From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
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Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
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Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
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At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
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Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
High School Musical at Lowry, Salford – a night spent reliving our childhood | Review
Amy Williams
What a night spent reliving our childhood.
Now, I don’t want to exaggerate or seem biased, considering this is one of my favourite film trilogies of all time, but this could be the best stage show I’ve seen in a long while.
We all know how High School Musical goes, right? Set at East High, we follow Troy and Gabriella (the star basketball player, and the geeky new girl) who meet over New Year, and then become ‘star-crossed lovers’ when back at school as they’re part of two different ‘cliques’.
The duo mess with the ‘Status Quo’ when they audition for the school musical. But will they stick to what they know? Or become stars of the stage? I’m sure you know the ending.
High School Musical is currently on stage at Lowry, Salford / Credit: Matt Crockett (Supplied)
From the costumes and the characters, to the memorable songs (there’s actually 52 songs in this production, including a mega mix at the end), they’ve kept right to the script of the films – and that’s exactly what we wanted to see.
Of course, the biggest throwback of them all is Kaycee Stroh – who originally featured as Martha Cox in the film trilogy – taking the role as Ms Darbus, and she was just as incredible as we expected her to be. And to see her do the iconic dance in the finale was unbelievable, 13-year-old Amy was screaming.
Also featuring Jason Donovan as Coach Bolton, Tobias Turley as Troy, Leonor Correia as Gabriella, Caitlin Tipping Sharpay, and Luke Bayer as Ryan, it was a proper impressive cast all round.
It’s a night to properly relive your mid-00s childhood / Credit: Matt Crockett (Supplied)
There was crowd interaction right from the off, as they taught the crowd a cheerleading routine to be included later in the show, plus for the finale, they had the lyrics on the big screen too so everyone could sing-along.
If we could go and see this show every single night, we would – it is absolutely brilliant.
Beloved local actor David Threlfall is returning to Manchester theatre after nearly three decades as King Lear
Danny Jones
Much-loved local actor and director David Threlfall is set to return to the Manchester theatre circuit after nearly three whole decades as he prepares to play King Lear at the Royal Exchange.
That’s right: Frank Gallagher himself is about to be one of Shakespeare’s most iconic characters in one of his most legendary plays.
Returning to the very same stage on which his career first began budding after 27 years since last treading the boards, the Shameless, Nowhere Boy and Hot Fuzz star will be donning the titular role in arguably the greatest tragedy of all time at the Manchester city centre theatre this coming autumn.
First announced last month, we’ve finally learned more about this significant comeback and can barely contain our excitement.
The seasoned thespian who is best known for playing UK TV’s well-known and perpetually drunk Northern dad, not to mention embodying fellow British performer Tommy Cooper, has plenty of roots in playhouses, but it’s fair to say he’s been gone from Greater Manchester for a hot minute.
Set to lead the cast in the new adaptation, directed by Matthew Dunster – himself a local Lancashire lad schooled in Chadderton – this feels like a proper homegrown production.
For anyone who’s never really experienced the historic tale by ‘Old Bill, the Bard of Avon’, to put it in the Royal Exchange’s words, it “charts a kingdom where power corrupts, families become enemies and prosperity devolves into war.
“At its centre is the mind of a man who can no longer understand what it means to be human. Lear is a searing portrait of a king unable to distinguish truth from lies. As the storm rises and night falls, language, identity and meaning break down completely.”
To be fair, you could argue there are some similarities between him and the Gallagher patriarch; he’ll also be in the middle of this run when he turns 73 – meaning it’ll be even longer since he last played the Royal Exchange Theatre (RET) in his mid-40s.
As for this version by Dunster – who himself is returning to the RET once again also (for his sixth different stint, no less) his talented cast includes the likes of Isobel Akuwudike, Ed Coleman, Lisa Diveney, Rupert Hill, Johnathan Slinger and more.
It’s also worth noting that Threlfall has featured in a Lear retelling in the past.
Way back in 1983, he played Edgar in the small-screen movie made right here in 0161 by Granada Television, where he acted alongside HUGE names such as John Hurt, Diana Rigg, Robert Lindsay, as well as the late, great TV, movie and all-around acting star, Laurence Olivier.
Born in Crumpsall, raised in Burnage, and made at the REC and various other theatres across the country, this feels like a momentous homecoming for the ever-familiar Manc face.
With shows booked from Friday, 2 October until Sunday, 15 November, and tickets priced at just £12 for standard seats, you can secure yours right HERE. It’s also worth noting that this isn’t the only Shakespearean adaptation coming to the region later this year, either…
Danny Jones -
2nd May 2025 
