Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
Independent Manchester band describes ‘absolutely massive’ moment The Cure wore their band tee on stage
Daisy Jackson
The Empty Page, a fiercely independent band in Manchester, have described the ‘insane’ moment they saw their band tee up on stage with The Cure.
The group have had a surreal run of attention from some of alternative music’s biggest names – but seeing The Cure’s Reeves Gabrels wearing their t-shirt in front of 25,000 people was something else entirely.
The Manchester band were among the thousands of people watching The Cure at Wythenshawe Park when the legendary group took to the stage – then frontwoman Kel Page noticed that something up there looked a bit familiar.
“You don’t notice at first, and then you start going ‘That looks like – hang on, that really looks like one of our t-shirts,” Kel said.
“Then you’re zooming in on your phone, and we just absolutely lost our heads.”
The shirt was indeed theirs, being worn on stage by The Cure’s Reeves Gabrels – turning an already huge Manchester show into an unforgettable moment for a fiercely independent local band.
“Honestly, we’ve experienced cool stuff, but I don’t think I’ve ever felt like that,” she said.
“I’m stood in a field with 25,000 people all looking at a screen, with a dude that I absolutely adore, wearing my band’s t-shirt. Endorsements don’t really come bigger than that. Literally bigger, because of the size of the screen.”
It’s a huge moment for The Empty Page, an alt-punk group formed in Manchester, who will play one of their biggest shows to date at Manchester Academy 3 next month.
The band is made up of Giz on guitar and Steve Kent on drums, with Kel Page as lead vocalist.
The Empty Page’s t-shirt on stage with The Cure. Credit: The Empty Page
Kel said: “The Cure are probably one of the most influential, brilliant bands of all time, and one of my favourite bands of all time. It’s just wild. I keep thinking it’s not real and I’m gonna wake up, because it’s such a weird thing to happen.”
The moment is the latest in what has been an extraordinary run of attention for the Manchester band.
“For something like this to happen is really cool, and it kind of comes after a long line of really cool things.”
A reel from The Empty Page was shared by Courtney Love, while Garbage frontwoman Shirley Manson subsequently began sharing and commenting on their posts, as well as sending them messages of support. Then came Juliette Lewis.
When the actor and singer started sharing The Empty page’s music, Kel said: “This is f**king batsh*t. I cannot believe that THE Juliette Lewis is saying my band is good, this is absolutely crazy.”
“For Reeves from The Cure to wear our t-shirt on stage in Manchester is just insane,” she continued.
“That Manchester Cure gig is one of the hugest things to happen in Manchester for a while, especially for alternative gothy kind of punk/post-punk people.”
The Empty Page will play Manchester Academy 3 this September. Credit: The Empty Page
The Empty Page are a fiercely independent band, and have put on their own gigs, booked their own tours around the country and released their own albums on their own label. They don’t have the financial backing or industry infrastructure that many emerging artists rely on.
“We’re almost DIY to a fault,” Kel said. “We do everything ourselves. We don’t have big connections, we don’t have loads of money and rich famous parents, and we don’t have a record label or a manager or a social media company.”
Already, The Empty Page has noticed an uptick in sales on their t-shirts, with Kel saying it ‘feels like it’s becoming a bit of a cult merchandise item’.
But ultimately, the hope is that the attention leads people beyond the t-shirt and towards the music itself.
“I just hope it means that people will check us out, because we’re a really good band, and if you like The Cure there’s a chance you’ll like us.”
The Empty Page will play Manchester Academy 3 on 24 September, following a run of sold-out shows – tickets are on sale now HERE.
Iconic Salford music venue The White Hotel to reopen under new ownership from 2027
Clementine Hall
After announcing plans to close at the end of the year, famed Manchester club The White Hotel is changing hands.
Just a couple of months ago back in May, it was announced that one of Greater Manchester’s most cutting-edge and best-loved nightlife venues would be closing its doors for good.
Despite ‘continuing to draw full houses’, co-founder Ben Ward told The Guardian that the venue had found itself in a flood-risk zone, saying: “Basically, it’s a swamp.”
He added that it was better ‘to go out on our own terms, long before we became a museum’.
But it seems the swamp may live on…and although it is the end for the cult favourite nightclub as we know it, the former garage in Salford will be reopening in new ownership from 2027.
From January onwards, the disused Dickinson Street space will be known as BASTION according to a social media post shared to Instagram yesterday.
It will be run by the team who operate neighbouring venue The Bag Factory and will be supported by the Strange Art Collective CIC.
Images: The Manc
The Bag Factory shared a black and white illustration of the iconic White Hotel’s exterior, along with coordinates to the venue, stating: “The underground has a new stronghold”.
Rather cryptic we must say, and although we hope The White Hotel that we know and love could stick around forever – we hope the new owners will keep some of its magic alive.
Danny Jones -
22nd October 2024 
