First installed in 1997, Lemn Sissay’s poem Flags stretches a little under a mile down Tib street – running from Market Street up toward Swan Street.
Originally part of the Tib Street art trail, created to draw people back into the Northern Quarter when it was in serious decline, Flags has long been a part of the area’s fabric.
Over the years, some of the poem’s stones have disappeared: leaving us to guess the missing letters and marvel at the way a simple act of feet treading the pavement has, over time, changed the meaning of the Chancellor of the University of Manchester’s words.
On his blog, academic Dr. Tony Shaw calls it “living poetry, uncertain poetry” – where “sometimes you have to kick aside cigarette ends to read more clearly, or wait for a momentarily parked car to move.”
And for the past 24 years, that’s exactly how it has been: A piece of urban poetry slowly eroding under our feet, the very meaning of the art changing as stones disappear, wear away or – as artist Tim Rushton notes – are taken home as souvenirs.
In a bold move, the full work has been immortalised in a new ‘cast iron’ rendering – restored on Tib Street in full, with a new version of the poem written especially by Sissay for the occasion.
Supported by Manchester City Council, Bruntwood, and the Arts Council, Sissay was able to work once again with artist Rushton – who designed the original poem’s font back in 1997 – on the new installation.
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Rushton had designed a special font called cypher for the piece back in the ’90s, which is used again on the new rendering.
“In the last couple of years it has become obvious that Lemn Sissay’s poem Flags on Tib Street has finally become past reasonable repair,” said Tim, reflecting on how the poem on the pavement has changed over the years.
“General wear and tear, scaffolding pole drops and souvenir hunting has rendered [the original poem] very patchy.”
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Sissay’s poetry can be found across Manchester. In fact you’ve probably noticed one of his most famous, Rain, painted on a wall above Gemini takeaway near the Oxford Road university campus.
Lemn Sissay’s poem Rain can be found above Gemini Takeaway on the Oxford Road corridor / Image: Gerald England
Now an internationally respected poet with work recognised across the globe, Sissay has come a long way from using his unemployment benefit to self-publish his first poetry pamphlet Perceptions of the Pen.
The official poet of the 2012 London Olympics and Chancellor of the University of Manchester since 2015, for this year’s Manchester International Festival Sissay has also co-curated an exhibition at HOME with Hans Ulrich Obrist.
On display until 30 August, it’s called Poet Slash Artist and is all about forging new links across cultures, continents, languages and generations – joining up poets and visual artists to connect words and images across gallery walls and city streets.
Just like the Tib Street poem, it’s not all found in the gallery: Rather, the new exhibit has spilled out onto the streets of Manchester: creating a new trail that runs from Deansgate to Whitworth Street West.
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A full map of the locations for these new works of living art can be found here.
Flags by Lemn Sissay – the original poem (deciphered by Dr. Tony Shaw) versus the new edition:
The original 1997 poem:
These pavement cracks are the places where Poets pack their warrior words
These pavement cracks are the places where sleeping shadows of moving bridges stole
Where dying dust of dreams slides where the slits silt turns to food
Where home truths trickle home and confide Where the silent forests brood
Where spines bent?? the bridges arches where they vaulted with asice(?) to ? speak
And unity sown on to the sun of alll trades perhaps they’re a script words of the street
Perhaps these pavement cracks are the places awhere flattened flags lies solidified waves
The telling lines within a sea of faces where sufferers take cover of street caves
The telling lines within a sea of faces Where sufferers take cover of street caves
Where wander the wayward and lost Where the runaway can chart his journey back home
Where the water runs as the world defrosts The street breathes beneath this stone
And perhaps the pavement cracks are the pattern of concrete butterflies
Where thoughts carefully cultivated waiting to waken grow wings and fly
Like us they hold the people of a modern earth This world between the windswept flags
Where pavement cracks are the places where sleeping shadows of moving bridges stole
The cold
The updated 2021 poem:
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Pavement cracks are the places
Where poets pack warrior words
Verses to catch the surfeit of faces
Where seeds slip from bitter birds
Trip and fall between the ledges
Where sweeping silent rivers run
Hidden roughened toughened edges
Where darkness swallows the sun
Pavement cracks are the places
Where shadows of bridges roll
Where water falls water races
Heat crouches beneath the cold
The dust of the city slides
And secret silent worries wait
Home truths trickle home
Cracks are the lines of fate
These pavement cracks are patterns
of concrete butterflies
A perfectly positioned parallax
Waiting to wake grow wings and fly
And perhaps these pavement cracks
Hold the Manchester myriad———————————————————————————————————————————————————————————————————————————————
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The cracks the cracks the cracks!
The world between the windswept flags
Art & Culture
Review | Villanelle debut: Liam Gallagher’s son’s band release their first track – here’s our review
Danny Jones
Liam Gallagher’s son, Gene, and his band Villanelle, have officially released their debut single to the masses, and since we’re still very much immersing ourselves in everything even remotely to do with Oasis, we thought we’d give this first track a review.
Now, if you’re expecting a familiar Britpop vibe like his dad and uncle used to bash out back in the day, you’d be very wrong…
It’s one thing to settle into something similar to what you’ve grown up around and try to continue a lineage if you’re from a successful family – especially with a legacy as important and influential as the one left by Liam and Noel – but we’re glad to report they’ve done something pretty different.
24-year-old Gene Gallagher and his bandmates Ben Taylor (guitar), Jack Schiavo (bass), and Andrew Richmond (drums) haven’t just tried to do an impression of Oasis; instead, they’ve found their own sound, and while it does give somewhat of an old-school flavour, it’s not what we expected.
It takes literally milliseconds for you to click into realising the vibe they’re going for.
‘Hinge’ is a simplistic but hard-hitting, grungey and dark debut from Villanelle, who, despite having played a number of in-progress songs live over the last year or so, have only just dropped their first studio single.
In fact, they’ve actually taken the admittedly bizarre and unorthodox first steps of having already played live with Liam Gallagher on the Definitely Maybe 30th anniversary tour before they actually released anything people can easily listen to outside of their live performances.
Nevertheless, the young four-piece introduces Villanelle as the latest post-punk outfit amidst the ongoing revival of the classic rock genre.
That is to say that punk is a tried and true classic style of music, not that these lads are trying to sound like The Rolling Stones…
Anyway, we’re getting sidetracked: Villanelle draw plenty of influences from both original and contemporary examples of this sonic subculture, and while it isn’t explosive per se, ‘Hinge’ is short, direct and hits the same formulaic notes.
It’s also fair to say you can hear a bit of the recognisable LG whine in Gene’s vocals at times, too. Listen to it in full down below and see if you agree.
Even the basic found-footage style video fits into the same category.
To call it straightforward isn’t intended as any kind of a diss, by the way – some of our favourite tunes and best artists spearheading the renaissance of the punk scene write like this.
What we will say is that it looks like bloody good fun to both play and listen to in a small, sweaty room, with plenty of pits and people bouncing off the walls.
Gallagher Sr. might be surprised to see his son going for a slightly heavier, more hardcore route with his sound, but he can’t accuse him of forgetting his roots as the child of a ‘Rock ‘N’ Roll Star.’
The boys are actually hitting the road this winter, including a date at The Castle Hotel in the Northern Quarter, if you fancy grabbing a ticket.
You can grab your tickets to see Villanelle on tour HERE, and in the meantime, let us know what you think of their debut track down in the comments.
Johnny Marr teases his work on upcoming Gorillaz album
Danny Jones
Legendary Manchester musician Johnny Marr has revealed he features on the new Gorillaz album, adding even more interest in the highly anticipated release.
The Mountain is the ninth studio LP from the musical collective led by Damon Albarn, which is set to drop in early 2026, more than three years on from their last album, Cracker Island.
Although the virtual band made up of several real-life creatives (though the ex-Blur frontman and artist, Jamie Hewlett, technically remain the only two consistent core members) hasn’t been away for too long, each new project brings a wave of excitement.
With that in mind, we have no shame in admitting we have even more interest in Gorillaz’s latest album now that we know Johnny Marr is attached to it.
I’m pleased to share that I appear on four tracks on the upcoming Gorillaz album The Mountain. It’s a privilege to be a part of this record along with so many great artists. #Gorillaz#JohnnyMarrpic.twitter.com/KXVZxgyGg9
In the new rundown of tunes already posted earlier this month, the former Smiths songwriter and lead guitarist features on four different songs on the new record. You can see it in full down below:
Gorrilaz – The Mountain tracklist
1. The Mountain (feat. Dennis Hopper, Ajay Prasanna, Anoushka Shankar, Amaan Ali Bangash and Ayaan Ali Bangash) 2. The Moon Cave (feat. Asha Puthli, Bobby Womack, Dave Jolicoeur, Jalen Ngonda and Black Thought) 3. The Happy Dictator (feat. Sparks) 4. The Hardest Thing (feat. Tony Allen) 5. Orange County (feat. Bizarrap, Kara Jackson and Anoushka Shankar) 6. The God of Lying (feat. IDLES) 7. The Empty Dream Machine (feat. Black Thought, Johnny Marr and Anoushka Shankar) 8. The Manifesto (feat. Trueno and Proof) 9. The Plastic Guru (feat. Johnny Marr and Anoushka Shankar) 10. Delirium (feat. Mark E. Smith) 11. Damascus (feat. Omar Souleyman and Yasiin Bey) 12. The Shadowy Light (feat. Asha Bhosle, Gruff Rhys, Ajay Prasanna, Amaan Ali Bangash, and Ayaan Ali Bangash) 13. Casablanca (feat. Paul Simonon and Johnny Marr) 14. The Sweet Prince (feat. Ajay Prasanna, Johnny Marr and Anoushka Shankar) 15. The Sad God (feat. Black Thought, Ajay Prasanna and Anoushka Shankar)
As you can see, the 61-year-old appears for the first time on song seven, ‘The Empty Dream Machine’, as well as ‘The Plastic Guru’, ‘Casablanca’, and the penultimate track on the album, ‘The Sweet Prince’.
It’ll be interesting to see how he fits into the captivating soundscape already teased by the group, with Gorillaz having now shared ‘The Happy Dictator’ featuring art pop duo Sparks.
A strong and politically loaded start.
Marr – who only released his fourth batch of solo material, Fever Dream Pts 1-4, back in 2022 – has continued to craft and produce with countless other artists over the past few decades, sharing the studio with fellow icons such as Noel Gallagher, Billy Bragg, Talking Heads and many more.
He even helped create the score for The Amazing Spider-Man 2 soundtrack with legendary composer Hans Zimmer.
That being said, we can only hope to hear some of his famous guitar tones sprinkled throughout this album, though it’s still unclear as to exactly how much input he had on The Mountain overall.
What we do know about the album is that it’s the first to be released via Albarn’s new record label KONG; it’s 15 tracks, and was largely made following extended recording sessions across India, with the likes of Ajay Prasanna, Omar Souleyman and Anoushka Shankar, joining IDLES, Jalen Ngonda and other collabs.
Perhaps most excitingly, the announcement of ‘Gorillaz no.9’ came alongside a series of tour dates, including one right here in Manchester. We can’t wait to see 2D, Murdoc Niccals, Russel Hobbs and Noodle ‘live’ in 0161.