In case you didn’t already know, there’s a Manchester Facebook group dedicated to immortalising stupid comments overheard in the Northern Quarter, and it’s completely hilarious.
Whilst we don’t really have that much time for Facebook nowadays, this community group is so funny that it’s worth signing back in for – even if you’ve ditched the platform for good.
Chronicling all of the neighbourhood’s weird, wonderful, banal and basic goings-on, if you’ve ever found yourself wanting a birds-eye view of one of Manchester’s quirkiest neighbourhoods, well, this is it.
From candid pictures and videos of the eccentric characters who line its streets, to amusing observations and surreal conversational snippets, you’ll never see the district in the same light again.
Prepare yourself, though, because it’s about to get a little bit weird.
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From a guy who seemingly wanders the streets whispering and clutching a seagull late at night, to a man who pushes his cat in a pram and an owl that gets about perched on a guy’s shoulder, the Northern Quarter is forever full of surprises.
Here are some of our favourite quotes to date:
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‘Passing the Mini-Mart, and a young couple ask each other whether it is a cocktail bar.’ – Dan
‘Couple coming out of The Millstone: “My gosh that was like stepping into Bolton!”‘ – Jake
‘”Oooh is that the Trafford Centre?” / “No it’s Affleck’s Palace.”‘ – James
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‘”If you drop that pizza I’ll smack you in the face” – 12am outside Black Dog’ – Jessica
‘”I’d be more upset if Dianna was dead” / She is dead…”‘ – Jack-Cameron
“I take a lot of drugs yeah, but I’ve only lost my shoes once” – James
“If it bleeds we can ferment it” – Madeleine
A cat in a parm. / Image: Martin Maddox via Overheard in the Northern Quarter
‘On approach to The Millstone – “Let’s get wrecked in here before we head to The Ivy.” – Danny
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‘Guy on the phone near Shudehill: “Mate, what I’m trying to tell you is if you were in the ocean, you’d be king of the ocean.” / A few seconds later: “What I know about the king of the ocean is, the king of the ocean, would come out tonight.” – James
‘”I don’t like Aperol Spritz, it tastes like sadness.” – Thomas Street.’ – Jack
“She didn’t even know what a bottomless brunch was.” – Bella
‘Not overheard but I’ve just walked past a man carrying an owl like a baby.’ – Aims
‘”Man had a cat in a pram though” – Bouncer (photographic evidence of cat in pram available upon request)’ – Jimmy
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“I REALLY hope ‘Hipster’ is finally over mate” / Yeah sick of everyone looking like a vintage New York Docker whose trousers shrank in the wash” / Good news for now – but what will replace it?” / “Probably Pets With Pronouns” / “That’s a fucking mint Album Title right there mate” (Pair that looked like musicians – Idle Hands coffee shop) – Chris
Image: Chloe O’Toole via Overheard in the Northern Quarter
Image: Shaun Anthony via Overheard in the Northern Quarter
‘Two lads walking into Oldham Street from the Piccadilly Gardens end on a busy night: Lad 1: If this was a foreign city, and you were walking down here right now, what would you be thinking? Lad 2: Shithole Lad 1: Right!’ – Lucian
‘“I slept with someone with a vajazzle once” / “What was her name?” / “John” – Thomas St just now.’ –Alex
“You shag by the canal, say your goodbyes, then you fuck off” – Chloe
‘Was in Crazy pedros and some lad and his mate sat down and one of them went “bon appe seat”‘ – Matt
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Image: Rob Craven via Overheard in the Northern Quarter
The crisp poem. / Image: Rob Halfpenny via Overheard in the Northern Quarter
‘”Girl “Eurgh, he was just some fresh out of the womb child. 18 years old is too young” / Guy ”aren’t you only 20?” / Girl “yeah” / Guy “it hardly makes you a pedophile then”’ – Alex
‘”I hope someone puts something I say on that overheard in northern quarter group one day, that would be jokes.” Wish granted bro.’ – Jacob
The funds will help improve the already incredible music scene in Manchester, benefitting staples likes Night and Day Café, Matt and Phred’s Jazz Club, SOUP and more.
All of the donations will be distributed across six independent music venues and will be used for various instruments, PA equipment, backline technology and other necessities depending on the requirements of each site.
Elbow have teamed up with Co-op Live in aid of supporting Manchester grassroots venues.Credit: Supplied
This initiative has been keeping Manchester’s Northern Quarter in the forefront of people’s minds when it comes to live music as well as the impressive Co-op Live.
Alongside providing vital resources for these local institutions, Elbow teaming up with Co-op Live also helps cement the North West as one of the main powerhouses in relation to live music.
The latest efforts from the largest indoor arena in Manchester fall in line with celebrating one year of bringing some of the best live music to the city, being officially open for 12 months in May.
Co-op Live have made a commitment to the people and the planet, promising to donate £1 million annually to the Co-op Foundation.
The stunning Co-op Live venue, Manchester’s largest indoor arena.Elbow performing at Co-op Live, marking history as the first act to grace the venue.Credit: Audio North/Supplied
Manchester’s latest live music venue also contributed significantly to selected charities, including Happy Doggo – chosen by Liam Gallagher and Eric Clapton’s addiction recovery centre, Crossroads.
As Elbow teams up with Co-op Live, even more money is making its way to necessary resources, this time in the likes of crucial live music establishments.
Elbow front-person Guy Garvey says: “Playing Co-op Live’s opening night will stay with us for a lifetime, not least because of how incredible the room sounded.”
“When the venue donated funds in our name to support the city we love, it made complete sense to carry that through to the Northern Quarter and to venues that have meant so much to my bandmates and I throughout our career.”
Guy Dunstan, Senior Vice President and General Manager, Co-op Live, adds: “In the past year, I have been proud to see Co-op Live become an integral part of such an incredible city.”
“Teaming up with Elbow to directly support the venues that first put Manchester on the map, and to share something so intrinsic to us as venues – proper sound – is something truly special.”
Award-winning The Kinks musical Sunny Afternoon to kick off UK tour in Manchester
Emily Sergeant
Multi award-winning musical Sunny Afternoon is set to kick off its UK tour here in Manchester later this year.
Following a sell-out run at Hampstead Theatre, the musical production featuring all the hit songs by legendary rock band The Kinks opened to critical acclaim at the Harold Pinter Theatre in London’s West End, where it ran for two years ahead of its sensational UK and Ireland tour throughout 2016/17.
It also collected four Olivier Awards, including Best New Musical and Outstanding Achievement in Music for Ray Davies, along the way.
Award-winning The Kinks musical Sunny Afternoon is kicking off its UK tour in Manchester / Credit: ATG Tickets
Set against the backdrop of Britain on the cusp of the rebellious 60s,Sunny Afternoon is described as being an ‘exhilarating and moving’ celebration of the music, life, and the band that changed it all, The Kinks.
Sunny Afternoon celebrates The Kinks’ raw energy, passion, and timeless sound.
Charting the ‘euphoric highs’ and ‘agonising lows’, the smash-hit production tells the band’s story through an incredible back catalogue of chart-toppers – including ‘You Really Got Me’, ‘Lola’, ‘All Day and All of the Night’, and of course, ‘Sunny Afternoon’ itself.
Tickets are on sale now from just £15 each / Credit: Kevin Cummins
Producers Sonia Friedman Productions and ATG Productions announced last week that the show would be returning for another UK tour later this year, and it’ll be opening right here on one of Manchester‘s most iconic stages.
The hit musical will open at Manchester’s Palace Theatre on 10 October 2025 and it will run right through until 18 October.
Sunny Afternoon has music and lyrics, and an original story, all by the band’s frontman Ray Davies, along with a book by Joe Penhall, direction by Edward Hall, design by Miriam Buether, and choreography by Adam Cooper.