A Complicated Woman – the name of Self Esteem’s album, she is currently touring around the UK and Europe. While she may be complicated, there is nothing complicated about how absolutely sensational a performer is.
I only ‘got into’ Self Esteem (Rebecca Lucy Taylor) this year. I kept hearing others talk about her and her music, but I’d never really given her a listen until we saw her on the line-up for Glastonbury. A Complicated Woman had just come out, so that was my intro, and I immediately became a massive fan.
I was lucky enough to watch her set at Glastonbury, which brought tears to my eyes for being both an incredible performance and thematically. When the opportunity then came to see her again, but at home in Manchester, I practically bit the promoter’s hand off.
The energy is palpable at Manchester Academy; everyone is just buzzing with a joyful energy that’s incredibly infectious.
Unfortunately Moonchild Sanelly, the collaborator on ‘In Plain Sight’ and Self Esteem’s support act on this tour, was unwell, so the delightful Tom Rasmussen stepped in at the last minute.
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Fresh from a family christening and pulling in some last-minute pals, he delivers a delightfully camp and moving show, getting everyone pumped up.
The lights went down at 9pm, and the audience was met with a wall of handmaids, and then Rebecca walked out on stage to a huge eruption from the crowd. Her fans (myself included) clearly love her. She opens with ‘I Do And I Don’t Care’ which brings a tear to my eye once again.
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This is more than just a ‘gig’. It is a full, theatrical experience with dancing and storytelling the whole way through.
Whilst Taylor is very clearly the focus, her team of performers are an essential element of the whole show: they’re so much more than just simple backing singers/dancers. They’re so in sync with each other, and there is so much joy on stage as they shine together – a very clear bond ripples through with such love.
The show flows almost as different ‘Acts’, with the running order not following the album order itself, with a mix of songs from her current album and the 2021 album, Prioritise Pleasure. ‘Mother’ gets the crowd grinding away as she moves onto ‘Lies’ and ‘69’ – which always gets a chuckle from the crowd.
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We are fixated on her. She just draws you in and holds you there throughout the whole gig. Nobody is shifting around to go to the loo or get a beer; everyone is just glued to their spot and basking in her sensational energy. Despite some of the themes during the gig, everyone was abuzz with energy.
When ‘Fucking Wizadry’ comes on, every single person sings (or screams) along, and Taylor and her onstage posse absolutely lap it up.
With Moonchild Sanelly being unwell during our gig, when ‘In Plain Sight’ is performed, Self Esteem still moves to the side of the stage when the recording of Moonchild is played, giving space to where she would have been. Hopefully, she is feeling better for her further dates, because her presence would have been a powerful addition to the song, and I’m gutted to have not experienced it.
When ‘Cheers To Me’ came on, the party really began; the audience went utterly MAD for it when the inflatable men (like the ones you see at car garages) appeared. It is honestly so hard to describe the feeling of euphoric joy that is just blasting through the crowd – it is a sight and sensation to behold.
Now you may or may not know, but Self Esteem is personal friends with Julie Hesmondhalgh – yes, as Hayley Cropper from CORRIE! – in who appeared on stage on night two of her three-night gig in Manchester.
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She admits to us that on night one, she forgot that Julie was only doing night two and had shouted to introduce her during ‘If Not Now, It’s Soon’, which had apparently caused a bit of a stir with some of the night one’s audience.
Making light of it, she asked if the crowd wanted her to shout Julie Hesmondhalgh again, so we all felt equal – of course, we did.
The show goes from strength to strength, “finishing” with ‘The Deep Blue Okay’ which perfectly encapsulates the raw emotion and talent of Self Esteem. The crowd is beside itself with cheer as they erupt in applause, deafening just about everyone around them as the stage empties and the lights dim.
Self Esteem returns to the stage alone initially, and chats to us about two important charities she is raising money for, the Schools Consent Project, which goes into schools and teaches kids about consent, and the other is X – helping relocate people displaced as a result of conflicts around the globe.
She then moves into ‘I Do This All The Time’, joined by her troupe again on stage, and finally finishing on ‘Focus Is Power’. Emotions are incredibly high. There isn’t a single person who hasn’t been moved and hyped by the whole show.
Elbow get behind campaign to save Jodrell Bank from closure
Danny Jones
Manc band Elbow are among the latest to get behind the campaign to save Jodrell Bank Observatory from closing permanently.
The Greater Manchester natives famously played a sold-out gig at the important scientific and cultural landmark for a very special live album recording well over a decade ago, and know all too well the site’s national and, indeed, global heritage.
Choosing the Observatory and the rare chance to perform a show in the shadow of the world-renowned James Lovell Telescope, it probably remains one of their most significant standalone UK date ever.
With that in mind, the local lads have been left just as worried by the news of its impending closure as everyone else, and have therefore issued a fresh appeal to help keep it open.
Posting a timely statement on social media, the group wrote: “Jodrell Bank has long been close to elbow’s heart. In 2012, the band played beneath the Lovell Telescope for one of the most memorable shows in our history.
“The recent news that funding for the e-MERLIN radio telescope network is set to end in 2028 puts the future of the scientific work at Jodrell Bank under serious threat. It is a remarkable place, with an extraordinary history, and one that continues to play an important role in science, culture and education.”
In addition to reliving clips and images from the historic live set all the years later, they also pointed people towards their ‘elbow – Live at Jodrell Bank‘ album documentary, which has now been made available online for the very first time as part of wider efforts to raise awareness around the cause.
Directing people to key online resources shared by the institution and astrophysics centre itself following their unfortunate update late last month, the push to not only find the funding but sustain support for the facility continues to ramp up throughout the world of science, arts and industry.
For anyone who somehow missed the news – 2028 being the current deadline handed down as per budget cuts across the sector – concerned parties here in the North West and all over the country have since started petitioning to save Jodrell Bank Observatory from shutting down for good.
In addition to being described as a “huge blow” to the field by the Royal Astronomical Society (RAS), some have even gone so far as to describe the decision as a form of “vandalism” when it comes to research and British culture as a whole.
Having also served as the host venue for the annual bluedot Festival since 2016, the multi-genre science and arts celebration could soon be forced to find a new home.
The battle is far from over yet, and the community has time to rescue Jodrell Bank Observatory from its fate, but it will take lots of money and more notable public figures to make it happen.
Once again, you can do your bit by signing the petition mentioned above right HERE.
Featured Images — Emma Farrer (via Wikimedia Commons)/The Manc Group
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Manichester organisers confirm tribute festival will return in 2027
Danny Jones
For anyone who didn’t manage to make it to the inaugural ‘Manichester’ festival held earlier this year in memory of British music legend Gary ‘Mani’ Mounfield, you’ll be glad to hear that the tribute festival will be returning in 2027.
Set up in the name of the late, great Stone Roses and Primal Scream bassist, the event sold out in the blink of an eye, as hordes of Mancs and more turned up to honour the local icon through live music.
Following paying their respects in the immediate aftermath, his surviving family members, peers and other figures from within the industry then held that wonderful evening, where several big names turned up to remember with live performances – and it’s official: they’re not done yet.
Writing in a lengthy caption, the brand said, “The family of Stone Roses legend Gary ‘Mani’ Mounfield have thanked everyone who made Manichester at Diecast such a special day — performers, organisers, and the thousands who turned up to celebrate a true Manchester icon.”
The evidently emotional and grateful statement goes on to read: “On behalf of Gene, George & the Family — thank you to everyone who performed, contributed and attended Manichester on 30 May 2026, and for all your kind words of support.
“The response was massive — fans travelled from everywhere, demand through the roof, love for Mani louder than ever. [Local fashion label] GioGoi even said they could’ve filled Old Trafford.”
Revealing that the team of organisers have now green-lit the follow-up edition next year, they promise to deliver the same kind of magic, only “bigger, better, built properly” and with more music and people involved this time around.
They also thanked Manc-Mexican musician and creative, Alejandro Reyes Knight, for filming and editing the content on the night, adding that since he “grew up in Madchester”, there was no better person to be tasked with the job.
For anyone who was there at Diecast on the special memorial evening itself, we don’t need to tell you how special the energy was in the room.
We spent a good week or so looking back at footage following the maiden Manichester festival, as we’re sure plenty of you did, too; safe to say we’re glad we’ll have another opportunity to celebrate his life and career in the best way we know how: with plenty of tunes and singing our hearts out.
It remains to be seen whether Diecast will remain the host venue for the sophomore tribute fest, and the next date is also still yet to be fully set.
All we do know is that with such a good lineup and turnout the first time around, you can expect an excellent and equally heartfelt sequel in 2027.
You can register your interest right HERE. Wherever and whenever it is, we’ll see you there.
@the.manc Yesterday, Manchester laid one of the city's greatest music legends, Gary ‘Mani’ Mounfield, to rest at Manchester Cathedral. 🍋 Fellow band member and life-long friend Ian Brown read out a speech as hundreds gathered outside the cathedral to pay their respects to The Stone Roses and Primal Scream bassist. Mani will be missed by many, and we send love to all his family and friends. ❤️ #manchester#mani#ianbrown#thestoneroses#stoneroses♬ original sound – The Manc
Kristen MacGregor-Houlston -
2nd October 2025 
