From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
2:22 A Ghost Story at the Manchester Opera House – a nail-biting and thrilling night out
Clementine Hall
2:22 A Ghost Story has begun its UK tour in Manchester, and it’s a production certainly not for the faint hearted.
Since its premier on the West End back in 2021, 2:22 A Ghost Story has firmly established itself as a must-see.
It’s a production that promises to get your pulse racing, your palms sweating and the hairs stand up on the back of your neck – and believe me, it does just that.
Based on the personal experiences of playwright Danny Robbins, this spooky tale delves into the supernatural themes of love, loss, and enduring connections.
Image: Supplied
The script is fast paced and keeps the audience on the edge of their seat, infusing dark themes with unexpected turns and moments of humour – it’s a perfect recipe for success.
Set against the backdrop of a middle class dinner party there are no set changes, instead we focus on the four characters and their evening until the dreaded time comes around…2:22.
Jenny and Sam, played by Stacey Dooley and Kevin Clifton, are joined by their old friend Lauren (Shvorne Marks) and her new boyfriend Ben (Grant Kilburn).
Image: SuppliedImage: suPPLIED
There was not one weak link in the cast, each player kept up to speed in the fast pace game as the plot unfurled around them.
The standout performance for me was by Grant Kilburn as Ben, a cocky chino-wearing, loafer-sporting builder who turns out to be more than meets the eye (no spoilers, I promise).
Stacey Dooley’s Jenny was gentle and strong in equal measures, whereas Kevin Clifton’s performance was exactly as you wanted it to be – ridiculously obnoxious and at most times incredibly unlikeable.
Image: Supplied
The syncopated score added to the tension of the plot perfectly, as did the red lighting that framed the performance throughout.
Again, I won’t give too much away but the jump scares dotted through the performance sent waves of terror throughout the audience. Followed by chuckles of laughter as grown adults came to realise they’d dropped their popcorn on the floor out of fright.
The ending of course brought it all together, and was the sort of ending that you had speaking to strangers walking out of the auditorium after the final curtain call.
So if you’re looking to get your pulse racing with a theatre production like no other, 2:22 A Ghost Story is at the Manchester Opera House until Saturday 16 August and you can your tickets here.
Here & Now – The Steps Musical is coming to Manchester
Daisy Jackson
A musical inspired by pop band Steps is coming to Manchester this year, and the principal cast for Here & Now has now been confirmed.
The musical features Steps’ most beloved hit songs, including Tragedy, Heartbeat, Stomp, the One For Sorrow, Better Best Forgotten, 5,6,7,8, Last Thing On My Mind, Love’s Got A Hold Of My Heart, Chain Reaction, and many more.
The story is set in seaside superstore Better Best Bargains, where it’s Friday night, the vibe is right, and everyone’s dancing in the aisles.
But when Caz discovers the shelves are stocked with lies and betrayal, the summer of love she and her friends dreamed of suddenly feels like a tragedy. Have they all lost their chance of a ‘happy ever after’? Or does love have other plans in store…?
Here & Now has an original book by Shaun Kitchener and is directed by Rachel Kavanaugh, with choreography by Olivier Award-winning Matt Cole and Matt Spencer-Smith as musical supervisor, orchestrator and arranger.
The show is produced by Steps themselves, ROYO, and pop legend Pete Waterman.
Producers have now confirmed that Rebecca Lock will star as Caz, returning from the original run in Birmingham.
Here & Now – The Steps Musical is coming to Manchester
Finty Williams will play Patricia, Blake Patrick Anderson will be Robbie, River Medway (fan favourite on the third season of RuPaul’s Drag Race UK, BBC) is Jem, Edward Baker Duly (The King and I) as Max and John Stacey as Lesley.
There are new cast members joining the principal cast too, including Jacqui Dubois (Ghost The Musical UK tour) as Vel, Chris Grahamson (NOW That’s What I Call A Musical UK and Ireland tour) as Gareth and Rosie Singha (& Juliet UK and Ireland tour) as Neeta.
Set design by Tom Rogers, costume design by Gabriella Slade, lighting design by Howard Hudson, sound design by Adam Fisher, wigs, hair and makeup design by Sam Cox, casting by Will Burton for Grindrod Burton Casting, Music Technology by Phij Adams with Production Management by Setting Line.
Steps are one of the biggest pop bands of a generation, made up of Claire Richards, Faye Tozer, Ian ‘H’ Watkins, Lee Latchford-Evans and Lisa Scott-Lee.
In their career they achieved 14 top five singles, four number one albums, 22 million record sales, 500 million streams and 11 sold-out national arena tours.
Steps’ 2017 comeback tour was one of the biggest pop tours of that year, with 300,000 tickets sold, and they’ve continued to release new music.
You can find out more about Here & Now and book tickets HERE.
Danny Jones -
2nd May 2025 
