Green Island Fest, a.k.a. one of our favourite live music events on the entire planet, is back for 2026 with its biggest and what is, arguably, on course to its best lineup to date.
And this is just the first wave…
The annual series of outdoor parties is about as literal as grassroots celebrations come, with the performances taking place at none other than Hulme Community Garden Centre.
After an incredible debut a few years ago, its popularity and overall reputation have only grown taller like the trees the punters will be in amongst when Green Island ’26 kicks off its first edition this summer.
In addition to continually platforming rising artists across multiple genres and other up-and-coming projects within the industry, they’re now attracting some serious real music legends, too.
As well as Moss Side and original Manc music tastermaker A Guy Called Gerald topping the bill, festivalgoers are set to be treated to a dedicated 808 State DJ set too, though it remains to be seen if others from the iconic collective will be joining Gerald on stage.
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Fellow house and dance veteran turned radio host, DJ Paulette, will also be rolling through the sea of plants and ravers for the first time ever.
Split over three ‘chapters’ as always – June, July and the closer in September – this is perhaps one of the most electronic-driven lineups to date as they look to celebrate the city’s rich heritage within the genre, but as always, there’s so much more going on at Green Island.
With street food traders setting up next to the bushes and barrels of beer, the stages spilling out onto backstreets once again, and afterparties each month, festival season simply can’t come soon enough.
This year, not only are the organisers committed to making this an ‘anti-algorithm programming’ initiative, ensuring that they have full control over their acts, selectors and beyond, but they’re also looking to cater for all ages and better than ever.
With a brand-new family area and dedicated daytime programme curated by Z-arts, a nearby arts centre for children and families, ‘The Imaginarium’ is inviting families to “make, move, and explore together through nature-inspired creative activities.”
Promising a “relaxed, joyful space for curious minds and shared moments of creative play, expect drop-in art workshops, nature-inspired storytelling and magical nature adventures”, it’ll serve as a tangible reminder of how both music and the wider Community Garden Centre fit into the arts world.
It’s grassroots pioneers like these guys that make us truly proud of the Greater Manchester live entertainment sector and overall cultural scene, and we promise that if you’ve never been to Green Island Fest before, you WILL NOT be disappointed.
For those who fancy going on either 6 June, 25 July or 5 September, you can grab your tickets HERE.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
4th February 2026 
