Art & Culture
Gig Review | The ‘West End Girl’ heads up North – Lily Allen at Aviva Studios in Manchester
People have been eagerly awaiting this one.
Lonnie Bowes -
11th March 2026 
Last night at Aviva Studios, the home of Factory International, Lily Allen performed the first of two intimate theatre shows in Manchester – here’s our review…
As part of her ‘West End Girl Tour’, Allen is performing in more considered spaces up and down the country alongside the bigger sold-out venues you might normally expect.
It’s a refreshing change of pace. Seeing a pop star slow things down and lean fully into theatre, something that perfectly aligns with the drama that’s surrounded her in recent years.
Supporting the show was a special ‘Dallas Minor Trio’: an orchestral string group that elegantly warmed up the crowd, taking on instrumental Allen classics, including ‘F**K You’ and ‘LDN’ to set the tone nicely, with a screen behind them as the patient Manchester crowd settled in and enjoyed an early singalong.
When the lights dimmed, Allen emerged through the curtains and opened with the tour’s namesake, ‘West End Girl’. From the moment she stepped onto the stage, she asserted herself firmly in the space – a set designed to resemble her own small apartment.
This is when the real show began. As Allen moved through the performance, the set behind her transformed from song to song, adding to the theatrical feel of the evening.
During ‘Madeline’, she appeared armed with a feather duster, fully committing to the domestic setting, while for ‘Relapse’, she dramatically spills the contents of her handbag across Factory International‘s adjustable floor.
Anyone who has listened to Allen’s recent material will know she’s been keeping all the receipts on her ex (can’t remember his name).
In one of the night’s more striking visual moments, those ‘receipts’ were transformed into a literal dress, which she removed during ‘4Chan Stan’, turning personal drama into theatrical spectacle.
Elsewhere in the set, Allen delivered standout performances of ‘Pussy Palace’, ‘Nonmonogamummy’ and ‘Beg for Me’, songs that leaned fully into the confessional tone of the evening.
Each track landed with a mix of sharp humour and raw honesty, with Allen balancing moments of biting lyricism with the kind of self-aware storytelling that has long defined her songwriting.
By the end of the night, the performance felt less like a traditional pop concert and more like a piece of confessional theatre.
In the intimate surroundings of the Aviva Studios space, Lily Allen proved that sometimes scaling things down can make a story feel much bigger – and that her ability to turn personal chaos into compelling performance remains as sharp as ever.
Read more:
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Featured Images — The Manc Group/Henry Redcliffe (supplied)
