First installed in 1997, Lemn Sissay’s poem Flags stretches a little under a mile down Tib street – running from Market Street up toward Swan Street.
Originally part of the Tib Street art trail, created to draw people back into the Northern Quarter when it was in serious decline, Flags has long been a part of the area’s fabric.
Over the years, some of the poem’s stones have disappeared: leaving us to guess the missing letters and marvel at the way a simple act of feet treading the pavement has, over time, changed the meaning of the Chancellor of the University of Manchester’s words.
On his blog, academic Dr. Tony Shaw calls it “living poetry, uncertain poetry” – where “sometimes you have to kick aside cigarette ends to read more clearly, or wait for a momentarily parked car to move.”
And for the past 24 years, that’s exactly how it has been: A piece of urban poetry slowly eroding under our feet, the very meaning of the art changing as stones disappear, wear away or – as artist Tim Rushton notes – are taken home as souvenirs.
In a bold move, the full work has been immortalised in a new ‘cast iron’ rendering – restored on Tib Street in full, with a new version of the poem written especially by Sissay for the occasion.
Supported by Manchester City Council, Bruntwood, and the Arts Council, Sissay was able to work once again with artist Rushton – who designed the original poem’s font back in 1997 – on the new installation.
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Rushton had designed a special font called cypher for the piece back in the ’90s, which is used again on the new rendering.
“In the last couple of years it has become obvious that Lemn Sissay’s poem Flags on Tib Street has finally become past reasonable repair,” said Tim, reflecting on how the poem on the pavement has changed over the years.
“General wear and tear, scaffolding pole drops and souvenir hunting has rendered [the original poem] very patchy.”
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Sissay’s poetry can be found across Manchester. In fact you’ve probably noticed one of his most famous, Rain, painted on a wall above Gemini takeaway near the Oxford Road university campus.
Lemn Sissay’s poem Rain can be found above Gemini Takeaway on the Oxford Road corridor / Image: Gerald England
Now an internationally respected poet with work recognised across the globe, Sissay has come a long way from using his unemployment benefit to self-publish his first poetry pamphlet Perceptions of the Pen.
The official poet of the 2012 London Olympics and Chancellor of the University of Manchester since 2015, for this year’s Manchester International Festival Sissay has also co-curated an exhibition at HOME with Hans Ulrich Obrist.
On display until 30 August, it’s called Poet Slash Artist and is all about forging new links across cultures, continents, languages and generations – joining up poets and visual artists to connect words and images across gallery walls and city streets.
Just like the Tib Street poem, it’s not all found in the gallery: Rather, the new exhibit has spilled out onto the streets of Manchester: creating a new trail that runs from Deansgate to Whitworth Street West.
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A full map of the locations for these new works of living art can be found here.
Flags by Lemn Sissay – the original poem (deciphered by Dr. Tony Shaw) versus the new edition:
The original 1997 poem:
These pavement cracks are the places where Poets pack their warrior words
These pavement cracks are the places where sleeping shadows of moving bridges stole
Where dying dust of dreams slides where the slits silt turns to food
Where home truths trickle home and confide Where the silent forests brood
Where spines bent?? the bridges arches where they vaulted with asice(?) to ? speak
And unity sown on to the sun of alll trades perhaps they’re a script words of the street
Perhaps these pavement cracks are the places awhere flattened flags lies solidified waves
The telling lines within a sea of faces where sufferers take cover of street caves
The telling lines within a sea of faces Where sufferers take cover of street caves
Where wander the wayward and lost Where the runaway can chart his journey back home
Where the water runs as the world defrosts The street breathes beneath this stone
And perhaps the pavement cracks are the pattern of concrete butterflies
Where thoughts carefully cultivated waiting to waken grow wings and fly
Like us they hold the people of a modern earth This world between the windswept flags
Where pavement cracks are the places where sleeping shadows of moving bridges stole
The cold
The updated 2021 poem:
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Pavement cracks are the places
Where poets pack warrior words
Verses to catch the surfeit of faces
Where seeds slip from bitter birds
Trip and fall between the ledges
Where sweeping silent rivers run
Hidden roughened toughened edges
Where darkness swallows the sun
Pavement cracks are the places
Where shadows of bridges roll
Where water falls water races
Heat crouches beneath the cold
The dust of the city slides
And secret silent worries wait
Home truths trickle home
Cracks are the lines of fate
These pavement cracks are patterns
of concrete butterflies
A perfectly positioned parallax
Waiting to wake grow wings and fly
And perhaps these pavement cracks
Hold the Manchester myriad———————————————————————————————————————————————————————————————————————————————
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The cracks the cracks the cracks!
The world between the windswept flags
Art & Culture
Placebo are returning to Manchester with a special re-worked album tour for their 30th anniversary
Danny Jones
Placebo are coming back to Manchester city centre for a very special anniversary show celebrating their seminal debut album, which will be re-worked 30 years on from its release.
The beloved British alt-rock band, which first broke onto the indie, post-glam and pseudo-goth scene back in the mid-1990s, haven’t played here since November 2022, so it’s fair to say fans have been waiting for a return.
Last time out, they played the AO Arena, but this year they’ll be making a maiden visit to one of Europe’s biggest indoor entertainment venues.
Announcing the ‘RE:CREATED‘ re-release of their debut album and the accompanying anniversary tour this week, tickets are set to go on sale very soon.
Confirming just a handful of UK shows this December following a more extensive European run in autumn and winter 2026, they are the latest big rock name to book Co-op Live.
Placebo’s self-titled debut album, RE:CREATED
As mentioned, Placebo RE:CREATED features “powerful reworked and embellished versions of all ten tracks from the original album”, as well as two new bonus tracks.
The group say that these new songs are sort of like an ‘amplification’ of what made their inaugural studio outing such a success in the first place.
Speaking in an official statement, they said: “We think of this record as a director’s cut. We haven’t recreated it from scratch. We went back to the original master tapes and brought 30 years of playing these songs live back into the record.
“This project was about finally finishing the record, dragging it into the 21st century sonically, while preserving the integrity and the spirit of the original. It’s not about improving it; there’s nothing wrong with it – it’s about completing it.”
Signing off and getting tails up ahead of the tour, they added: “It’s a celebration of where we began, and a meeting point between who we were then and who we are now; a way of honouring that innocence, while letting the songs exist with the scale, confidence, and energy of the band we’ve become”.
JUST ANNOUNCED: Placebo: 30th Anniversary Tour Playing songs from ‘Placebo’ & ‘Without You I’m Nothing' Friday 4 December https://t.co/qwOm3NNGQH @coopuk members get first in line for tickets. Co-op Member Presale: 09:00 Wednesday 25 March General Sale: 09:00 Friday 27 March pic.twitter.com/MO72ui1ntW
It remains to be seen who, if anyone, will be supporting them for the limited run of domestic shows, but it has been revealed that they will also be playing some fan favourite songs from their sophomore LP, Without You I’m Nothing. You can see the rest of the gigs here in Britain and Ireland down below:
Placebo UK tour dates 2026
2 – Dublin, Ireland – 3 Arena 4th – Manchester, UK – Co-op Live Arena 5th – London, UK – OVO Arena Wembley 7th – Cardiff, UK – Utilita Arena
For those looking to secure early access, you can do so by pre-ordering the album (which drops on 19 June), with the pre-sale window opening at 9am on 24 March.
As for general admission, they will be available from the same time the following Friday, 27 March.
You can get ready to grab your tickets to see Placebo at Co-op Live in Manchester for their 30th anniversary gig right HERE.
They’re not the only big rock name that first back in the 90s set for a big Manc arena show this year.
Featured Images — Press shots (supplied via SJM Concerts)
Art & Culture
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.