Sam Fender, the down-to-earth lad from North Shields has both the crowd and his black and white striped Fender Stratocaster in the palm of his hand alike as he embarks on the first of two nights at Co-op Live.
Strutting out on stage with the nonchalance of a superstar, he’s done it all before. The Pyramid stage at Glastonbury, headlining festivals worldwide and playing in front of 50,000 at his beloved St James Park. Howay man!
Yet, however he does it, it almost feels like it’s just you and him in the room. His relaxed, baggy jeans and oversized t-shirt are emblematic of his laid back approach to just having fun with his mates, even on the biggest of stages.
The humble 30-year-old hit maker, who has now been touring stadiums for seven years, still treats his audience like they’re locals at the Low Lights Tavern – unblinded by the 23,500 flashbulbs in the UK’s largest indoor arena.
Fittingly supported by Wunderhorse, one of the UK’s best upcoming bands, they warm the crowd up with their own supply of rock anthems including Midas, Purple and Teal.
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Sam Fender then opens up with Dead Boys, a tune he hadn’t played so far on his 2024 People Watching Tour, and it was to some reception in front of the Manchester crowd.
Alongside his gifted guitar talent, his lyricism is generational, with Dead Boys being a cult favourite and the perfect opener to what is to be an incredible showcase.
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The first song chosen from the critically acclaimed Seventeen Going Under album, ‘Getting Started’ follows and in its namesake he’s right…
The floor to the back row are on their feet in unison as Fender and the band catapult into full swing.
In his repertoire of heartfelt classics, Sam gives the Manchester crowd the taste of many a playlist favourite with the production to match.
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‘The Boarders’ hits a tone that only builds from start to finish, with the anguish of life as a young lad from the North East playing into poetry, a personal favourite. When the guitar solo hits in the final third of the track, the light show on display gets mesmerising. The saxophone solo takes the spectacle to new levels – as they always do.
Sandwiched between two tracks from his upcoming release is one of his oldest, ‘All Is On My Side’. If there was an indie rhythm to epitomise my adolescent years it would be this one. It is a tune that describes growing up and the challenges that come with it.
Across the tour so far, it has been welcomed back into the setlist with open arms paying homage to the music that took him to where he is that features a signature Stratocaster crescendo.
As an early Christmas gift, People Watching EP dropped into our streaming services with a taste of what is to come on the 2025 full album. Wild Long Lie, which we have already sampled on full release, is paired alongside Nostalgia’s Lie and Arms Length which somewhat dissipated momentum.
Nonetheless, it clearly shows signs of something to become Fender staples in the near future.
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Amongst the chaos of the floor, it’s poignant to note the moral compass of the man on stage. Midway through one of his brand new releases, the down-to-earth Geordie pulls the plug to care for fans struggling in the heat of the pit, making a point of looking after each other during the show. Something I can only think he would have resonated with during his youthful yesteryears as a gig-goer on the other side of the barrier. Class act!
‘We Will Talk?’ kickstarts proceedings off again, showering the crowd with another archetypal hit to get the Co-op Live firmly on their feet.
When you know a song is about to blow the roof off the place, as a proud songwriter he only had to say one word. Spice. Dating back to November 2018, ‘Spice’ came along with ‘Dead Boys’ in his debut EP and it holds cult status six years down the line. If the sheer genius of the anthem isn’t enough to keep the audience engaged, then the massive pyrotechnic display firing out the back of the stage might have!
Now, as a man who has religiously listened to Sam Fender’s collection throughout the year, a song that placed number one for me was ‘Howdon Aldi Death Queue’ – specifically the Finsbury Park live version. In its presence for the first time in the flesh, this more than lives up to expectations.
For a song that, on a surface level – describes separating a reasonable distance from the person in front of you during a global pandemic at a supermarket in Wallsend – it holds about two minutes of the greatest guitar solos you would hear this side of the Tyne Bridge.
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Shades of Springsteen, Petty and Hendrix, and that is high praise, just listen. Breathtaking. Rock. Music.
Running into the final phase of the performance, we were somewhat brought back down to earth with ‘Get You Down’ and ‘Spit of You’. The latter is always a touching tribute to his old man, performed with a backdrop of Polaroid images of children and their parents. More specifically the conversational difficulties between a father and son, but something that could pull on the heartstrings of the entire audience.
Then they arrive… the big finish, the final three. Some may have felt disheartened to miss out on the likes of ‘That Sound’, ‘Saturday’ and ‘Play God’ (me being exactly that person) but listen, he can’t play them all.
To close us out, Sam takes to the keys as the faint intro to ‘The Dying Light’ creeps across the venue. The melancholy piano feels like it could awaken the entirety of East Manchester on a crisp winter morning before creeping up into the traditional electric guitar with an explosive, confetti-worthy finish!
As an encore, ‘Seventeen Going Under’ and ‘Hypersonic Missiles’ provide the musical culmination of truly one of Britain’s (if not the world’s) greatest live acts.
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As the Geordie star and the band prepare for their swan song, the canny lad teases the crowd with waves of acapella Ohhh, Ohhh, Ohh, Ohhhhhh’s, pre-empting the grand finale.
Fireworks, fog machines and confetti pair with an overwhelming chorus of applause to conclude what was undoubtedly one of 2024 best live acts – and he fancies doing it all over again tonight.
Sam Fender setlist
Dead Boys (Tour Debut)
Getting Started
The Borders
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Wild Long Lie
All Is on My Side
Nostalgia’s Lie
Arm’s Length
Will We Talk?
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People Watching
Spice
Howdon Aldi Death Queue
Get You Down
Spit of You
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The Dying Light
Seventeen Going Under
Hypersonic Missiles
Featured image: Publicity picture
Audio
The Streets at Castlefield Bowl, Manchester – tickets, times, setlist and all you need to know
Danny Jones
The Streets are coming to Manchester this weekend to play their landmark album, A Grand Don’t Come For Free, on tour and in full for the first time in full since its release in 2004.
It remains one of the most influential albums of the 21st century, having had a huge impact on culture and UK music, and we couldn’t be more excited to FINALLY hear it in its entirety live and direct.
Speaking on the seminal release, frontman Mike Skinner says he “wrote it as a story from beginning to end, even studying screenwriting to shape it and without the faintest idea how people would react.”
Ahead of this bringing it back to the stage in its entirety, he said: “We’ve been looking for something bold to do with the live show, and we landed here: some tracks have never been played live, others haven’t surfaced in years.” With that in mind, we can’t wait for their 2026 Sounds of the City set. Speaking of…
The Streets at Castlefield Bowl for Sounds of the City
Are there tickets left for The Streets’ Manchester dates?
Skinner and his band are set to fill Castlefield Bowl, and we’ve been blessed with not one, but two nights at this iconic outdoor stage in the heart of the city, on Friday 10 July AND Saturday 11 July – lucky us.
While tickets for the first gig are all sold-out across the board, you can still grab general admission for the second show this Saturday; secure yours HERE.
Known for their lively stage presence, tongue-in-cheek demeanour and unwavering crowd engagement, Skinner and co’s latest visit is not one to miss lightly.
Oh, and if you too were ‘Prangin Out’ about the footy clashing, ‘Dry Your Eyes’ and fear not: you no longer have to choose, thanks to a welcome update ahead of England’s crucial World Cup quarter-final against Norway.
Saturday, August 1, 2026 – Scarborough Open Air Theatre – Scarborough
Friday, August 7, 2026 – Audley End Estate – Essex
Friday, August 21, 2026 – Earlham Park – Norwich
Saturday, August 22, 2026 – O2 Academy Birmingham – Birmingham
Friday, August 28, 2026 – Rock N Roll Circus – Sheffield
Thursday, August 5, 2026 – Depot Mayfield – Manchester
Yes, in case you weren’t aware, the gang are also playing The Warehouse Project as part of the WHP26 programme; tickets for that are also live.
Get them before they go!
Support acts and stage times for The Streets at Castlefield Bowl
For ‘Those That Don’t Know’, there are set to be some amazing support acts joining The Streets on tour. We are lucky enough to get rising Mancunian artist Antony Szmierek, as well as rap and grime MC CASISDEAD for the two days at Castlefield Bowl.
They’ve also kindly given us a very clear rundown of the stage times for each artist’s set, too:
Thankfully, bringing back an album to play start to finish means that we pretty much know almost for certain what they’re going to be playing. Here’s the tracklist as it appears on the original album:
Set 1: A Grand Don’t Come For Free in full
It Was Supposed To Be So Easy
Could Well Be In
Not Addicted
Blinded by the Lights
Wouldn’t Have It Any Other Way
Get Out of My House
Fit but You Know It
Such a Tw*t
What Is He Thinking?
Dry Your Eyes
Empty Cans
That being said, we’re almost certainly going to get a few more hits as part of the encore, be it ‘Turn the Page’, ‘Who’s Got the Bag’ and ‘Let’s Push Things Forward’, just to name a few.
What would you most like to hear from elsewhere in their discography for the Sounds of the City (SOTC) double bill? Let us know in the comments.
Transport and travel advice
Getting to Castlefield Bowl
Castlefield Bowl (M3 4JR) is on Rice Street just down Liverpool Road, which cuts off the main Deansgate strip in the city centre, and you can enter Manchester’s much-loved outdoor amphitheatre via Duke or Castle Street.
Tram
It’s just a six-minute walk from the Deansgate-Castlefield tram stop, or ever so slightly further is the St Peter’s Square tram stop, where you can find regular trams running all over Greater Manchester from both. You can check the first and last trams from the stops HERE.
Train
The nearest station to Castlefield Bowl is Deansgate train station, being a mere six-minute walk or Manchester Oxford Road, which is only 15 minutes away, with Piccadilly and Victoria being slightly further afield but still not miles away, clocking in at just a few minutes from the gig.
Whichever route you choose, none are unrealistic – just be sure to check last train timings to not get caught short.
Bus
A variety of buses stop close to Castlefield Bowl on their route, such as the 33 or 33b, which stop just a one-minute walk away from the venue.
A full list of buses and their routes can be found HERE
Getting to Castlefield Bowl by car and parking info for The Streets
If you’re driving there, Great Northern Warehouse’s (M3 4EE) car park, as well as two other NCPs near Bridgewater Hall and on Quay Street in Spinningfields.
You can also park your car for free and get the tram to the gig from one of Greater Manchester’s 24 Park and Ride sites.
Walk/cycle
If you’re that bit more climate conscious, then there are plenty of options for you too. Why not use the TfGM journey planner to find the best cycle route for you?
If you’re up for saving some pennies, the planet and want to take in your surroundings on a summer evening, then walking is a great option to beat the queues. Even walking a portion of your journey may be a wise idea!
Just make sure you save some energy for an all-night party (here’s hoping England can take it long into the early hours).
If you’re wondering what the vibes have been like at SOTC 2026 so far, here’s a taster from night two…
Safe to say @wetlegband continue to 'level up' when it comes to live shows. 🔥
Featured Images — Ben Cannon (supplied via SJM Concerts)/Audio North/Atlantic Records
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Greater Manchester music community unites to pay for local band’s new tour van
Danny Jones
In a touching bit of news that just goes to show the power of the grassroots music community here in Greater Manchester, a local band has successfully raised enough money to finally buy a tour van, all thanks to donations from fans like you.
You just love to see it.
The group in question is Spangled, who we’ve been following for some time over on our Audio North page, and they’ve featured as one of Artists of the Month.
More importantly, however, just a few weeks after setting up a fundraiser to help pay for a proper touring vehicle, they’ve smashed their target and then some, meaning they’ll be back hitting the road in no time.
Setting a £10,000 target when they first created the GoFundMe at the end of May, they breached the halfway point on 23 June, and now, just over a fortnight later, they’ve amassed £10,455 and counting.
Incredible stuff.
Writing an emotional post following the conclusion of ‘Project Vangled’, the post-punk rockers wrote: “You lot fucking did it. Somehow we’ve smashed our £10k target for the van, meaning we’re in a phenomenal position to go and buy one as soon as we can over the next few weeks.
“Special thank you to Robert Mitchell – who donated an outrageous £4.5k. We’re truly speechless and blown away. Robert, you are the man. Please drop us a message or an email, as we’d love to do something special for ya in return.
“The next Spangled chapter is upon us. And it’s all down to you, the people. LGFS.”
We’re sure you guys can figure out that final acronym all on your own, but if you’ve even been lucky enough to be at a Spangled gig, you’ll know exactly what it means; at the very least, if you haven’t listened to their stuff yet, you really need to.
Have you checked our first monthly listening round-up of the year? 🎧
Our inaugural cover stars of 2026 are the incredible @Spangledband – or rather the great bit of artwork for their latest single is. 👌
It’s also been great to see the reactions to the news on social media, with fellow industry peers such as promoters This Feeling and music outlet RGM Magazine both popping up in the comments to pass on the congratulations to the lads.
Oh, and big Rob Mitchell, whoever you are, you’re an absolute legend.
We just love hearing stories like this, especially when it involves up-and-coming artists that we know and love, not to mention truly believe can go all the way if given the right kind of access and a helping hand every now and again.
So to all those who have, give YOURSELVES a hand, and continue to show your support for the rising stars of the future like, well, these guys…