Last night we had to bid an emotional farewell to one of the true GOATS of the rock and pop-punk scene, and also a big part of our childhood and adolescence, as Co-op Live Arena hosted Sum 41 for their last-ever Manchester show on their final world tour.
Sum 41 have been going since 1996, which for those who’ve always had a penchant for thrashy guitars, pounding drums, devil horns and bleach-blonde haircuts, probably explains why they’ve managed to play a part in many people’s youth and formative music years over multiple generations.
The Canadian outfit announced their split after 27 years back in May 2023, much to the heartbreak of their fans all over the globe, but we’d like to think of this conclusion not as a break-up but more of a long goodbye, as by all accounts the members left on stage still have a lot of love for each other and us.
Put simply, they’ve just come to a natural conclusion and after the best part of three decades of jumping up and down, shredding guitar solos, touring the world and some very well-known ups and downs, they’re tired – but thankfully not so exhausted that they couldn’t give us one last party. Exhibit A:
Now, if you’re thinking this was just the crescendo and that they saved the best songs, lights and effects for last, you’re dead wrong.
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All Killer, No Filler was Sum 41’s highly-anticipated debut way back in 2001 and even to this day, with eight studio albums to their names, a cult favourite 1998 demo tape and a compilation album of their Solid Gold Hits, that title still sums up – pun obviously intended – what they’re all about.
Even with members coming in and out of the band, record label rivalry, frontman Dereyck Whibley’s very widely publicised battle with boozing, his path to reaching an incredible 10 years of sobriety and alarming revelations in his new memoir, they never put out a bad record despite the ups and downs.
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Whibley, 44, said as much on stage too; we lost count of how many times he ended one of their many standout tracks by shouting “STOP!” and a sudden cut to black but also the number of moments in which he paused to reminisce and say thank you to the Sum 41 family.
For a man who literally paid £41,000 (of course) to get back his first guitar decades after it was stolen from his house, brought it out on stage, and played the oldest of the old Sum 41 tracks to a delighted Manchester crowd inside the Co-op, taking the time to be nostalgic clearly means a lot to him and us.
Whether it was old favourites like ‘The Hell Song’ and ‘Motivation’, the ever-underappreciated middle years of ‘Underclass Hero’ or their heavier metal era, their first-ever EP Half Hour of Power or their most recent and still celebrated singles like ‘Dopamine’ and ‘Landmines’, it all felt intensely reflective.
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It also surprised us just how much of their music we retained even after all this time, as we’re not going to pretend that we’ve been across every release over nearly three full decades of their career, but one thing we will tell you is that no matter how old their audience has grown they haven’t forgotten the words.
More importantly, we loved that although there was a mixed-age crowd and even some very young kids in the stands clearly brought along by the parents who grew up on this stuff, as far as we could tell the main mosh pit was full of late 20s to 30-somethings rolling back the years just like the band on stage.
In a current music moment where a fair few bands have recently cancelled shows or the entire remainder of their tours due to fatigue and various other reasons, there was something about a bunch of middle-aged men still dressed as punks and giving every last ounce of their energy on their umpteenth gig that brought a smile to our faces.
Deryck is still fit and fighting.Pyros instantly improves any rock show.Vocals didn’t disappoint even after all this time, guitar and drum solos were on point and who doesn’t love fire?
For this particular music fan, Sum 41 is genuinely one of the earliest music memories I can recall: sitting cross-legged in front of a big old Panasonic box telly with my brother and watching the iconic ‘In Too Deep’ video and both nodding our heads to that timeless riff as if to confirm it was the coolest thing ever.
Seeing them live at the end of their journey felt super emotional and rather full circle too. I have no interest in rolling out in the ‘it’s not a phase’ meme on this occasion and I won’t dare spoil much more of this very special show in case you’re heading to another date, just make sure you stick in there until the very end as you’ve done so faithfully for all these years.
Sum 41 managed to turn their Co-op Live debut but final Manchester gig from a bittersweet goodbye that we’d been dreading for months into a fond farewell where we had to remind ourselves, ‘Don’t be sad it’s over, just be glad that it happened’ and that we were alive to be part of it.
On that note, we have nothing left to say other than ta-ra, thank you for the memories and for playing such a big role in so many people’s early years spent dreaming of being a rockstar.
The Sum 41 live audience made it a night to remember.There were some very real tears around us.We hope to see you again someday.
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below: