Beloved Manchester music venue Band on the Wall has announced that they have bought the equally popular Rose and Monkey pub and hotel next door.
The two Great Ancoats St favourites on the edge of the district and the Northern Quarter have both served as reliable, entertaining gig spaces for years now, not to mention a great spot for a drink, and their business models have always aligned so perfectly, with visitors heading from one into the other for years.
With that in mind, and in a concerted effort to support the local music and hospitality industry, Band on the Wall have decided to turn that long-standing relationship into an even closer collaboration.
Confirming the acquisition of The Rose and Monkey earlier this week, Band on the Wall and its next-door neighbour are now official partners.
Speaking in an official statement on their website, the latter wrote: “This exciting development marks another step in Band on the Wall’s mission to support grassroots music and enhance its role within Manchester’s vibrant cultural scene.
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“The Rose & Monkey (formerly The Burton Arms) has a long and chequered history dating back to 1783, but in recent years has been transformed into a beloved destination for music lovers and locals alike.
“Known as one of the city’s oldest public houses, originally built as part of the original Smithfield Markets and over the road from what was the ‘New Cross’ area of the city, the venue boasts an intimate atmosphere and commitment to live music.
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“The pub is now a vital part of the Northern Quarter’s creative fabric with unique features, including a beer garden, small music stage, and even Airbnb accommodation upstairs; the venue perfectly complements Band on the Wall’s (BOTW) ethos of fostering community through music.”
As it turns out, the deal to take over The Rose and Monkey was actually agreed upon a while ago and fully finalised last 2024.
With backing from Figurative – a not-for-profit organisation that specialises in ‘impact investment’ throughout the cultural and creative sector – this most recent development follows the £3.5 million refurbishment of BOTW, which was finally completed back in March 2022.
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Audio North was still ‘The Manc Audio’ back then, but Band on the Wall was busy being reborn first.
Gavin Sharp, CEO of Band on the Wall, said: “We are delighted to welcome The Rose & Monkey into the Band on the Wall family. This acquisition allows us to expand our footprint while preserving one of Manchester’s most cherished independent venues.
“Together, we aim to create even more opportunities for emerging artists and provide unforgettable experiences for music fans.”
As for the pub and lodging house itself, The Rose and Monkey Hotel, to use its full name, will still remain its own bar and live music entity but will now work closely with Band on the Wall to achieve better and more diverse programming.
In addition to a place to stay on the first floor, the pub now features a newly installed ‘Wurlitzer Jukebox’, too, which has been curated by none other than American alternative rock band Pixies, BBC 6 Music DJ Chris Hawkins and the in-house team.
Finally, Band on the Wall went on to add: “The Rose & Monkey is ideally positioned to become an even greater hub for Manchester’s thriving music scene.
“Visitors can look forward to an enhanced calendar of events as well as continued dedication to inclusivity and creativity, and a jukebox specially curated by several high-profile friends and supporters of the venue.”
Ticketmaster agrees to change ticketing procedures following Oasis dynamic pricing controversy
Emily Sergeant
Ticketmaster has agreed to change its ticketing procedures following the ‘dynamic pricing’ controversy over Oasis reunion tour tickets.
After a lengthy investigation, the Competition and Markets Authority (CMA) has secured formal commitments from Ticketmaster, known as ‘undertakings’, to make sure fans have the information they need when they spend their hard-earned cash to see the artists they love.
The leading ticketing platform will now be required to make it clear to fans what they will get for their money, and give more information about different ticket prices.
These undertakings require Ticketmaster to tell fans 24-hours in advance if a tiered pricing, or dynamic pricing, system is being used, and provide more information about ticket prices during online queues, helping fans anticipate how much they might have to pay.
Ticketmaster will also now have to ensure that tickets are described accurately, and do not give the impression that one ticket is ‘better’ than another when that is not the case.
We’ve secured undertakings from #Ticketmaster to provide customers with more pricing information + make sure ticket descriptions are clear.
And finally, the ticketing platform will have to provide regular reports to the CMA to show how it has implemented the undertakings.
As mentioned, the CMA investigation comes following widespread concerns about the Oasis Live ’25 tickets sale.
Two areas were identified as needing investigating following the sale.
The first being that Ticketmaster did not tell fans waiting in lengthy queues that standing tickets were being sold at two different prices, and that prices would jump as soon as the cheap tickets sold out.
The second being that Ticketmaster sold some ‘platinum’ tickets at almost 2.5 times the price of ‘standard’ tickets, and all without sufficient explanation that these offered no additional benefits over some ‘standard’ tickets in the same areas of the venue.
Ticketmaster has agreed to change its ticketing procedures following the Oasis dynamic pricing controversy / Credit: The Manc Group
“Fans who spend their hard-earned money to see artists they love deserve to see clear, accurate information upfront,” explained Sarah Cardell, who is the Chief Executive of the CMA.
“We can’t ensure every fan gets a ticket for events as popular as the Oasis tour, but we can help ensure that next time an event like this comes along, fans have the information they need, when they need it – and the changes we’ve secured will give fans more information about prices and clear descriptions of exactly what they are getting for their money.
“If Ticketmaster fails to deliver on these changes, we won’t hesitate to take further action.”
Featured Image – Simon Emmett (Press Picture)
Audio
Tame Impala announces massive Manchester gig on new tour
Clementine Hall
Tame Impala is heading out on a huge arena tour, with a massive gig right here in Manchester.
Oh Kevin, it really is great to have you back.
In just a few weeks on Friday 17 October, Tame Impala (Kevin Parker) will release his fifth studio album titled ‘Deadbeat’.
And today, he’s announced a major European and UK tour to go alongside it.
The dates kick off in Porto, Portugal on Saturday 4 April and wrap in Dublin, Ireland on Wednesday 13 of May.
He’ll be stopping off in Manchester near the end of the tour, bringing his synth sounds to the Co-op Live Arena on Friday 8 May.
Image: Publicity Picture
As well as a show at the Co-op Live in Manchester, Tame Impala will perform in London, Birmingham and Glasgow.
Kevin Parker has emerged as one of the most influential voices of the last decade, renowned for carving out a distinct sound all of his own and transcending genre-bending sonic landscapes.
Playing every instrument and acting as writer, producer, mixer and engineer on his projects, it’s not hard to see why he’s been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations.
Artist pre-sale begins Wednesday 1 October at 9am BST with the general on-sale taking place on Friday 3 October at 9am BST and you can buy yours HERE.
Tame Impala Deadbeat Tour 2026:
4th Apr – Super Bock Arena – Pavilhão Rosa Mota – Porto, Portugal
5th Apr – MEO Arena – Lisbon, Portugal
7th Apr – Movistar Arena – Madrid, Spain
8th Apr – Palau Sant Jordi – Barcelona, Spain
10th Apr – LDLC Arena – Lyon, France
12th Apr – Inalpi Arena – Turin, Italy
13th Apr – Unipol Arena – Bologna, Italy
14th Apr – Hallenstadion – Zurich, Switzerland
16th Apr – Olympiahalle – Munich, Germany
18th Apr – PreZero Arena – Gliwice, Poland
20th Apr – O2 Arena – Prague, Czechia
23rd Apr – Barclays Arena – Hamburg, Germany
25th Apr – Royal Arena – Copenhagen, Denmark
26th Apr – Avicii Arena – Stockholm, Sweden
27th Apr – Unity Arena – Oslo, Norway
29th Apr – Uber Arena – Berlin, Germany
30th Apr – Festhalle – Frankfurt, Germany
1st May – PSD Bank Dome – Dusseldorf, Germany
3rd May – Accor Arena – Paris, France
4th May – Ziggo Dome – Amsterdam, Netherlands
5th May – AFAS Dome – Antwerp, Belgium
7th May – The O2 – London, United Kingdom
8th May – Co-op Live Arena – Manchester, United Kingdom
9th May – Utilita Arena Birmingham – Birmingham, United Kingdom
Danny Jones -
30th March 2025 
