A couple moves into a new house, only to find that something sinister is keeping one of them up at night…
It’s an age-old story we’ve heard countless times, now brought to life onstage through a suspenseful and complex exploration of belief and the afterlife, with a twist that’ll keep you up at night.
The award-winning supernatural thriller, 2:22 A Ghost Story, usually only playing on London’s West End, is continuing its award-winning run spooking audiences across the country.
Written by Danny Robbins, the production is playing at The Lowry between the 4 and 15 June as part of its second tour across the country in under a year.
The story centres around a couple experiencing supernatural events at precisely 2:22am in their home, which doesn’t exactly sound like a new concept – we’ve all grown up on ghost stories about haunted houses.
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The familiar genre tropes are all here too; the believer and the skeptic. Throw in a suburban house under construction, halfway between its old and new self, a digital clock and strange noises through a baby monitor, each used as dramatic devices for building suspense throughout the script, and you’ve got yourself a setup audiences know like the back of their hand.
Except, 2:22 A Ghost Story’s writer knows this and uses this familiar setup to lead us into a false sense of security.
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2:22 A Ghost Story is a thriller play currently running at The Lowry theatre in Salford
The play takes place across one night, aside from its appropriately spooky opening, where two couples come together for a dinner party.
You have Jenny (Fiona Wade), a young mother who is convinced that her new house is haunted after strange occurrences happen at the same time every night; Jenny’s husband, Sam (George Rainsford), a man who values logic, reason and science above all else (even his own wife’s experiences), whose stubbornness causes much of the conflict throughout the play; Lauren (Vera Chok), an old friend of Sam’s and Ben (The Wanted’s Jay McGuiness); and Lauren’s partner.
Various jump scares create tension throughout, but it’s through the opposing beliefs and ideas of these characters that the tension grows more palpable.
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Across the evening the characters discuss their own personal accounts of the paranormal as they open up to one another. Fear and belief are the beating thematic heart of the play, themes that spur interesting and sometimes disturbing conversations about the afterlife that’ll linger with you long after the play finishes.
Masterfully directed by Matthew Dunster and Isabel Marr, 2:22A Ghost Story is not all spooky goings-on though. The supernatural thriller’s script is brought to life through an amazing cast that juggles suspenseful moments with comedy to lighten the predominantly moody atmosphere.
2:22 A Ghost Story is a thriller play currently running at The Lowry theatre in Salford
The plot unfolds at a steady pace, with each act revealing new layers of mystery. The pacing is well-balanced, allowing moments of intense drama to be interspersed with lighter, more reflective scenes.
A particularly memorable twist will leave you gobsmacked – the less said about this the better.
Whereas most plays centre themselves around the meaning of life and what it means to be human in one way or another, 2:22 A Ghost Story concerns itself more with the meaning of death and our relationship with it.
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“I read somewhere that humans are rational machines caught between irrational beliefs,” says one of the characters in the play’s final act. Themes of belief, fear, and the unknown are explored with nuance. The dialogue is sharp and thought-provoking, prompting us to question our perception of reality. The play’s exploration of these themes is both timely and timeless.
By intertwining moments of genuine terror with thought-provoking dialogue, 2:22 A Ghost Story transcends the typical ghost story. The play’s direction, script and cast all come together to create a powerful commentary on the limits of human understanding and the enduring mystery of what lies beyond. Its well-crafted plot, stellar performances, and high production values make it a must-see.
In the end, the play leaves us with more questions than answers, compelling us to confront the shadows in our own lives. It is a haunting reminder that sometimes, the most frightening ghosts are not the ones we see, but the ones that reside within us.
You can book tickets for 2:22 A Ghost Story at The Lowry here.
Featured image: Supplied
Theatre
Come From Away at The Lowry – a 9/11 musical full of heart and hope
Oli Lowe
Let’s start with a summary of Come From Away – this is a theatre show about a small town on the coast of Canada, that when disaster shook the world on September 11th 2001, offered accommodation to over 7,000 passengers whose flights had been diverted due to the American airspace being closed.
On the surface, you wouldn’t read the above summary of events and think ‘Let’s turn that cheery story into a musical’ but you simply have to believe me when I tell you that it just works.
Come From Away isn’t a story about disaster or tragedy (although both do feature heavily for obvious reasons) – it’s a story about community, hope and how when faced with the toughest of circumstances people are capable of extraordinary things.
The show opens in the unsuspecting town of Gander, Canada on the morning of 9/11. Gander was once home to the world’s largest airport, in a time gone by, when planes used to have to stop immediately after crossing the Atlantic.
This meant that Gander was the first place in North America that people such as The Beatles or even The Queen, ever landed. However, as we begin our story, Gander is now a small town with a population of about 11,000 and a derelict Airport, barely fit for purpose.
These circumstances changed very quickly when at 8:46am on September 11th 2001, a terrorist attack was committed on the World Trade Centre, New York. With the US airspace immediately closed, with all airborne planes now suspected to be terrorist weapons, all flights crossing the Atlantic had to be diverted to the nearest Canadian airport… Gander.
Come From Away at The Lowry – a 9/11 musical full of heart and hope
This creates a scenario whereby within minutes a quiet unassuming town on the coast of Canada is expected to welcome over 7000 passengers from 38 different flights, without warning, without proper preparation and without any indication as to how long they’ll be staying.
When this tale is brought to life, it’s one that will bring you to tears. I have never in my life cried so much at a musical, which I know might not sound like the most resounding endorsement but it’s truly meant to be. There were of course sad tears, heartbreaking tears and sorrowful tears but there were also tears of joy, tears of quiet happiness and tears of hope.
When you think of the horrific events of 9/11, your thoughts immediately turn to the epicentre, to New York. I’d never considered the wider implications of that day, how thousands of people flying must have had their lives turned upside down, how panicked loved ones all across the world must have been, how communities globally were affected and how a small town in a completely different country was called into action.
I don’t want to give too much away in regards to the actual characters within this story or how their journeys play out through what must of been an incredibly tough time, but what I will say is that the characters in this story, all of whom are directly based on real people (more on that later), are some of the most inspirational human beings I’ve ever come across.
Come From Away is at The Lowry until 5 January
The show stars an extraordinary ensemble performance, with no leads or ‘main characters’, instead each of the twelve actors play a multitude of characters, whose stories inevitably intertwine with one and others.
The staging and choreography for this show are also fantastic, very minimalist with the set mainly being made up of just chairs and small props, leading the audience to use their imaginations to fill in blanks.
I sadly can’t guarantee this at every performance of Come From Away but at the curtain call the night we watched, the real residents of Gander from whom the story is based on, came onto stage and gave a speech about how ‘none of them are heroes but instead just people who decided to do the right thing’… Which inevitably led to more tears from me and an even deeper appreciation of the show.
I think this story is truly needed in the world we’re living in at the moment, with global tensions high, an economy that doesn’t favour most of us, and a lot of the world feeling more separated than ever before. This story, this beautiful, heartwarming and inspirational story shows us how even through the toughest of circumstances, we can work together for the betterment of everyone.
Please go and watch Come From Away. It’s one of the most beautiful stories I’ve seen brought to the stage and it deserves endless support from us Mancs whilst here in Salford.
It’s running throughout the festive season till 5 January and I guarantee you’ll walk away from it feeling just that little bit more hopeful about the world we live in.
Wicked at the Palace Theatre – the magical musical EVERYONE is talking about arrives in Manchester
Kristen MacGregor-Houlston
It seems everywhere you turn right now, everything is pink and green – Wicked has hit the cinemas and everyone is well and truly drinking the green elixir.
Coincidentally, the touring theatre show of Wicked, celebrating 21 years since the first Broadway show and 18 years since debuting in the West End, has landed in town. While everyone else is following the yellow brick road to the big screen, I followed it to the Palace Theatre in Manchester.
Now we all think we know the story of Dorothy, poor girl whipped away from home in a tornado and crushing an evil witch with her house – we’ve all been there. This story however, tells the story from the “Wicked” Witch of the West’s perspective, filled with mind-blowing vocal acrobatics from a cast that just won’t let up.
Floating in on a giant mechanical bubble enters Glinda, or “Garlinda” as she prefers to be called, Sarah Pickford sets the standard for the show. An operatic entrance, the audience is in absolute awe. A well known character, Sarah makes the Good Witch of the North her own with a comical kindness.
Laura Pick, who has played the role of Elphaba at the Apollo Victoria before, takes opening night in her green stride – her love for the character shines through and her voice. Her VOICE. Her rendition of Defying Gravity had me in tears. I knew the song was good, but not this good. The audience is electrified by her performance.
The storytelling of the show is sublime, with every cast member pulling you deeper and deeper in through gravity-defying dance numbers and the set is absolutely jaw-dropping. The mechanical Wizard of Oz (voiced and played by the fantastic Simeon Truby) is something to behold.
Wicked is in Manchester at the Palace Theatre. Credit: Supplied
Other notable performances come from Carl Man (who plays love interest Fiyero), Donna Berlin (the surprisingly cruel Madame Morrible), Jed Berry (the googly-eyed Munchkin Boq) and Megan Gardiner. Megan plays Elhpaba’s sister Nessarose, another character desperate for love but sadly becomes quite sinister.
Like the cogs in the Wizard’s head, the presence of each cast member keeps the show running like a well oiled machine.
The story itself is one of an outsider, desperate to be loved and accepted for her difference, who finds friendship in unlikely places and how two people can change for the better. Of course, like often in life, a man tries to ruin it (surprise surprise).
Wicked is back at the Palace Theatre in Manchester. Credit: Mark Senior
A light is shone on how easily society can be whipped into a frenzy to protect their own beliefs and how love can withstand so much.
The absolute star of the show however, is the iconic soundtrack and how awe-inspiring everyone is at singing. Genuinely, it was nearly impossible to not provide a standing ovation after every song. It was just that good. I’m even listening to the soundtrack right now as I write this on the tram home. I can’t (and don’t want to) get it out of my head.
Wicked is the 10th longest running West End show in British history and has won over 100 global awards. It has been seen by 65 million people worldwide (65 million and one now if you include me) and it isn’t hard to see why. Now a cinematic phenomenon, with Act 1 in cinemas now and Act 2 to hit the screen in November 2025.
Wicked is in Manchester for a six week season and is the tenth and final date after kicking off their tour in Edinburgh in December 2023.
The show closes on Sunday 12 January and remaining tickets are incredibly limited, so if you have one short day, spend it in Oz and book now while you can.
Follow the yellow brick road all the way to the theatre.
Book your tickets to Wicked at the Palace Theatre Manchester HERE.
Dylan Whitty -
5th June 2024 
