Slam Dunk, a huge rock and punk festival, has issued a statement apologising to fans for ‘issues’ on site.
Festival organisers address a range of problems at the site – which takes place simultaneously in both Temple Newsam in Leeds and Hatfield – ranging from traffic flow, car parking, food vendors, toilets, accessibility and queues.
The lengthy statement said that the Slam Dunk team would ‘conducting a thorough investigation, whilst working extremely hard to rectify all problems for future events’.
It comes after hundreds of festival-goers complained of poor organisation and ‘overcrowding’ at both sites – though Slam Dunk has sought to assure people that it was not oversold, The Hoot Leeds reports.
A common complaint amongst fans was the huge waits for food traders, with many reporting that they gave up and didn’t eat.
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This year’s festival was headlined by Enter Shikari, The Offspring, and Billy Talent, drawing in thousands of music fans from across the north.
One person said: “Had a great day today at @SlamDunkMusic but definitely lessons to be learned – queues everywhere were a joke (1hour+ minimum) and people were going hungry and without water or drinks because of it. Got to be sorted out for next year.”
Someone else posted: “Three hour wait for food so we abandoned the queue. Now queueing for ice cream as a meal substitute while only hearing Flogging Molly. Got us trapped here all day with not enough of anything: water points, food, toilets, routes in&out. F*cking sh*te.”
One festival goer commented on Slam Dunk’s Instagram page: “I’ve been going to SlamDunk for years now but this year has to have been the worst! And might have possibly put me off for ever returning. It’s amazing seeing the festival grow, but when it reaches the point where people’s safety it as risk it might be worth reconsidering everything.”
Others followed with similar comments like “Luckily we left early because we were starving, the amount of people I’ve seen that have been complaining about waiting 2-3 hours to get out of the carpark or waiting 2 hours for a taxi is shocking. This used to be my favourite festival of the year, it’s my 6th slam dunk and now I’m having serious doubts of ever coming again just due to how poorly organised it was.”
“Slam Dunk Festival would like to address issues which have been raised across the weekend.
“We recognise there were problems and that some customers did not have an experience to the standard which they expected. We would like to apologise for the issues which occurred and reassure our customers that we are committed to improving the event.
“We would like to assure all customers that neither event was oversold, and customer safety is, and always will be, paramount to the festival. Like all other major events, all our event plans were reviewed by local authorities and are in line with industry standards.
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“In response to the car parking and traffic issues, as previously highlighted there was an unprecedented number of cars arriving to the festival site who hadn’t pre-booked car parking. This alongside other external factors created a traffic flow issue which inevitably caused delays into the festival site. As a measure to combat the traffic flow issue we made the conscious decision to stop checking passes for parking to increase the rate of entry to the car park and to prevent further delays. Keeping this in mind, we have made the decision to no longer provide on the day car parking, from next year only those who have pre-booked their car park tickets will be permitted to park on site, along with other measures we are looking to implement, we believe these will create smoother entry into event.
“We also recognise the issues surrounding food vendors and queues. We were assured that we had an adequate number of food vendors for the expected number of attendees, however, we recognise that this wasn’t the case, and we are committed to increasing the number of traders at future events, along with where they are located.
“Similarly, we recognise related issues surrounding toilets and water points. We would like to reassure customers that these facilities are in line with industry recommendations and have been increased from previous years, however this is something which we will increase further for future events.
“We are also aware of access issues, and we will be contacting our access customers directly for their feedback.
“We recognise there are other issues not highlighted in this statement. We will be conducting a thorough investigation, whilst working extremely hard to rectify all problems for future events. We have always been committed to increasing customer experience and we welcome feedback to do this. We encourage customers to complete our post event survey to assist us with this.
“Slam Dunk Festival 2023 would like to thank everyone who has provided their indispensable feedback so far. If you haven’t already, please raise any concerns with us directly through our post-event survey.
“We are sorry about the issues that were encountered over the weekend, we take full accountability, and we are committed to improving our service.
“It is with your feedback, as registered in this survey, that we will be able to consider all concerns when planning future events. We apologise that some of you did not have an experience that was up to the standard you expect when you attend Slam Dunk Festival
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“We are listening to you. We will be updating you on our plans to improve Slam Dunk Festival 2024 later this summer once we have collected all of your feedback.
“Team Slam Dunk”.
You can leave your feedback for the Slam Dunk North Festival on this Google Form from organisers here.
Review | Villanelle debut: Liam Gallagher’s son’s band release their first track – here’s our review
Danny Jones
Liam Gallagher’s son, Gene, and his band Villanelle, have officially released their debut single to the masses, and since we’re still very much immersing ourselves in everything even remotely to do with Oasis, we thought we’d give this first track a review.
Now, if you’re expecting a familiar Britpop vibe like his dad and uncle used to bash out back in the day, you’d be very wrong…
It’s one thing to settle into something similar to what you’ve grown up around and try to continue a lineage if you’re from a successful family – especially with a legacy as important and influential as the one left by Liam and Noel – but we’re glad to report they’ve done something pretty different.
24-year-old Gene Gallagher and his bandmates Ben Taylor (guitar), Jack Schiavo (bass), and Andrew Richmond (drums) haven’t just tried to do an impression of Oasis; instead, they’ve found their own sound, and while it does give somewhat of an old-school flavour, it’s not what we expected.
It takes literally milliseconds for you to click into realising the vibe they’re going for.
‘Hinge’ is a simplistic but hard-hitting, grungey and dark debut from Villanelle, who, despite having played a number of in-progress songs live over the last year or so, have only just dropped their first studio single.
In fact, they’ve actually taken the admittedly bizarre and unorthodox first steps of having already played live with Liam Gallagher on the Definitely Maybe 30th anniversary tour before they actually released anything people can easily listen to outside of their live performances.
Nevertheless, the young four-piece introduces Villanelle as the latest post-punk outfit amidst the ongoing revival of the classic rock genre.
That is to say that punk is a tried and true classic style of music, not that these lads are trying to sound like The Rolling Stones…
Anyway, we’re getting sidetracked: Villanelle draw plenty of influences from both original and contemporary examples of this sonic subculture, and while it isn’t explosive per se, ‘Hinge’ is short, direct and hits the same formulaic notes.
It’s also fair to say you can hear a bit of the recognisable LG whine in Gene’s vocals at times, too. Listen to it in full down below and see if you agree.
Even the basic found-footage style video fits into the same category.
To call it straightforward isn’t intended as any kind of a diss, by the way – some of our favourite tunes and best artists spearheading the renaissance of the punk scene write like this.
What we will say is that it looks like bloody good fun to both play and listen to in a small, sweaty room, with plenty of pits and people bouncing off the walls.
Gallagher Sr. might be surprised to see his son going for a slightly heavier, more hardcore route with his sound, but he can’t accuse him of forgetting his roots as the child of a ‘Rock ‘N’ Roll Star.’
The boys are actually hitting the road this winter, including a date at The Castle Hotel in the Northern Quarter, if you fancy grabbing a ticket.
You can grab your tickets to see Villanelle on tour HERE, and in the meantime, let us know what you think of their debut track down in the comments.
Johnny Marr teases his work on upcoming Gorillaz album
Danny Jones
Legendary Manchester musician Johnny Marr has revealed he features on the new Gorillaz album, adding even more interest in the highly anticipated release.
The Mountain is the ninth studio LP from the musical collective led by Damon Albarn, which is set to drop in early 2026, more than three years on from their last album, Cracker Island.
Although the virtual band made up of several real-life creatives (though the ex-Blur frontman and artist, Jamie Hewlett, technically remain the only two consistent core members) hasn’t been away for too long, each new project brings a wave of excitement.
With that in mind, we have no shame in admitting we have even more interest in Gorillaz’s latest album now that we know Johnny Marr is attached to it.
I’m pleased to share that I appear on four tracks on the upcoming Gorillaz album The Mountain. It’s a privilege to be a part of this record along with so many great artists. #Gorillaz#JohnnyMarrpic.twitter.com/KXVZxgyGg9
In the new rundown of tunes already posted earlier this month, the former Smiths songwriter and lead guitarist features on four different songs on the new record. You can see it in full down below:
Gorrilaz – The Mountain tracklist
1. The Mountain (feat. Dennis Hopper, Ajay Prasanna, Anoushka Shankar, Amaan Ali Bangash and Ayaan Ali Bangash) 2. The Moon Cave (feat. Asha Puthli, Bobby Womack, Dave Jolicoeur, Jalen Ngonda and Black Thought) 3. The Happy Dictator (feat. Sparks) 4. The Hardest Thing (feat. Tony Allen) 5. Orange County (feat. Bizarrap, Kara Jackson and Anoushka Shankar) 6. The God of Lying (feat. IDLES) 7. The Empty Dream Machine (feat. Black Thought, Johnny Marr and Anoushka Shankar) 8. The Manifesto (feat. Trueno and Proof) 9. The Plastic Guru (feat. Johnny Marr and Anoushka Shankar) 10. Delirium (feat. Mark E. Smith) 11. Damascus (feat. Omar Souleyman and Yasiin Bey) 12. The Shadowy Light (feat. Asha Bhosle, Gruff Rhys, Ajay Prasanna, Amaan Ali Bangash, and Ayaan Ali Bangash) 13. Casablanca (feat. Paul Simonon and Johnny Marr) 14. The Sweet Prince (feat. Ajay Prasanna, Johnny Marr and Anoushka Shankar) 15. The Sad God (feat. Black Thought, Ajay Prasanna and Anoushka Shankar)
As you can see, the 61-year-old appears for the first time on song seven, ‘The Empty Dream Machine’, as well as ‘The Plastic Guru’, ‘Casablanca’, and the penultimate track on the album, ‘The Sweet Prince’.
It’ll be interesting to see how he fits into the captivating soundscape already teased by the group, with Gorillaz having now shared ‘The Happy Dictator’ featuring art pop duo Sparks.
A strong and politically loaded start.
Marr – who only released his fourth batch of solo material, Fever Dream Pts 1-4, back in 2022 – has continued to craft and produce with countless other artists over the past few decades, sharing the studio with fellow icons such as Noel Gallagher, Billy Bragg, Talking Heads and many more.
He even helped create the score for The Amazing Spider-Man 2 soundtrack with legendary composer Hans Zimmer.
That being said, we can only hope to hear some of his famous guitar tones sprinkled throughout this album, though it’s still unclear as to exactly how much input he had on The Mountain overall.
What we do know about the album is that it’s the first to be released via Albarn’s new record label KONG; it’s 15 tracks, and was largely made following extended recording sessions across India, with the likes of Ajay Prasanna, Omar Souleyman and Anoushka Shankar, joining IDLES, Jalen Ngonda and other collabs.
Perhaps most excitingly, the announcement of ‘Gorillaz no.9’ came alongside a series of tour dates, including one right here in Manchester. We can’t wait to see 2D, Murdoc Niccals, Russel Hobbs and Noodle ‘live’ in 0161.
Sophie Smith -
1st June 2023 
