Despite a rocky opening month or so, Manchester’s Co-op Live made the ultimate instant recovery and has now been named the number one arena not just in the UK but all of Europe.
Manc music venues being best in class? Sounds about right.
Yes, even despite some obstacles, delays and early hiccups, Co-op Live‘s debut year as a live music and indoor entertainment venue has seen it beat out the likes of the long-established and iconic O2 in London to take the top spot.
The inaugural 12 months of the arena have not only seen it welcome all manner of music legends, as well as live sporting events such as the UFC and WWE, but the arena welcomed more visitors than any other venue across the continent during that time.
Names to have graced the industry-leading stage so far include Liam Gallagher, Stevie Nicks and Take That; Peter Kay, Elbow, Sabrina Carpenter, Paul McCartney, and so many more.
Commenting on the successful start, Tim Leiweke (CEO and chairman of the Oak View Groupbehind the venue) said: “Our ambition was to bring the world’s best music arena to one of the world’s greatest music cities and we are thrilled with the reaction from fans and artists alike over this past year.
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“Co-op Live’s revolutionary acoustics investment has already attracted some of the world’s biggest artists and events to Manchester, with many more to come. And our sustainability commitment will ensure we remain responsible contributors to Manchester and the planet for years to come.
“We believe that amazing venues can transform cities for the better, and Co-op Live has done just that.”
It’s fair to say we’ve had some truly unforgettable nights in there already – and that’s just in the last month alone. Case and point:
With a continued commitment to achieving ‘Net Zero’ status too, the venue’s carbon reduction technologies, solar panels, heat pumps and rainwater harvesting, not to mention the recently refreshed CityLink walking in partnership with the Climate Pledge, are all things we can be proud of.
Bev Craig, Leader of Manchester City Council, went on to add: “We are delighted with the success of Co-op Live’s first year, and to see it taking the top spot off London.
“It shows Manchester is the home of live music in the UK, with Co-op Live bringing so many exclusives from artists like Bruce Springsteen to the city and Oasis playing massive hometown shows this summer – 2025 is going to be one of the biggest ever for our city’s music scene.”
Meanwhile, things are feeling less fortunate at the grassroots end of the spectrum, as the Music Venue Trust is imploring people to get behind a vulnerable Manc music institution.
The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Danny Jones -
2nd May 2025 
