A concert hall in the city centre has announced a series of ‘rush hour’ gigs – each one costing just £5.
The cheap gigs have been created so that Mancs have an alternative to sitting in traffic, or getting a bit too cosy on packed trams and trains around Greater Manchester.
And as they’re all taking place at The Stoller Hall, they’re handily right across the road from Manchester Victoria train station.
As well as giving us all a break from the commute, the gigs will support up-and-coming musicians, showcasing some of the brightest new talent in the country.
Every concert will cost just £5 (no, really) and last just one hour, with 6pm start times. You’ve got very little to lose.
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You can even pre-order a drink to collect and enjoy inside the concert hall.
The Stoller Hall hopes it will help us all avoid rush-hour and relax with an hour of live music instead.
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It’s been announced as part of The Stoller Hall’s Emerging Artists Scheme, supported by The Haworth Trust, which sees musicians in the early stages of their career given a platform at a world-class music venue.
Fran Healey, creative commercial director for The Stoller Hall, said: “We are passionate about nurturing new talent and giving a platform to musicians in the early stages of their career.
“Our new programme of ‘rush hour performances’ is a double whammy – you can support these exceptional young people and avoid busy travel times.
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“We’re very grateful for the generous support of The Haworth Trust who have made this new programme possible.”
The Stoller Hall’s rush hour gigs are taking place between September 2023 and March 2024, and tickets are available now.
The Stoller Hall’s cheap ‘rush hour’ gigs series in Manchester
13 September, 6pm – Phoebe Raynor
Mezzo-soprano Phoebe Rayner has a passion for contemporary vocal repertoire, premiering works by Professor Rachel Beckles Willson, Philip Grange, Cee Haines, and various student composers.
6 November, 6pm – Ensemble Raynard
Ensemble Renard are a wind quintet who are passionate about bringing a huge range of music to audiences of a variety of different backgrounds. Ensemble Renard is Ellie Blamiers (flute), Francesca Cox (oboe), Patrick Bolton (bassoon), George Strivens (horn) and Holly Isherwood (clarinet).
18 January, 6pm – Asaka Quartet
The Asaka Quartet is Ioan McDonald, Eriol Guo Yu, Susie Xin He and Jonathan Ho Man Fong. Through presenting creative and innovative programmes, they invite their audiences to discover new repertoire from a fresh and exciting perspective.
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6 Feburary, 6pm – Smorgaschord Collective
Smorgaschord Collective is a group of ambitious musicians aiming to cut away from ‘normal’ formalities of musical experiences, who come together to collaborate and create, with a strong emphasis on the new and the unusual.
13 March, 6pm – Helena Ricci
Forging her own path as a visionary classical musician, Helena Ricci is a trailblazing harpist praised for her expressive, dynamic playing and captivating stage presence. She is currently working on her debut album.
Featured image: The Stoller Hall
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The Script announced as latest Co-op Live act as they head back to Manchester
Danny Jones
Irish rock pop band The Script have been confirmed as the latest artists set to play Co-op Live arena as they prepare to make their Manchester return later this year.
Announcing the Co-op Live gig as part of their upcoming Satellite world tour, in support of their new album which is set to drop in just a few months’ time, the noughties and 2010s hit-makers will be coming to Manchester’s newest venue this fall.
With the trio having not long lost their lead guitarist and best mate Mark Sheehan during their run of Greatest Hits shows, this will be the first full tour they are set to play without him in the lineup.
Having gone back and regrouped, made a new record and now dropped their latest single ‘Both Ways’ at the same time on Friday morning, it’s full speed ahead for the boys with a massive world tour now on the horizon, including 20 European dates.
After being reduced to just two of the original found members, frontman Danny O’Donoghue and drummer Glen Power, the Dubliners have since doubled, inviting bassist Ben Sargeant and guitarist Ben Weaver to join the band earlier this month. They’re also still out on tour with pop legend Pink.
Their new album, Satellite, will mark their seventh studio LP and the first material released as a four-piece and is scheduled for release on 16 August, promising to deliver a whole new energy from the band.
Taking inspiration from the likes of The Black Eyed Peas and Bruno Mars, bassist Glen admitted that the sound “maybe not what people might expect from us but we’re The Script, and now we have something to prove: that there’s life and light after the darkness. It’s why we’re coming fast and strong with that one.”
Lead singer Danny added: “The album cover is silhouettes of me, Glen and Ben Sargeant, our bassist, who’s been with us from the beginning. Then we have a hooded silhouette, because the air of Mark is still there.
“He always will be, but it’s also giving a tip of the hat to the future. It’ll never be the same Script. We’re just trying to get on and do what it is that we all feel is the next right thing to do and that’s to keep making more great music.”
As for the show itself, The Script arrive at Co-op Live on 30 November – the final show of their UK leg and over two years since their last visit to Manchester at the AO Arena.
For those looking to grab tickets, fans who pre-order Satellites from the band’s official store before5pm on Tuesday, 21 May will receive access to an exclusive pre-sale for tickets for the UK and Irelandtour dates.
Pre-sale opens at9:30am on Wednesday, 22 May and general admission tickets go live at the same time on Friday, 24 May. You can grab yours HERE.
We’ve had the luxury of popping along to the brand-new arena a few times now and we have to say, it didn’t disappoint.
Black Keys at Co-op Live, Manchester – huge venue’s first taste of the blues
Charlie Watkinson
As a huge Black Keys fan, when I found out they were set to be the first band to grace the stage at Co-op Live, I just knew I had to be there.
Of course, it didn’t turn out that way.
After numerous cancellations and rescheduling, Elbow managed to nab the first spot, with the Black Keys taking to the stage the following night instead (several weeks later than their original show date).
Let me tell you though – they did not disappoint.
Having been one of the starry-eyed fans at Elbow the previous night, and been properly impressed by the sound quality inside the massive new Manchester venue, the thought of hearing Dan Auerbach’s epic bluesy riffs had me beyond excited.
Entering the stage playing the heavy-hitting I Got Mine, followed by one of their most well-known tracks, Gold on the Ceiling, it was evident we were in for a great show.
I have to admit, though, as a die-hard Black Keys fan, I couldn’t ignore how static the crowd was throughout the whole performance.
It almost seemed like the room was filled with people who didn’t know their songs, perhaps due to rescheduling and Co-op Live dishing out tickets to say ‘sorry for the inconvenience’?
The quiet stillness of the crowd did a great disservice to the electrifying talent on stage. Luckily, this didn’t matter too much.
Closing with their most popular song, Lonely Boy, I almost forgot how still the crowd had been as I watched the entire stadium howling, “DAH DAH DAH DAH DAH – DAH DAH DAH DAH DAH.”
Although I wanted more from the crowd, all in all, the Black Keys played a setlist fit for a super fan and gave Co-Op Live its first taste of the blues.
I just wished the audience had been Howlin’ for You all night, not so Tighten Up’… As you were.