People made of cake, a bathtub filled with more cake, wallpaper covered in icing – this is the newest art installation to open in Manchester, and it’s literally good enough to eat.
This is An Edible Family in a Mobile Home, a restaged piece of art that was a major feminist artwork in the 1970s.
Artist Bobby Baker has now recreated this incredible piece of work outside the Whitworth Gallery, alongside the Women in Revolt! Art and Activism in the UK 1970-1990.
Step inside this prefabricated home and you’ll find different figures in each room, each one of them in some way edible.
From the father watching television in his armchair (he’s made of fruit cake) to a coconut cake baby in a crib, to a Garibaldi biscuit teenage boy lying in a bathtub of vegan chocolate cake, to a floating teenage girl made of meringue, visitors will be able to eat their way through the sculptures.
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Each cake inside is made by beloved Levenshulme bakery Long Boi’s Bakehouse too, and having taken a bite of the very first slices – they’re all delicious.
The space used to stage An Edible Family in a Mobile Home is plastered floor-to-ceiling in mid-70s newspaper and magazine pages, advertising everything from secretarial jobs to cigarettes, and documenting landmark moments like the death of Elvis Presley.
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These wallpaper cuttings have then been decorated with icing doodles.
There are also old radio stations playing in the kitchen, and 70s comedy on the TV.
An Edible Family in a Mobile Home at the Whitworth in Manchester. Credit: The Manc Group
Bobby Baker’s work was first created in her prefabricated East London house in 1976, then wasn’t seen for almost 50 years until she restaged it at the Tate Britain in 2023.
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And now it’s Manchester’s turn, with this impressive, playful piece in residence at the Whitworth art gallery until 20 April.
During which time, the artist’s cake ‘family’ will be steadily eaten away by the public.
This installation is possible thanks to public funding by the National Lottery through Arts Council England.
Bobby Baker said: “Originally I wasn’t overtly considering the work as ‘feminist’, however over the years – and having had children and now grandchildren, I have come to realise that unpaid domestic labour is an incredibly undervalued part of life.
“It is fundamental to how the human world operates – how we look after each other and care for our children and stay healthy.
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“However, domesticity and the work it requires still have words like ‘menial’ attached to it. In 1976 when people came to see Edible Family in what was my actual mobile home, they could contemplate who plays what domestic roles and why – and restaging this now, I feel that this work is still very much relevant today.”
Elsewhere in the Whitworth, ‘Women in Revolt! Art and Activism in the UK 1970-1990’ features over 100 women artists and celebrates their often-unsung contribution to British culture.
An Edible Family in a Mobile Home is free to visit and is open from 7 March until 20 April,
Sterephonics frontman Kelly Jones reveals that Noel Gallagher is back in the studio
Danny Jones
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Daisy Jackson
One of the Science and Industry Museum’s most iconic attractions will reopen this summer – and the beloved museum has revealed a sneak peak of how things will look.
The museum has shared CGIs of the reimagined Power Hall: The Law Family Gallery, where visitors will be able to explore a lively working gallery full of engines and rail vehicles.
The popular part of the museum closed for urgent repairs in 2019 and has since been undergoing conservation work and a new look created by award-winning designers Studio MUTT.
The sounds, smells and sights of Manchester’s past and present industry will be brought to the Power Hall when it reopens.
Visitors will soon again be able to rediscover objects and learn the stories behind those who powered Manchester’s industry.
There’ll be three main themes within the Power Hall – Making More, which will explore how engines helped people make more, faster, with steam engines installed at factories and mills.
Then there’ll be Powering Lives, which will examine how engines power the electricity network we all plug into every day.
And also Connecting Places, which looks at how locomotives have connected communities around the world, starting at the site of the museum which sparked a transport revolution in 1830.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Kate Chatfield, Interpretation and Content Manager at the Science and Industry Museum, said: “Power Hall: The Law Family Gallery will be a must-see Manchester experience – a living gallery that showcases a unique collection of historic 19th and early 20th century working engines to tell the story of Manchester as an epicentre for the engine-driven ideas and industry that shaped the world as we know it today.
“Our most iconic objects will be available to explore like never before as we bring to life the people behind the power through stories of the engineers, makers and technicians who use their skills and senses to create and care for engines, both today and in the past.”
The work on the Power Hall is part of a multi-million-pound regeneration project across the Science and Industry Museum, which is conserving and reimagining these historic buildings.
The Power Hall has been future-proofed in the six years it’s been closed to the public, including urgent roof and timber repairs.
Further information about what to see and do and the Power Hall’s opening date will be announced in the coming weeks. Sign up to the museum’s mailing list to be among the first to hear more.
Power Hall: The Law Family Gallery project has been made possible with support from The Law Family Charitable Foundation, the Wolfson Foundation, The National Lottery Heritage Fund, The Headley Trust, Royal Commission for the Exhibition of 1851, Atmos International, The Beaverbrooks Charitable Trust, The Zochonis Charitable Trust and other donors who choose to remain anonymous.
Special thanks to the Department for Culture, Media and Sport for their significant contribution to the gallery, and to the Department for Energy Security and Net Zero for funding the decarbonisation of the Power Hall through the Public Sector Decarbonisation Scheme, delivered by Salix Finance.
Daisy Jackson -
6th March 2025 
