty of self-awareness underpinned by the lads who, just like Olly did beforehand, did nothing but have a laugh on stage. Oh, and yes, Gary did ‘the thing’, don’t you worry.
Be it marching up and down stairs in synchronicity before running out of breath when they remember they’re 50, to delivering dance routines galore and getting the rest of the band to come and sway side-to-side with everyone sitting round a sofa, they pull out of the stops when it comes to pageantry.
It also has to be said that no matter how big a Take That fan you are, hearing a full AO Arena belting out ‘Patience’, ‘The Greatest Day’, ‘Never Forget’; ‘Rule The World’, ‘Back For Good’, ‘Relight My Fire’ and oh my they really do have a shed load of absolute bangers, don’t they?…
I mean, just look at this:
Probably the best moment of the night – even if they were wearing strange, Daft Punk-type space helmets.
To cut a long story short, while Take That obviously wished “all the best” to the Co-op Live for when it hopefully opens next week, it felt rather fitting for them to return once again to the venue that first started playing decades ago and still how the record for having played the most shows at.
Better still, the whole bells and whistle spectacle did add something to the experience and it wasn’t as gratuitous as it perhaps looks in some of the clips that have been memed up online. Still daft, don’t get us wrong, but they know it is and it made moments when the vocals were front and centre memorable.
It doesn’t matter how many years on they are, Take That’s latest show proves exactly why your mum, grandma, auntie and probably your uncle loved them in their heyday, why it was such a big deal when they came back in the noughties and why they’re still selling out arenas to this day.
They’ve been doing this for years and they’re absolute pros – we don’t see them going away again any time soon. Roll on the next few nights!