Britpop fans, brace yourselves because Oasis have just announced that they will be releasing more tickets for three UK reunion dates – and yes, we can confirm that one of those set for an extra is their massive Manchester homecoming at Heaton Park.
Get ready to scrap in the digital queue again, folks.
With the Oasis Live ’25 reunion world tour now less than a week from kicking into gear (cannot believe it’s gone that fast), people are still scrambling around and trying to do whatever they can to get a last-minute ticket.
That being said, the Burnage boys and their promoters look to have given Oasis fans even more of a lifeline besides the hope of last-minute spares and re-sales, as a small release of additional tickets will be made for Manchester and two other cities available this week.
Posting on their social media accounts, the band confirmed: “As the shows are getting closer, Oasis promoters may be able to release a very limited number of additional tickets for sale once final sight lines are checked and the production is fine-tuned.”
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Besides Heaton Park, Cardiff and Edinburgh are believed to be the other two shows tipped for the extra ticket allocation.
The update goes on to add: “These final production releases will happen over the coming days. If you are an Oasismynet [fan website] member, keep an eye on your inbox for an email from your regular Oasismynet or Ticketmaster correspondence address.”
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Naturally, they’ve also urged would-be recipients to double-check all emails are correct and legitimate before following links or sharing any purchase information”, scammers having been rife ever since the tour broke the internet.
Amusingly, many of those who saw the latest news from the Gallagher brothers online immediately feared the worst when they spotted the lengthy block of white text on a plain black background.
“Got scared they had a falling out for a second because of the long message”, and “Omg this looked like a statement saying they’d fallen out again”, being just two examples.
But don’t worry; touch wood, rehearsals are now well underway and as far as we know, the Manc music legends are getting on fine and even spent a recent bank holiday together, according to LG himself.
If among the lucky few to be selected for the final ballot, those who attempted to get tickets last time around should receive a code via email, with the tickets available at 8am BST sharp tomorrow (Thursday, 26 June). So, you’d best get checking your inboxes, people!
It’s not just the return of Oasis mania out there, Britpop fever has well and truly gripped the nation with Robbie Williams currently on tour, Pulp back together too, not to mention Blur announcing a surprise new album this July. Time to clobber up and pretend it’s the 90s again.
Cruz Beckham and The Breakers live in Manchester – a torch passed from father to son?
Lonnie Bowes
Cruz Beckham graced the stage of The Deaf Institute in Manchester last night. Whether it’s your first time through the doors or you’ve been going for years, the venue carries an unmistakable energyand always will.
With a feel and set in its Victorian past, unmistakable Mancunian patina, the building leaves a mark on you – and on every grassroots artist who plays there.
The intimate upstairs room has long been a springboard for acts who go on to much bigger stages. History certainly likes to repeat itself, and perhaps this was a small sign of things to come for the youngest son of David and Victoria Beckham.
With his dad watching from the wings – fittingly in a number seven shirt synonymous with his years at Man United – Cruz stepped onto the stage with quiet confidence. For the next hour, he set his sights firmly on the crowd, eager to show exactly who he is as an artist beyond the famous surname.
Backed by a tight band that seemed to fit together like a glove, the set leaned into guitar-driven indie with an easy chemistry between players.
There were moments where the group locked into a groove, so naturally, it felt less like a new project and more like a band that had been touring together for years.
Cruz and co’s audience reflected the curiosity surrounding the night; inside the packed room was an eclectic mix of indie fans, university students, couples of all ages and a fair share of Beckham devotees – all keen to see whether the hype surrounding the young performer translated on stage.
The 21-year-old ran through his most popular (albeit limited number of) tracks thus far, including ‘Lick the Toad’, ‘Optics’, and ‘For Your Love’, each of which was met with enthusiastic cheers from the crowd.
His songs showed off a good deal of melodic indie sensibility, with jangling guitars and hooks that landed well in the intimate setting of the venue.
While Cruz held the stage, there were emotional moments playing out just above him. Throughout the set, David Beckham could be spotted proudly filming and what appeared to be FaceTiming other family members to share the moment in real time. We’re not sure Brooklyn’s picking up at the minute…
Toward the end of the night, visibly moved, the former footballer appeared to wipe away a tear — a quiet but powerful reminder that beyond the celebrity and headlines, this was still a father watching his son manifest his own destiny.
For Cruz Beckham, the night wasn’t about stadium lights or global headlines: it was about proving himself in a room that has hosted literally countless emerging artists before him. If the energy inside Deaf Institute was anything to go by, this may well be one of those early chapters people look back on later.
Did any of you head to the venue as a fan or purely out of curiosity – and if so, what did you make of Cruz Beckham’s first proper Manc gig?
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Danny Jones -
25th June 2025 
