Tramlines Festival returns to Hillsborough Park for another year and we here at Audio North cannot wait to walk back out onto that field.
Between Friday, 26 July and Sunday, 28 July 2024, festival-goers will have the opportunity to watch some of the UK’s best musical talent and discover new acts on the smaller stages in the musical city of Sheffield.
The line-up is stacked this year, with Paolo Nutini, Jamie T and Snow Patrol taking the headline slots over the weekend, alongside huge acts such as Sophie Ellis-Bextor, Bombay Bicycle Club, Miles Kane, The Human League, Bombay Bicycle Club and Tom Grennan.
Over 100 acts are expected to perform at Tramlines 2024 across five stages, with an array of genres from indie rock, pop, punk, hip hop, comedy and more. There’s definitely something for everyone.
Credit: Tramlines (supplied)
Tramlines lineup 2024
Friday 26 July
Kicking off the weekend and setting the bar high, Paolo Nutini is set to headline the main stage on Friday 26 July. With huge hits like ‘New Shoes’, ‘Candy’ and all-time favourite ‘Last Request’, the soulful Scot knows how to get a crowd going.
Bombay Bicycle Club will also perform in the evening, the perfect band to play as the sunsets over Hillsborough Park. With over six albums to pick from, we’re guaranteed some bangers.
The full line-up for Friday includes Sophie Ellis-Bextor, Miles Kane, Coach Party, The View, The Charlatans, SOFT PLAY, The Mysterines, Dylan John Thomas, Mitch Santiago, Lucy Beaumont, Hannah Rowe and Matilda Shakes.
The Sarah Nulty stage schedule is as follows:
Paolo Nutini: 8.15pm-10.15pm
Bombay Bicycle Club: 6.15pm-7.15pm
Sophie Ellis-Bextor: 4.45pm-5.30pm
Miles Kane: 3.50pm-4.15pm
Coach Party: 2.30pm-3pm
The View (Special Guests): 1.15pm-2pm
Bedroom High Club: 12.15pm-12.45pm
Credit: Supplied
Saturday 27 July
The excitement continues over the weekend with indie legend Jamie T taking the headline slot Saturday night, with the crowd belting out British classics of ‘Sheila’, ‘Zombie’, and ‘Sticks n Stones’. We’re proper buzzing for it. The crowd will be warmed up with Tom Grennan and Scottish indie rock band, The Snuts.
The Sarah Nulty stage schedule is as follows:
Jamie T: 8.45pm-10.15pm
Tom Grennan: 6.45pm-7.45pm
The Snuts: 5pm-5.45pm
Sprints: 3.45pm-4.15pm
Nieve Ella: 2.45pm-3.15pm
Everly Pregnant Brothers: 1.15pm-2.15pm
The Leadmill Studio Orchestra: 12.15pm-12.45pm
Credit: Supplied
Sunday 28 July
Snow Patrol will close the festival Sunday night, with tear-jerking tunes like ‘Chasing Cars’ and ‘Open Your Eyes’. But before the Irish trio take the stage and switch up the genre, The Human League will perform before Example will get the crowd partying with his massive hits like ‘Kickstarts’ and ‘Changed the Way You Kiss Me’.
The Sarah Nulty stage schedule is as follows:
Snow Patrol: 7.45pm-9.15pm
The Human League: 5.45pm-6.45pm
Example: 4pm-4.45pm
Flowerovlove: 2.45pm-3.15pm
Maximo Park (Special Guests): 1.30pm-2.15pm
Phillipa Zawe: 12.30pm-1pm
Credit: Supplied
Tickets
There are still some tickets are still available on the Tramlines website. The gates open at 12pm each day, with the last entry being at 19:30.
Resale tickets for the full weekend are set at £140; Friday will cost £65, Saturday £45 and Sunday £55 and there are lots of affordable prices for kids too.
You can see the full list of prices and grab yours HERE.
Tramlines Festival map and how to get there
Arriving by train
For people travelling into the city from elsewhere, Sheffield is easily accessible from all across the country, with regular trains running around the region and one central station. From there, the festival site is accessible via taxi, bus or tram, and only takes approximately 15 mins.
The tramlines to, well, Tramlines…
As the name would suggest, the festival is pretty much built for public transport and Sheffield’s great tram links mean it’s really easy to get there. Supertram has all the info you need for your weekend travel and can find all the info and ticket prices by downloading the TSY Mobile app.
You can catch these from the following key locations:
Yellow Route
Middlewood Park & Ride
The Cathedral
Meadowhall Park & Ride
Use Hillsborough Park stop and head for the Middlewood Rd Entrance.
Blue Route
Malin Bridge Park & Ride
The Cathedral
Sheffield Railway Station / Hallam University
Halfway Park & Ride
Use Hillsborough stop and head for the Middlewood Rd Entrance.
Supertram services will run every six minutes from the city centre to Hillsborough Park, which is then just a short two-minute walk to the festival.
As for when you’re leaving, it’s worth noting that the Hillsborough Park and Hillsborough Corner stops will be closed after the show, so you will have access to the Leppings Lane stop from within the park after the headliners have finished. You can view the full list of stops or plan your journey HERE.
There are two entrances: Penistone Rd, S6 2AN OR Middlewood Rd, S6 4HA
By bus
Just like the rail, Sheffield also has great bus links in Sheffield that can help you get to and from Tramlines. There is a dedicated Hillsborough Park bus stop but do keep in mind that there will likely be some disruptions/delays when leaving the festival. You can plan your journey via Travel South Yorkshire.
By car
Given that Tramlines is a Metropolitan festival and built for public transport, organisers strongly recommend not driving to the event given the amount of congestion and in an effort to reduce the environmental impact over the weekend; however, you can find out more about parking etc. HERE.
As a pedestrian
In all honesty, once you’re in Sheffield, one of the easiest ways to get to Tramlines is simply on foot after hopping on a tram or a bus, but should you also want to cycle to the festival, there is a bike rack at the Penistone Road entrance (S6 2AN).
Food and drink – vendors and prices
With all that partying you will definitely build up an appetite. Luckily, Tramlines has tons of food vendors for you to choose from, including gluten-free, vegetarian and vegan options.
With over 40,000 festival goers to feed, there are plenty of options to keep you full, from Proove Pizza, ‘As Tha Got Beef and Get Wurst just to name a few.
As for drink prices this year, a pint at Tramlines will cost you anywhere from £6-£7 depending on what beer you go for, whereas cans of cider start from £6.25; wine starts from £10 for English sparkling white wine, with rose and pinot grigio costing £16 for a half or £32 for a full bottle.
Sprit and mixers deals start from £7.25 with the option to double up for £2.50 and you can push all the way up to £9.25 for an official Red Bull cocktail. Meanwhile, your shots are a fiver (barring jager bombs set at £6.50), soft drinks start from £2.90 and water is £2.70.
And with that, this should be just about all you need to know ahead of Tramlines 2024 – all that’s left to do is go and enjoy yourselves, and The Sheff crew will see you there!
Oh, and make sure to keep your eyes over on the brand-new Audio North for all the best coming out of this year’s festival. It’ll look a little something like this…
Revenue from Manchester’s ‘big gigs’ to go towards supporting local grassroots music venues
Emily Sergeant
Manchester City Council is set to earmark almost £250,000 to support grassroots music venues in the city.
Following on from the success of the city’s huge summer of music, which in recent weeks has seen hundreds of thousands of fans converge in the city to see massive names like Olivia Rodrigo, Billie Eilish, Charlie XCX, Elbow, and Robbie Williams, as well as other talents like Fontaines D.C. and Sam Fender still yet to come.
Oh yeah, and there was also that small matter of Oasis reuniting for five nostalgia-drenched gigs in Manchester’s Heaton Park earlier last month.
Over the course of the summer, it has been estimated that Manchester will have attracted a whopping 1.3 million music tourists, which is being described as a ‘tremendous’ boost for the city’s economy as a whole, especially the hospitality industry.
Revenue made from Manchester’s ‘big gigs’ this summer is to go towards supporting local grassroots music venues / Credit: Eldhose Kuriyan | Joshua Hanson (via Unsplash)
These huge events are also generating income for the Council too, either by being hosted in the city’s largest parks with commercial arrangements for their use, or through the business rates paid by major venues – and it’s this income that has been earmarked to go towards supporting grassroots music venues throughout the city.
As well as reinvesting part of this revenue into parks and greenspaces, the Council is planning to set aside £245,000 to be made available in financial support for Manchester’s grassroots venues.
While exact details are in the process of being finalised, the intention is that the scheme will be administered by the Music Venue Trust to ensure that the money gets to where it is needed as ‘quickly and effectively’ as possible.
It’s estimated that Manchester will have welcomed 1.3 million music tourists before summer’s out / Credit: Nathan Mullet (via Unsplash)
“Manchester is a big noise in the music world,” commented Councillor Bev Craig, who is the Leader of Manchester City Council, “and this summer, all eyes have been on the city as we’ve hosted some huge concerts and seen unprecedented success in our large venues.
“But while the biggest gigs might dominate the headlines, we know they are only possible because they are part of a wider ecosystem, with grassroots venues providing the launchpads for acts to develop and grow.
It's been a BIG summer of music in Manchester.
We've got pioneering plans to use money raised by some of the biggest gigs to support our grassroots venues – a vital ingredient of the city's amazing music scene: https://t.co/8ekQN7AmGBpic.twitter.com/MpVWpeHqbk
— Manchester City Council (@ManCityCouncil) July 31, 2025
“We know that across the country, grassroots venues are struggling. That’s why we want to ensure that our grassroots venues can share some of the benefit from the success of those big events.
“We’re blessed in Manchester with an array of great smaller venues.
“They are there to be enjoyed and I’d encouraged anyone who values them to get out and support them.”
Featured Image – Rahul Kukreja (via Unsplash)
Audio
Five Manchester artists we’ve been listening to this month | July 2025
Danny Jones
Hello again, it’s us: The Manc, or more specifically, our Audio North arm – back to talk about the music coming out of Greater Manchester that we’ve been listening to over the past month.
If you’re new here, it really is as simple as that, and whether they’re revered veterans of the region’s music scene or what we think might be the next up-and-coming thing, as long as it’s from ’round our way, we’ll give it a chance.
Five native artists, three recommended tracks from each and hopefully hours of exciting new listening if you play your cards right.
Headphones and playlists at the ready. Here’s what we had on in July.
Manchester music we’ve been into recently
1. poor effort
We’re kicking things off with an experimental project from Salford-born and Manchester-based musician and writer, Matty Dagger, whose new outing in the spoken word space immediately caught our attention when it came down the grapevine. It’s a bit alternative, a bit punk and very Manc. We love it.
Some might say it’s reminiscent of Yard Act and Sleaford Mods, which would be fair, but more specifically, our first listens gave us Stockport’s very own Hello Cosmos with a sprinkling of Oldham’s Seb Lowe (both previous monthly picks). The lyrical/vocal delivery is charmingly casual and anecdotal.
Dagger’s poor effort couldn’t be anything less than; there seems to be a very considered approach to the more electronic style of spoken word and poetry-driven music. You can complete the discography already, but we’d start with ‘you’re wrong, i’m right (symphony)’, ‘HMRC’, and then ‘City of Hope’.
Cool visual aesthetics going on too.
2. Victoria Jane
Next up is a big knee-jerking turn in genre and overall temperament, as if Dagger has been making us pay microscopic attention to every word and Greater Mancunian reference, this local musician hooked us in with her somewhat quieter but inviting timbre of voice and smooth, almost sleepy melodies at times.
Victoria Jane may have been born in London, having previously collaborated as part of the Vibbar collective, but having moved to 0161 as a kid and falling in love with Man United, she’s always immersed herself in the Northern way. The R’n’B act also presents BBC Radio 1 ‘Future Soul’ show.
Her work really hits all the notes you want, from smooth and soulful singing, to not quite voice cracks but soft, intentional breaks that often feel nigh on agonising – as if she’s into you and welcoming you to slump back the other way. ‘The One’, ‘Voicenote Freestyle’ and ‘On My Own’ are our picks.
Number three is, admittedly, another big whiplash when it comes to overall experience, but it’s one of the most unique musical discoveries we’ve made in a hit minute. This musical duo is called Phellotape, conceived by double bassist Alice Phelps and multi-instrumentalist producer Thomas ‘Twem’ Twemlow.
They met while playing in the queer alt-rock outfit, The Irrepressibles, but this project could be branded as anything from alternative and/or experimental to maybe even art pop. All we know is the multi-talented mix of instruments within almost every section, and pulling from numerous styles is pretty staggering.
Rather fittingly, there are only two recorded tracks to their name so far; ‘Rain’ is a quiet, atmospheric song that puts you in mind of London Grammar with a mix of the xx and Massive Attack, while ‘Hungry Ghost’ is quite easily one of the most interesting tunes we’ve heard in the past decade. No exaggeration.
4. 10cc
Fancing something more familiar for number four? Well, as a born and bred Stopfordian myself, every now and again I go back and admire some of the incredible names that recorded at the town’s famous Strawberry Studios – one of which is Stockport‘s very own 10cc. Great name, great band.
The moment I heard my then-teenage brother play ‘Donna’, I was baffled as to why he was playing what I then just dismissed as “old music”, before it quickly got stuck in my head. Is it their best tune? No. Does it still hold a special place in my head and heart? Yes. Do they have other standouts? Absolutely.
For the record, while most people recognise the likes of the controversial ‘Dreadlock Holiday’, I’d argue ‘Good Morning Judge’ is their best track and the first time I listened to it, I thought it was one of the coolest sounding intros ever. Still do. ‘I’m Not In Love’ with them, but they are a core childhood memory.
A hugely undercelebrated of Greater Manchester music history (Credit: AVRO/Dirk Annemans (via Wikimedia Commons)
5. Oasis
Speaking of legends who evoke nothing but feelings of hometown pride, legacy and pure admiration, it’d be the most see-through lie ever to pretend that we haven’t spent most of this last month listening to the almighty Oasis amid their comeback tour.
We had the pleasure of being there at Heaton Park and up on ‘Gallagher Hill’, which now has its own precious place in British music history, and July as a whole still feels akin to a fever dream and similar to what we imagine Glastonbury is like for those nearby when it takes over their entire universe.
July 2025 really was “biblical” and we don’t think we’ll ever get over it, so, last but not least, we’d thought we’d give a special shout-out to some of our favourite tracks that didn’t make the setlist. ‘Don’t Go Away’, ‘Shock of the Lightning’, ‘Round Are Way’. Done.
As The Masterplan proved, everything from the so-called ‘filler’ album tracks to those B-sides is better than most other bands could dream of. As you were x
Emily Johnson -
25th July 2024 
