First installed in 1997, Lemn Sissay’s poem Flags stretches a little under a mile down Tib street – running from Market Street up toward Swan Street.
Originally part of the Tib Street art trail, created to draw people back into the Northern Quarter when it was in serious decline, Flags has long been a part of the area’s fabric.
Over the years, some of the poem’s stones have disappeared: leaving us to guess the missing letters and marvel at the way a simple act of feet treading the pavement has, over time, changed the meaning of the Chancellor of the University of Manchester’s words.
On his blog, academic Dr. Tony Shaw calls it “living poetry, uncertain poetry” – where “sometimes you have to kick aside cigarette ends to read more clearly, or wait for a momentarily parked car to move.”
And for the past 24 years, that’s exactly how it has been: A piece of urban poetry slowly eroding under our feet, the very meaning of the art changing as stones disappear, wear away or – as artist Tim Rushton notes – are taken home as souvenirs.
In a bold move, the full work has been immortalised in a new ‘cast iron’ rendering – restored on Tib Street in full, with a new version of the poem written especially by Sissay for the occasion.
Supported by Manchester City Council, Bruntwood, and the Arts Council, Sissay was able to work once again with artist Rushton – who designed the original poem’s font back in 1997 – on the new installation.
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Rushton had designed a special font called cypher for the piece back in the ’90s, which is used again on the new rendering.
“In the last couple of years it has become obvious that Lemn Sissay’s poem Flags on Tib Street has finally become past reasonable repair,” said Tim, reflecting on how the poem on the pavement has changed over the years.
“General wear and tear, scaffolding pole drops and souvenir hunting has rendered [the original poem] very patchy.”
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Sissay’s poetry can be found across Manchester. In fact you’ve probably noticed one of his most famous, Rain, painted on a wall above Gemini takeaway near the Oxford Road university campus.
Lemn Sissay’s poem Rain can be found above Gemini Takeaway on the Oxford Road corridor / Image: Gerald England
Now an internationally respected poet with work recognised across the globe, Sissay has come a long way from using his unemployment benefit to self-publish his first poetry pamphlet Perceptions of the Pen.
The official poet of the 2012 London Olympics and Chancellor of the University of Manchester since 2015, for this year’s Manchester International Festival Sissay has also co-curated an exhibition at HOME with Hans Ulrich Obrist.
On display until 30 August, it’s called Poet Slash Artist and is all about forging new links across cultures, continents, languages and generations – joining up poets and visual artists to connect words and images across gallery walls and city streets.
Just like the Tib Street poem, it’s not all found in the gallery: Rather, the new exhibit has spilled out onto the streets of Manchester: creating a new trail that runs from Deansgate to Whitworth Street West.
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A full map of the locations for these new works of living art can be found here.
Flags by Lemn Sissay – the original poem (deciphered by Dr. Tony Shaw) versus the new edition:
The original 1997 poem:
These pavement cracks are the places where Poets pack their warrior words
These pavement cracks are the places where sleeping shadows of moving bridges stole
Where dying dust of dreams slides where the slits silt turns to food
Where home truths trickle home and confide Where the silent forests brood
Where spines bent?? the bridges arches where they vaulted with asice(?) to ? speak
And unity sown on to the sun of alll trades perhaps they’re a script words of the street
Perhaps these pavement cracks are the places awhere flattened flags lies solidified waves
The telling lines within a sea of faces where sufferers take cover of street caves
The telling lines within a sea of faces Where sufferers take cover of street caves
Where wander the wayward and lost Where the runaway can chart his journey back home
Where the water runs as the world defrosts The street breathes beneath this stone
And perhaps the pavement cracks are the pattern of concrete butterflies
Where thoughts carefully cultivated waiting to waken grow wings and fly
Like us they hold the people of a modern earth This world between the windswept flags
Where pavement cracks are the places where sleeping shadows of moving bridges stole
The cold
The updated 2021 poem:
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Pavement cracks are the places
Where poets pack warrior words
Verses to catch the surfeit of faces
Where seeds slip from bitter birds
Trip and fall between the ledges
Where sweeping silent rivers run
Hidden roughened toughened edges
Where darkness swallows the sun
Pavement cracks are the places
Where shadows of bridges roll
Where water falls water races
Heat crouches beneath the cold
The dust of the city slides
And secret silent worries wait
Home truths trickle home
Cracks are the lines of fate
These pavement cracks are patterns
of concrete butterflies
A perfectly positioned parallax
Waiting to wake grow wings and fly
And perhaps these pavement cracks
Hold the Manchester myriad———————————————————————————————————————————————————————————————————————————————
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The cracks the cracks the cracks!
The world between the windswept flags
Art & Culture
Beloved Greater Manchester tourist attraction left devastated after deliberate act of ‘mindless’ vandalism
Emily Sergeant
A beloved heritage tourist attraction in Greater Manchester has been left devastated after being attacked in a deliberate act of ‘mindless’ vandalism.
East Lancashire Railway (ELR) has revealed that it has, once again, been the victim of what it is referring to as a ‘deliberate and disgraceful’ act of vandalism overnight over May bank holiday weekend, where a locomotive and several coaches from the InterCity 125 heritage set were ‘targeted’.
In what can only be described as a ‘mindless attack’, extensive graffiti was plastered across rolling stock.
“One coach had only just been repainted in February, making this damage particularly galling,” ELR said in a gutting statement.
East Lancashire Railway has been left devastated after deliberate act of ‘mindless’ vandalism / Credit: ELR (Supplied)
Staff and volunteers working on the heritage railway claim this incident was ‘not opportunistic behaviour’ and was, in fact, a ‘calculated act of destruction’ against irreplaceable heritage assets cared for by volunteers.
Once the vandalism was discovered, volunteers immediately stepped in and worked tirelessly for several hours using specialist cleaning materials to remove the graffiti before it could permanently set.
Although further polishing and restoration work is still required, ELR says the volunteers’ swift action prevented what could have been ‘significant and lasting’ damage.
The beloved heritage tourist attraction called it ‘a calculated act of destruction’ / Credit: ELR (Supplied)
“This is a disgraceful and deeply frustrating attack on a railway run largely by volunteers, with many steam and diesel traction owned either by the ELR or groups and in some cases, private individuals who give their time freely to preserve our railway,” commented Mike Kelly, who is the Chairman of the East Lancashire Railway.
“It is nothing short of a kick in the teeth for those who work so hard to maintain and preserve historic traction and rolling stock.
“We are working closely with the police and are determined to see those responsible identified and held accountable.”
Greater Manchester Police attended the scene, gathered evidence, but anyone with any information about those responsible is urged to contact Crimestoppers anonymously on 0800 555 111 or via crimestoppers-uk.org.
Featured Image – ELR (Supplied)
Art & Culture
Antony Szmeirek announces second album along with biggest UK tour dates yet
Danny Jones
Greater Manchester spoken word artist Antony Szmeirek has finally revealed the name, cover art and release date for his second album, along with his biggest run of UK tour dates yet.
The Tameside teacher turned full-time artist dropped his maiden record, Service Station at the End of the Universe, back in February 2025, and now, just over a year on from its launch, he’s getting ready to deliver his highly anticipated follow-up.
Entitled Decoding Birdsong, the sophomore studio project is scheduled for this summer, with a series of live shows booked for the following autumn.
Having already dropped lead single ‘The Heron’ earlier this year, Szmeirek has just released the opener from his upcoming LP, which is simply called ‘Chalk’; he’s also unveiled the rest of the tracklist and a rather striking bit of album artwork.
The Hyde-born artist is making big moves not only within the spoken word space but across multiple genres, with his music blending everything from indie, hip-hop, electronica and more.
His latest song, for instance, is more of an acid-house-esque meets contemporary EDM outing, and has quickly gone down as a popular addition among fans.
On the album name itself, he’s never one to shy away from a weird title or two – case in point, ‘The Great Pyramid of Stockport’ from his debut and ‘Dave’s Angling Superstore’ on this new record.
The 34-year-old carries that same idiosyncrasy throughout his lyricism and creative concepts, as well.
‘Chalk’ is a perfect example of this, as the song is inspired by The Edge of Everything documentary: a film about the career of legendary British snooker player, Ronnie O’Sullivan.
Here’s the music video…
As for his latest raft of live shows, these will be some of the biggest domestic gigs that the local lad has played in his career so far.
In addition to a pair of hometown shows here in Manchester, he is set to play a dozen different cities across Great Britain and Ireland.
Antony Szmierek UK/IE tour dates – October 2026
We’ve highlighted the Northern stops for you, too: