Lady Gaga proves she’s a truly world-class act after two sold-out nights at the Co-op Live Manchester, as if we needed any reminding.
The city of Manchester has been flooded with harness-wearing, mesh-sporting little monsters over the past two days.
And that’s because the absolute icon that is Lady Gaga brought her ‘Mayhem Ball’ to the Co-op Live for two nights.
I don’t think you’ll find anyone who doesn’t know who this fabulous woman is. Over the past decade, she’s won an Oscar, headlined the Super Bowl, performed in blockbusters alongside Al Pacino, no less, and her songs are literally ingrained into our minds.
It’s been a whole 11 years (yes, really) since she performed in Manchester, and it’s safe to say she was back with a bang.
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The performance was split up into five distinct acts, and each one was as exhausting and exhilarating as the next.
She begins the show by bopping out of a comically huge red dress, but this staging was only the start of what madness was about to ensue.
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Luckily, we’d been prepared by the other half of the Audio North team, who had the equal privilege of seeing her on night one and were left similarly speechless.
Throughout the 30-song epic, we had crutches, sand pits, cages, skeletons, enough wigs to produce an amateur production of Annie, and we didn’t question any of it. Why would we? It’s Lady Gaga.
Kicking things off with ‘Bloody Mary’, the two and a half hour marathon didn’t leave any stones unturned.
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We had all the bangers, from ‘Just Dance’ and ‘Paparazzi’ to ‘Bad Romance’ and ‘Applause’, it had us wondering why any other superstar even bothers putting a song out these days.
Pop is in a good place at the moment with the likes of Sabrina Carpenter, Chappell Roan, Dua Lipa, Billie Eilish and so on, but you can make a strong case for Gaga having helped pave the way for every lady in the business ever since.
Gaga truly had us in the palm of her hands (or claws at one point), even more so when she left the stage to de-robe and show her more vulnerable side for the last two songs – beanie firmly on.
It wasn’t just a concert: this was a fully-fledged tour de force of talent that Manchester won’t forget any time soon.
Sometimes there’s no point in intellectualising why someone has that ‘X-factor’; sometimes you just have to take a step back and say WOW.
Gig Review | Mika shines at the AO Arena in Manchester on the first night of his world tour
Aimee Woodcock
Mika’s Manchester stop on his ‘Spinning Out’ global tour was a vibrant, high-energy celebration of all things pop.
Not happy with just walking on stage – this is Mika we’re talking about – he made his entrance on a spinning hamster wheel, bathing the AO Arena in kaleidoscopic lights.
Opening with ‘Modern Times’ and ‘Eleven’ from his latest discography before leaning into one of the classics, ‘Relax, Take it Easy’, the atmosphere inside the packed arena felt charged.
His stamina was something that stood out from the get-go, delivering every track with that signature Mika flair, accompanied by choreography and a live band that matched his energy – no mean feat.
The production leaned heavily into colour and movement, with swirling visuals and playful stage design that mirrored the tour’s theme of motion and momentum with nods to themes of LGBTQ+ rights.
Working through this current album, and after a quick outfit change, we were treated to an a cappella intro to another classic, ‘Lollipop’ with Mika dressed in a full pink suit (and shoes).
Between songs, Mika’s easy rapport with the crowd added warmth and intimacy to the arena-sized performance.
He shared anecdotes and playful banter, encouraging the crowd to sing along, uniting the fans.
Highlights included a rendition of ‘Grace Kelly’, which sparked one of the loudest reactions of the night, and a heartfelt performance of his more reflective ‘Happy Ending’ offered a welcome contrast to the glittering pop anthems.
Based on the highly successful film of the same name, seen by more than 12 million people across five continents, and the recipient of over 80 awards internationally – including 10 Tony Awards and five Olivier Awards – Billy Elliot The Musical is heading back out on tour this year, and making its long-awaited return to one of Manchester‘s most legendary stages.
If you’re unfamiliar with the musical, the show is set in a northern mining town against the background of the 1984/85 miners’ strike and follows Billy’s journey from the boxing ring to the ballet class where he discovers a passion for dance that inspires his family and whole community and changes his life forever.
Billy Elliot The Musical is returning to Manchester this Christmas / Credit: Supplied
Since its debut on stage all the way back in 2006, the show has been massively acclaimed by audiences and critics alike – with 125 boys having now played the iconic title role on stage worldwide.
The upcoming Manchester production will be brought to life by the multiple award-winning creative team behind the film, including writer Lee Hall (book and lyrics), director Stephen Daldry, choreographer Peter Darling, and of course, they’ll be joined by Elton John who composed the show’s score.
“Creating Billy Elliot the Musical was one of the most joyous and inspiring moments of our careers, so to bring the show back for a UK tour and a season in the West End for the first time in over a decade is both incredibly emotional and exciting,” commented Elton John and Stephen Daldry.
Tickets officially go on sale early next month / Credit: Supplied
“It’s bold, it’s British, it’s full of heart and the story feels more relevant than ever. We can’t wait for a whole new generation to experience it.”
Billy Elliot The Musical is taking to the Manchester Palace Theatre stage from 2 December 2026 through to 9 January 2027, before it does a run in the West End shortly after, and tickets officially go on sale in early March.
Clementine Hall -
9th October 2025 
