Manchester record label Scruff of the Neck has launched their brand-new music festival in the city centre, Year’s End, as dozens of up-and-coming bands from the North and beyond are set to close out 2023 in style.
Debuting this December, the inaugural Year’s End Festival is 0161’s newest metropolitan music event, promising nearly 50 different artists playing across eight different beloved stages in central Manchester, all within the space of less than 24 hours.
The day-night festival will be taking place along the city’s iconic Oxford Road Corridor, considered not only student central but home to some of our most iconic venues where countless bands and solo acts have made their name and continue to play to this day. Here’s the final lineup for Year’s End 2023.
Credit: Liam MaxwellThe lineup for the first-ever Year’s End Fest.
Playing across the following locations — The Bread Shed, Canvas (two rooms), The Deaf Insitute (also two rooms), Hatch, Thirsty Scholar (indoor and outdoor) and Zombie Shack — each gig will be just a short walking distance from another and boast a capacity of 2,000 guests in total.
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If you’ve ever been to any of these venues, be it the legendary Deaf Institute or the shiny new surround that is Circle Sqaure‘s Canvas bar, restaurant and events space, you’ll know that each of them offers up their own unique charm.
Better still, with a host of Scruff of the Neck bands signed up like BLOXX, Shambolics and All the Young, plenty of local acts such as The Covasettes, UNO MAS and Cassia just to name a few, as well as big names in general like The View, there is going to be some serious talent on display.
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Set up not only by Scruff but with the help of BBC Introducing, Fatsoma; Marshall, 42nd Street and music-fuelled beer brand, Signature Brew, there is a lot of collaboration and celebration of the ‘up-and-coming’ about this exciting new event — that’s what we like to hear.
Credit: Lewis WolstenholmeCredit: Scruff of the Neck
While early bird passes (which cost just £15) have already sold out, there are still plenty of tier one general release tickets available for £20 before tiers two and three drop at a different price point.
It goes without saying that you need to be quick if you don’t want to miss out on Manchester’s newest music festival. Each ticket grants you access to every single venue all day and night long, plus a free wristband that will get you into the afterparty. You can grab yours HERE.
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Year’s End Festival kicks off at 12pm and will run until 11pm on 9 December, followed by the afterparty which will be hosted by none other than Scruff of the Neck themselves, who’ll be on decks until late.
The label’s founder, Mark Lippmann, is tipping the unique music industry and community concept as the perfect way “to end the year with one big blowout and a chance to spend quality time together whilst enjoying our artists before the music industry Christmas break.” We couldn’t agree more.
See you there. In the meantime, there’s plenty of gigs on the schedule for the rest of the month:
Featured Images — Year’s End Festival/Scruff of the Neck
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: