In what we know is already set to be another show to remember, UK artist Frank Carter is bringing members of the original Sex Pistols lineup back to Manchester to play their legendary debut album, Never Mind the Bollocks, in full and it’s happening sooner than you think.
The former Gallows member turned frontman for his self-titled outfit, Frank Carter and the Rattlesnakes, is at the forefront of the contemporary punk genre and is about as close to an old-school rockstar as you’ll find on the modern scene.
However, following the massive success of these shows, the band have now decided to book a few more gigs and now, with the help of Frank (minus his snakes), will be playing one of the most iconic records of all time from start to finish – well, sort of…
Credit: Supplied
With original bassist Glen Matlock – who was replaced by Sid Vicious and then returned after his death – drummer Paul Cook and guitarist Steve Jones all returning to the lineup, 40-year-old musician and tattooist isn’t just filling in, he’s helped get them back on tour and in the public consciousness.
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Up there with The Rolling Stones, Ramones, The Clash; Sonic Youth, The Velvet Underground, The Who and others who would be considered amongst the most influential rock bands in history, the significance of their return to Manchester, in particular, isn’t lost on us audiophiles and lovers of music history either.
In case you were unaware, Manchester was the site of the Sex Pistols‘ very first gig outside of London back in 1976, when the frenetic four-piece played what was then known as the Lesser Free Trade Hall on Peter Street right here in the city centre, now The Edwardian Hotel and Peter St Kitchen.
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Considered by many as ‘the gig that changed the world‘ and resulting in the famous claim and muso phrase ‘I was there’, a line that even went on to serve as the title of the book by David Nolan, it helped influence countless artists to come.
For example, other people who were in the crowd that night included Ian Curtis, Peter Hook and Bernard Summer of Joy Division and New Order, Morrissey of The Smiths; Manchester music and nightlife mogul Tony Wilson, Manc punk icon John the Postman, as well as members of The Buzzcocks and The Fall.
Despite there only being a rumoured 40 or so people in the room that night, the noise they made and the impact it had makes it one of the most important moments in music history, so how big a deal it is having them back out on stage isn’t lost on anyone – certainly not a lifelong fan like Frank Carter.
As for Rotten, 68, he has remained in a feud with the existing members for years, namely around the rights to the music, and is said to be “furious” over this latest reunion.
But that’s a big part of what punk was always about, isn’t it? Doing what you want and p*ssing a few people off along the way.
Speaking on the announcement, Jones said: “There was an overwhelming response on social media from fans asking to play different parts of the country. So guess what? It will be done. We will be tighter than a rat’s a*** by the time we get to Kentish Town.”
Frank Carter and the three Sex Pistols members are set to play Manchester Academy 1 on Tuesday, 24 September and while they won’t necessarily be doing NMTB in order, they will be playing it in full. What a time to be alive.
Tickets go on sale this Friday, 23 August at 9am and saying they’re going to absolutely fly is the understatement of the century. You can grab yours HERE. This is going to be a night to remember and then some.
Featured Images — Press Image/Dom Martin (supplied)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
22nd August 2024 
