One of our favourite live acts we’ve ever seen is coming back to Manchester as Unknown Mortal Orchestra are set for a stunning return to the city – and at one of our most beloved venues, no less.
The New Zealand psychedelia-infused rock and indie outfit may not be on everyone’s radar just yet, but the genre-bending outfit is comfortably up there with some of the best we’ve ever had the privilege of seeing in the flesh.
Currently based in Portland, Oregon, in the States, Unknown Mortal Orchestra (UMO) is fronted by multi-instrumentalist and visionary experimentalist producer, Ruban Nielson, who first began the project on his own over a decade and a half ago.
Closer to a three-piece these days, you won’t find many bands that boast a collection of such varied and talented musicians, and they’re heading to Albert Hall.
As detailed by Albert Hall themselves, this show is also just one among a very small handful of dates here in the UK as part of their run of shows across Europe.
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Other shows include one on the night following their Manchester gig over in Yorkshire, which our friends at The Sheff will no doubt be buzzing about, as well as on opening night at Barrowland in Glasgow ahead of a four-show residency in London.
Dubbing their work as nothing short of “psychedelic mastery” (we couldn’t agree more), the iconic live music space will be welcoming them early next year after landing on the mainland continent.
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Other stops on the 2026 Unknown Mortal Orchestra European tour include Lithuania, Latvia and Poland; Germany, Denmark, Norway, Sweden, Holland, Belgium and Paris.
Now consisting of Nielsen, bassist Jacob Portait, and often Ruban’s brother as well as fellow singer-songwriter, musician and engineer, Kody Neilson – also known for his work with The Mint Chicks, Opossom, Silicone and more – all of whom are as talented in the studio as they are on stage.
They also happen to have one of our favourite Tiny Desks of all time.
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Sorry, but this HAS to be up in there in the top 10.
The London residency already looks to be in high demand, so you can bet their only date here in Manchester and at a venue like Albert Hall will sell out extremely fast.
As well as an entirely instrumental outing earlier this year, UMO also dropped their latest EP entitled CURSE back in June, and it’s fair to say it’s some of the most ‘out-there’ material to date.
If you haven’t listened to it yet and are just expecting more art-poppy indie bops like ‘Hunnybee’, you couldn’t be more wrong…
Unknown Mortal Orchestra play the Albert Hall in Manchester on Friday, 27 March, and you can get ready to grab your tickets right HERE.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: