Excuse me, but it looks like we might have a new favourite festival on the cards: Country 2 Country – and it’s very rare we gig in London and enjoy ourselves anyway near as much as we do up North, but now we’re already dreaming of just how good C2C Manchester could be.
In fact, scratch that, we know it is.
Billed as Europe’s biggest country music festival, there really isn’t anything quite like it here. Yes, there’s Buckle & Boots Festival closer to home, but there’s nothing in the folk and country world on this kind of massive scale, unless you go all the way to see the actual CMA Fest over in the US.
London’s also been lucky enough to host some very big names at BST Hyde Park too, but this fully-fledged arena weekender, complete with an outdoor festival hub, town square, trading post, a barn full of line-dancers, and SO much more, celebrates every single part of that culture.
By day, the aim is to make a little country town, complete with shops, food, drink and music aplenty. (Credit: Audio North)
But… We think the North can do it better.
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So too did some of the acts and punters as well, by the way; we spoke to several people on-site who’d made the trip from all over because it was closer than Glasgow, Belfast or Berlin.
Up-and-coming British country rock artist, Bronnie – who was literally hours away from a move across the pond to pursue her dreams of living the cowgirl turned music artist experience down in the Southern states – said simply: “There’s always this feeling like there’s more fun to be had up North”
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Moreover, the friends she’s already made over in America’s ‘Music City’, she says, have claimed that “the vibes are just better”, apparently. Not to sound too biased, but we obviously couldn’t agree more.
However, with the news that C2C is coming to Manchester city centre and Northern England for the very first time, people are already hopping mad at the idea of a Manc debut.
That’s to say that what The O2 in London isn’t special and will always be to most punters, we just know full well that our particular region is going to take to this new annual event like a duck to water.
A lot of the people we spoke to kept repeating the same: that working class connection, simple but relatable imagery, the pure poetry you’ll find not only in Nashville but creative cousins like Manchester.
The Broadway strip in Austin may be the spiritual home of this kind of music, but we Greater Mancunians lay claim to plenty of genres and some of the biggest artistic traditions ourselves.
With that in mind, we are convinced we’re going to leave a lasting impression when our inaugural Country 2 Country Festival comes to the AO Arena next year.
Our line dancing might leave a little to be desired, but we’ve got a whole year to work on it, not to mention plenty of time to dive even further into the UK’s growing country music obsession.
You can see more pictures from our 2026 C2C gallery down below.
Country fashion was everywhereThe official CMA Spotlight Stage was one of the bestNo one shyed away from a partyKruse Brothers were one of our favourite from the weekendAlana Springsteen was incredibleAnd by the evening, it’s a proper hedonist hoedown… (Credit: The Manc)
The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Danny Jones -
17th March 2026 
