Manchester’s inaugural Festival of Libraries, which took place virtually and in-person across the city-region last week, was a sprawling patchwork of events representing what libraries can be.
From virtual artist residencies and talks by famous writers to interactive activities for children and tours of Manchester venues, the five days of the Festival proved to be a glorious celebration of libraries and all they provide us.
A central theme flowing through the events was curiosity: Not just about what libraries are, but what they provide and what they mean to us.
For celebrated children’s author Michael Rosen – who starred at the Festival – libraries are essential given how they provide us with two of the most powerful tools of life: Reading and writing.
“We make comparisons between the stories we’re reading and the story of me.”
Rosen spoke as part of an ‘Inspired by Libraries’ series, where notable figures in the creative world were paired with a Greater Manchester library service.
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Alice in Wonderland characters at Central Library /Photo: Anna Willis
Radzi Chinyanganya, a children’s television presenter and debut author, also talked to a group of children in person at Altrincham Library, where he explained how libraries helped him with his GCSES, and enabled him to learn about Karate.
For children, libraries are such a magical place, and the lectures really emphasised just how formative they can be. I saw this in action when I went along to Central Library’s ‘Sunday Funday’. Greeted by characters from Alice in Wonderland, it was wonderful to see young faces light up as they recognised the Mad Hatter and Captain Hook.
Children were able to take part in an interactive story with children’s author Kristina Stephenson, playing with puppets and learning about the fantastical world of Stephenson’s best-selling series. Upstairs was the chance to create a pop-up inspired by books and libraries.
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Whilst the sessions themselves were creative and enjoyable, it was the ability for children to be creative and imaginative that brought an excitable fizz to the air.
Another strand of the Festival was a series of artist residencies, where local musicians, poets, and creatives worked together with youth groups in a series of workshops facilitated by libraries across Greater Manchester.
James Holt, a singer-songwriter from Bolton, worked with ‘Us Girls’, a youth group in Stockport, on a song and music video based around what libraries meant to them. He told me how, when he brought his ukulele along in the last session, one of the girls learned some chords and was thrilled by having been able to learn something new.
He says it’s those “little moments” that might encourage people to check out the library, come to a group, or maybe pursue music as a result of the Festival.
One noticeable element to the festival was its broad range of artistic mediums and formats. Hawk Dance Theatre, a Manchester-based contemporary dance company, performed ‘Getting From A to B’ in several of Greater Manchester libraries during the week.
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Choreographed within libraries themselves, it proved to be an adventure around the library, examining the choices and decisions we face in our lives.
Stephen Holland, UK comics laureate, spoke to a live audience at Altrincham Library about the power of visual storytelling and Guy Garvey, lead singer of the band Elbow, talked about his love of libraries with Chetham’s Library.
‘Getting from A to B’ by Hawk Dance Theatre /Photo: Festival of Libraries
As a UNESCO City of Literature, Manchester has partnered with artists in other cities of literature across the world. Kate Feld talked to Alicia Sometime, writing from Melbourne, Australia, and Anna Polanyi, in Iowa City, via Instagram Live about their projects and experiences of working with Manchester’s libraries from half-way across the world.
“Librarians are the glue that holds the world together,” Alicia said.
The whole Festival was put together at lightning speed, and the quality and quantity of events demonstrated the passion that each of the libraries hold for celebrating themselves and each other.
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Martin Roberts, Libraries Liaison Manager for Stockport Council, told me that library staff are effective at pivoting to new events and activities as required, managing the jump between digital and in-person events with ease.
He hopes the Festival will particularly inspire young people, such as ‘Us Girls’ who worked with James Holt.
“A large part of my view about libraries is also that we want to make sure we bring cultural opportunities for young people who otherwise might not experience them,” said Martin.
“Not only do I believe that this free resource is a space that people should use, it’s this space where they won’t be challenged when they come in, they won’t be expected to buy anything, but it’s a space where people can gain knowledge and gain independence.
“I think they’re all opportunities for people in society, especially those starting out.”
Photos: Anna Willis, Festival of Libraries
Art & Culture
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre until Sunday 25 October, and you can book your last-minute tickets here.
Featured Image – The Manc Group
Art & Culture
Tickets officially go on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester
Emily Sergeant
Tickets have now officially gone on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester.
Arriving on screens from 18 December and gearing up to be one of the most anticipated films of the year, Dune: Part Three – which is the third and final instalment in director Denis Villeneuve’s Dune franchise – will be screening in IMAX 70mm at Vue Manchester Printworks, one of only three venues to show it in this format nationwide.
There are only 40 other venues across the globe showing the film in IMAX 70mm, and Manchester is the only city outside of London to screen the blockbuster this way too.
Based on the novels of Frank Herbert and set nearly two decades after the previous film, Dune: Part Three features an ensemble cast of all-star names led by Timothée Chalamet and Zendaya.
Alongside them will be Jason Momoa, Florence Pugh, Anya Taylor-Joy, Rebecca Ferguson, Robert Pattinson, Charlotte Rampling, Javier Bardem, and Josh Brolin.
After seats for a special early screening of the film in IMAX sold out in less than 30 minutes last month, the IMAX 70mm showings – which officially went live today (20 October) – are expected to be snapped up fast by film fans in Manchester.
“A decade in the making, Denis Villeneuve’s epic Dune trilogy is reaching its dramatic conclusion this December,” explained Dean Cross, who is the Senior Screen Content Manager at Vue.
“As the only venue outside of London to be screening Dune: Part Three in IMAX 70mm, it’s a privilege for us to offer this unique way to experience the film.”