Manchester’s inaugural Festival of Libraries, which took place virtually and in-person across the city-region last week, was a sprawling patchwork of events representing what libraries can be.
From virtual artist residencies and talks by famous writers to interactive activities for children and tours of Manchester venues, the five days of the Festival proved to be a glorious celebration of libraries and all they provide us.
A central theme flowing through the events was curiosity: Not just about what libraries are, but what they provide and what they mean to us.
For celebrated children’s author Michael Rosen – who starred at the Festival – libraries are essential given how they provide us with two of the most powerful tools of life: Reading and writing.
“We make comparisons between the stories we’re reading and the story of me.”
Rosen spoke as part of an ‘Inspired by Libraries’ series, where notable figures in the creative world were paired with a Greater Manchester library service.
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Alice in Wonderland characters at Central Library /Photo: Anna Willis
Radzi Chinyanganya, a children’s television presenter and debut author, also talked to a group of children in person at Altrincham Library, where he explained how libraries helped him with his GCSES, and enabled him to learn about Karate.
For children, libraries are such a magical place, and the lectures really emphasised just how formative they can be. I saw this in action when I went along to Central Library’s ‘Sunday Funday’. Greeted by characters from Alice in Wonderland, it was wonderful to see young faces light up as they recognised the Mad Hatter and Captain Hook.
Children were able to take part in an interactive story with children’s author Kristina Stephenson, playing with puppets and learning about the fantastical world of Stephenson’s best-selling series. Upstairs was the chance to create a pop-up inspired by books and libraries.
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Whilst the sessions themselves were creative and enjoyable, it was the ability for children to be creative and imaginative that brought an excitable fizz to the air.
Another strand of the Festival was a series of artist residencies, where local musicians, poets, and creatives worked together with youth groups in a series of workshops facilitated by libraries across Greater Manchester.
James Holt, a singer-songwriter from Bolton, worked with ‘Us Girls’, a youth group in Stockport, on a song and music video based around what libraries meant to them. He told me how, when he brought his ukulele along in the last session, one of the girls learned some chords and was thrilled by having been able to learn something new.
He says it’s those “little moments” that might encourage people to check out the library, come to a group, or maybe pursue music as a result of the Festival.
One noticeable element to the festival was its broad range of artistic mediums and formats. Hawk Dance Theatre, a Manchester-based contemporary dance company, performed ‘Getting From A to B’ in several of Greater Manchester libraries during the week.
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Choreographed within libraries themselves, it proved to be an adventure around the library, examining the choices and decisions we face in our lives.
Stephen Holland, UK comics laureate, spoke to a live audience at Altrincham Library about the power of visual storytelling and Guy Garvey, lead singer of the band Elbow, talked about his love of libraries with Chetham’s Library.
‘Getting from A to B’ by Hawk Dance Theatre /Photo: Festival of Libraries
As a UNESCO City of Literature, Manchester has partnered with artists in other cities of literature across the world. Kate Feld talked to Alicia Sometime, writing from Melbourne, Australia, and Anna Polanyi, in Iowa City, via Instagram Live about their projects and experiences of working with Manchester’s libraries from half-way across the world.
“Librarians are the glue that holds the world together,” Alicia said.
The whole Festival was put together at lightning speed, and the quality and quantity of events demonstrated the passion that each of the libraries hold for celebrating themselves and each other.
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Martin Roberts, Libraries Liaison Manager for Stockport Council, told me that library staff are effective at pivoting to new events and activities as required, managing the jump between digital and in-person events with ease.
He hopes the Festival will particularly inspire young people, such as ‘Us Girls’ who worked with James Holt.
“A large part of my view about libraries is also that we want to make sure we bring cultural opportunities for young people who otherwise might not experience them,” said Martin.
“Not only do I believe that this free resource is a space that people should use, it’s this space where they won’t be challenged when they come in, they won’t be expected to buy anything, but it’s a space where people can gain knowledge and gain independence.
“I think they’re all opportunities for people in society, especially those starting out.”
Photos: Anna Willis, Festival of Libraries
Art & Culture
Manchester City releases CGIs and important details of new ‘immersive’ museum
Emily Sergeant
Manchester City has revealed key information about its new museum experience designed to immerse visitors in the history and culture of the club.
Set to open later this year in the heart of the £300m Medlock Square entertainment district at Manchester’s Etihad Campus, the Manchester City Museum Experience will be spread across 10 distinctive spaces and visitors will be able to take a trip down memory lane with nostalgic environments from throughout the club’s history.
Fans can also take part in interactive media experiences, like posing with all 48 major trophies won by the club’s first teams or trying their hand at football punditry.
The experience will combine the latest immersive technology with physical memorabilia drawn from across the club’s history to do this.
Hidden details and surprising ‘did you know’ facts are set to be embedded across the experience, so that even the most devoted Man City fans will have the chance to discover something new about the club they love.
CGIs of what the new museum experience will look like when it opens have been released.
By combining interactive environments, technology, and authentic artefacts, the experience is aiming to appeal to a wide audience – from lifelong Manchester City supporters, to families and those with a broader interest in football, culture, and the city of Manchester.
“Building a completely new museum has allowed us to create an immersive experience that celebrates the people and moments which have shaped Manchester City,” commented Danny Wilson, Managing Director at Manchester City Operations.
“But our story isn’t traditional and straightforward, so why should our museum experience be? We want something different. Something immersive which will resonate with our fans, as well as excite the wider city.
Manchester City releases CGIs and important details of its new ‘immersive’ museum / Credit: Manchester City / Ralph Appelbaum Associates (RAA)
“In doing so, we have developed something that appeals to fans, complements the Etihad Campus and provides a year round attraction for the city.”
When it opens, the Manchester City Museum Experience is set to complement the club’s existing Stadium Tour – which is currently ranked among the top five visitor attractions in the UK, according to TripAdvisor reviews.
Further information about the museum experience – including booking details – will be shared ahead of its opening later in 2026 during the phased completion of Medlock Square.
Featured Image – Manchester City / Ralph Appelbaum Associates (RAA)
Art & Culture
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.