Like many, we were gutted to see it go and relieved to see its sister site in Chorlton survive, but we’re now pleased to confirm that the former watering hole and food spot will be reborn as a new music venue and Irish-themed bar.
Set to be called Mother Mary’s, the former Font venue is set to burst back onto the Manc hospitality scene by mid-June.
The original bar was an absolute institution. (Credit: The Manc)
The venture, which is being headed up by nightlife veterans Greg Dwyer, Joseph Finegan and Chris Sharp, will see a complete refit with brand-new bars, a bespoke KV2 audio setup and a stunning lighting system that will illuminate two epic stages. The once familiar space is set to look rather different.
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With the two stages split across both floors, music is set to be at the very centre of Mother Mary’s business model; this isn’t just Font 2.0, it’s a whole new space built to spotlight live bands and wonderful performances whilst providing a platform for new and upcoming DJs and performers.
However, they’re still sticking to their food and drink roots, don’t you worry.
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Set to serve an impressive food menu headed up by Chef Andrew James and his Blackbird concept, as seen in Stockport, the residency at Mother Mary’s will see the menu feature all-day breakfasts, brunch, hearty Irish favourites and some American classics too.
Can’t go wrong.
Credit: Supplied/The Manc
When it comes to booze, they haven’t lost their touch over here either, promising a dedicated cocktail menu, not to mention some of Manchester’s best beers, wines, cities and craft ales.
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The menu will also pay homage to its history by serving a signature cocktail called ‘The Font’ with the ingredients and inspiration to change every three months, all for just £2 in a nod to the old gaff being one of the most affordable places to drink in town.
Mother Mary’s is also set to host a weekly event schedule including local and touring bands, curated entertainment, a jam-packed brunch every Saturday split across two floors, an open mic approach every Monday, stand-up comedy and more.
Greg, Joe and Chris have over 25 years of experience in hospitality, combined both with working in live music and concert promoting.
Greg has toured with some of the world’s biggest bands and worked with Manc nightclubs and music venues; Joe is instantly recognisable on the local music scene through his work with Gorilla, The Deaf Institute and South on some of their largest events, while Chris boats a similar background and pedigree.
This will always be a good place to boozeThe food menu at the original Font wasn’t too shabby eitherCredit: The Manc Eats
Dwyer said of the new project: “Mother Mary’s is all about providing a space for grassroots live music. I started going out around here, I was in here all the time and I was even fortunate enough to play records here a long time ago, so this is an unbelievable opportunity and to do it with two good friends that I’ve met along the way is incredible.
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“We’ll be taking good care of the former Font site. The three of us have a wealth of experience and a bunch of ideas to make this a sustainable live music venue. Our tagline for Mother Mary’s is strangely familiar: ‘We’re a home away from home’. The old Font Bar is there, it’s familiar but strangely different.”
Finegan added: “The Font Bar has been a staple on the Manchester bar scene for almost 20 years so to come into such an establishment was a daunting feat. We knew people would be coming in and saying I used to come here 15 years ago, ‘What have they done to the place?’
“We had to consider how to make quality changes that would matter to the customer. Mother Mary’s as a concept has a number of moving parts but still keeps the heritage of the bar utilising old antique furniture and paying homage to former traditions. We are super excited for the launch in June and to bring our vision to life.”
We, for one, are just excited to see what the team delivers and we’re just glad to see the old spot on New Wakefield Street not just reopen but reborn as something hopefully even bigger and better.
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
24th May 2024 
