Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
IDLES frontman Joe Talbot set for ’10 Songs That Made Me’ interview at AO Arena
Danny Jones
Cult favourite frontman Joe Talbot of IDLES fame is set to for an eye-opening sit-down interview as part of AO Arena’s ’10 Songs That Made Me’ series.
The lead singer of the politically-charged post-punk band will be joining the in-conversation event opposite BBC 6 Music host and popular radio host, full stop, Chris Hawkins.
Having often drifted into hardcore, art rock and even spoken word at times, Joe Talbot and co. have become known for the cutting lyricism and insightful songwriting in general, so we can only assume that diving into his own musical influences will be just as riveting.
Joining his fellow audophile on stage at the city’s legendary live music and entertainment venue this November, Talbot and Hawkins will be running through the tracks that quite literally helped create the musician we know today.
According to the AO, the arena will host an in-depth chat with the provocative 41-year-old artist as he walks Chris Hawkins through “the most important musical chapters of his life, his stunning musical journey from resident DJ at one of Bristol’s hottest clubs, through to headlining Glastonbury festival.”
It is quite the career he’s had when you break it down.
They go on to promise “raw honesty and trademark wit” as Joe reflects on the record, acts and cultural moments that shaped him as a young performer before breaking onto the scene with IDLES.
As for the ’10 Songs That Made Me’ series itself, it may be what it says on the tin, but most interestingly, being in the crowd and hearing it from each different group/individual changes the experience entirely.
“More than a story of success—it’s a journey of resilience, passion, and community”, they go on to add. “Expect an evening of candid conversation, unexpected anecdotes, and deep dives into the music that has not only defined Joe’s career but also resonated with millions around the world.
If you’re fans of the band or Talbot, in particular, you’ll already know they’re great orators; plus, if you caught even a small clip from his own fledgling Oh Gatekeeper podcast, you’ll know he loves nothing more than diving deep into tunes that shape not just the audio landscape but people at their core.
Just casually getting the lead singer of The Strokes on for in the first season, as you do…
On a personal note, we’ve watched the IDLES x Grammy Museum interview on multiple ocassions at this point, and know how much artistry there is behind everything they do.
The same goes for Talbot, specifically – there’s no doubt about that.
If you’re interested in being part of the audience for Joe Talbot’s in conversation event with Chris Hawkins as part of ’10 Songs That Made Me’, tickets for the date at AO Arena on Tuesday, 25 November are live now, and you can grab yours via Skiddle right HERE.
Last but not least, special mention goes to the interviewing expert himself, whose recent chat with Tim Burgess about The Charlatans getting back into the studio is also well worth a listen.
Tune in to 6 Music from 1pm today, @Tim_Burgess is my very special guest and rumour has it that we might get to hear a brand new Charlatans track… pic.twitter.com/vzoGDnvS7G
Wet Leg announce huge outdoor gig in Manchester as part of landmark live dates
Clementine Hall
Isle of Wight five-piece Wet Leg have announced their biggest headline shows to date, announcing a trio of huge outdoor gigs, including one right here in Manchester at Castlefield Bowl.
The multi-award-winning indie and alt outfit rose to fame back in 2022 with iconic tracks like Chaise Longue and Wet Dream, packing out stages at Glastonbury not long after releasing their critically acclaimed debut album.
Becoming their second consecutive number one in just as many attempts, moisturizer, is equally as fun and fabulous as the first – we cannot wait to hear it live in these.
Comprised of two lead singers in Rhian Teasdale and Hester Chambers, Ellis Durand on bass, drummer Henry Holmes and guitarist Joshua Mobaraki, this lot can make plenty of noise.
And as you can see, to make things even better, they’ll be joined by Leeds’ very own English Teacher as the main support act at each one of the landmarks shows.
As for their down south show, they’ll also be playing Alexandra Palace Park down in the capital to round out this run of live dates next summer.
It goes without saying that we’re obviously buzzing to see them become the latest name on the lineup for the 2026 Sounds of the City series, with a hometown hero also joining the ranks as of this month:
Wet Leg are in good company when they rock up to Castlefield Bowl.
Set to play the Bowl on Wednesday, 8 July, before heading to Leeds and then London for consecutive nights, we’re sure you’ll see them playing tonnes more big stages throughout festival season.
Tickets for all three of Wet Leg’s confirmed dates for 2026 go on sale this Friday, 31 October from 9:30am, and you can get ready to grab yours HERE.
We reckon this one will be a real ticket scramble, so we wouldn’t mess about if you want to bag yourself a ticket; in fact, given that all of their live shows this year sold out, we know it will…
Danny Jones -
22nd October 2024 
