British-Albanian performer and prolific pop star Dua Lipa is halfway through her first-ever international stadium tour, and it’s nothing shy of a spectacle – night one in Liverpool living, breathing, levitating proof.
To say I wasn’t singing more than half of this setlist verbatim would be a lie; the setlist for Lipa’s Radical Optimism tour is stacked with hits upon mega hits.
Her commanding single ‘Training Season’ kicks things off and besides getting the whole stadium hyped up, it sets the tone for the night ahead, one Dua has full control of, and also features a firework or two.
Within 15 minutes of stepping onto the stage, the unofficial anthem of Anfield’s resident football club and recently re-crowned Premier League champions, Liverpool FC, was played.
Dua Lipa performing ‘Physical’ at Anfield Stadium.Smiles all round at the ‘Radical Optimism’ tour in Liverpool.Credit: Audio North
In fact, ‘One Kiss’ was met with an unmatched electric energy that she ended up playing it again later on, because why the hell not?
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This isn’t just a song: it’s a beast. When you’re playing a song that’s spent eight weeks at No.1, has 2.5 billion streams and at an arena with a legacy like Anfield‘s, there was simply no way these fans were going to be tame.
Similarly, partway through the second act, Lipa had the audience wrapped around her fingers once more as she played the dance-inducing smash ‘Levitating’. In that moment, we were all her “sugarboos.”
This was a proper crowd-pleasing moment. To be honest, they all were.
As we strut our stuff into the third act, we’re met with another dancefloor filler, ‘Physical’, fans were ready and waiting to chant “let’s get physical” with the superstar.
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The fourth act, on the other hand, was much more relaxed. Ms. Lipa took some time to show her love to some of the album’s deeper cuts; I greatly appreciated being able to belt out “How looong?” as she played ‘Falling Forever.’
She finished this segment with the song that started it all, one she’s never forgotten to play since bursting onto the music scene back in 2015: ‘Be The One.’
Dua Lipa and Dave McCabe (The Zutons) performing ‘Valerie’.The superstar taking pictures with fans at Anfield.Liverpool is in for a treat if the second Dua Lipa show is even half as good as night one at Anfield.
Dua, let us tell you something, you’ll always be the one.
The encore felt like the epitome of all things Dua Lipa. It’s like when you hear that one ABBA megamix that has you shouting, “Oh, I know this one… and I know this one too!”
And rightly so, with a back-to-back, four-song medley spanning from ‘New Rules’ and ‘Dance the Night’, to ‘Don’t Start Now’ and ‘Houdini’. Perfect, perfect, perfect.
— DANIEL is calling..☎️💜 (@daniel__SG) June 24, 2025
After this medley, night one of the ‘Radical Optimism’ tour was over, but we and the fans were certainly left feeling radically optimistic.
Come on, how can you not be when the timeless classic ‘I Wanna Dance With Somebody’ by Whitney Houston is soundtracking your concert exit?
I have one last question for anyone who hasn’t splashed the cash for one of her shows yet… if you’re not watching Dua Lipa live, then ‘Whatcha Doing’?
Lipa had the crowd well and truly in her fingertips.Dua gave quite the performance in Merseyside.An increasing master of not just pop songs but stagecraft too. (Credit: Audio North)
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Thomas Melia -
25th June 2025 
