A series of incredible independent arts and culture events will span across Greater Manchester over the coming weeks, as Manchester Independents commissions 12 amazing new works.
They are an initiative launched out of the pandemic to support local artists across all 10 boroughs, and give them a platform to showcase their projects, supported by various cultural organisations around the region including Brighter Sound, HOME, Factory International, Contact and many more.
Following on from the success of the 2021 scheme, which saw 23 new commissions, Manchester Independents are ready to present 12 new projects, from walking tours to art exhibitions to theatre.
The vast range of new work includes everything from workshops with Muslim women in Rochdale to film screenings in Levenshulme to AI-generated theatre in the city centre.
Themes will range from celebrations, love and feminism to mental health, chronic illness and dystopian Manchester.
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You’ll find the new Manchester Independents commissions at venues from theatres (like Contact and 53Two) to parks to galleries to digital spaces.
Events are going to be popping up all over Greater Manchester over the coming weeks – here’s what you need to know.
This six-minute video artwork will blend spoken word, an original soundtrack, and a choral performance of the chorus from Eminem’s ‘Cleaning Out My Closet’ to speak about absence, loss, grief and childhood rebellion.
Dance, contemporary circus, poetry and improvisation will come together in this duet. The piece looks at mysticism, Afrofuturism and Black Feminist Hauntology through our connection with the life giving element, water.
Horticultural Centre at Wythenshawe Park, 30 September
The neglected Horticultural Centre at Wythenshawe Park is going to be brought to life by visual artist Michele Selway. She’ll use Victorian photographic equipment to document the place and the people that are keeping it going, and use the unique 1951 Wet Plate Collodion process to photograph onto large format glass plates, mirroring the materials of the glass house itself.
Four Dholis And A Divorce by Hafsah Aneela Bashir, @redwizz1
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Rochdale Ukrainian Club, 29 September
This performance explores intergenerational trauma and lived experiences of divorce through five female characters from a South Asian Muslim background.
Portraits of a Poet by Princess Arinola Adegbite (BITEZ), @pabitez
The Whitworth, 5 October
A surrealist work exploring perception and the ways we perform in society for safety, love and acceptance. It begins from the perspective of a black female artist to investigate agency, spectatorship and power.
A theatre piece exploring Sam’s 12 years of visiting Manchester Children’s hospital regularly. This performance plays with comedy, sadness, perceptions and toilet humour often found in discussions amongst young patients.
A fast-moving, comedy drama about life with chronic gynaecological disease.
Cerebral Palsy Graphic Novel by Julian Gray, @juliangrayart
Published online at the end of August – available at www.manchesterindependents.org
Interviews with people with Cerebral Palsy about its representation in media and performance, culminating in an online zine.
The Anxious Photographer’s Handbook by Simon Jones, @simonjones_2000
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Book launch in September, exhibition in October. Details to be updated on www.manchesterindependents.org
A visually engaging book containing a range of interesting photographic challenges which can be used as a way to connect with the local environment and society. The work is primarily aimed at individuals that have become isolated due to issues such as anxiety and other mental health/social issues.
See www.manchesterindependents.org for latest updates.
Jova and the wave rebranding as yeguachita – EP, graphic identity and video works. yeguachita will be creating a concept album in collaboration with other musicians.
Featured image: Supplied
Art & Culture
Co-op Live has been named the number one arena in Europe following its debut year
Danny Jones
Despite a rocky opening month or so, Manchester’s Co-op Live made the ultimate instant recovery and has now been named the number one arena not just in the UK but all of Europe.
Manc music venues being best in class? Sounds about right.
Yes, even despite some obstacles, delays and early hiccups, Co-op Live‘s debut year as a live music and indoor entertainment venue has seen it beat out the likes of the long-established and iconic O2 in London to take the top spot.
The inaugural 12 months of the arena have not only seen it welcome all manner of music legends, as well as live sporting events such as the UFC and WWE, but the arena welcomed more visitors than any other venue across the continent during that time.
Names to have graced the industry-leading stage so far include Liam Gallagher, Stevie Nicks and Take That; Peter Kay, Elbow, Sabrina Carpenter, Paul McCartney, and so many more.
Commenting on the successful start, Tim Leiweke (CEO and chairman of the Oak View Groupbehind the venue) said: “Our ambition was to bring the world’s best music arena to one of the world’s greatest music cities and we are thrilled with the reaction from fans and artists alike over this past year.
“Co-op Live’s revolutionary acoustics investment has already attracted some of the world’s biggest artists and events to Manchester, with many more to come. And our sustainability commitment will ensure we remain responsible contributors to Manchester and the planet for years to come.
“We believe that amazing venues can transform cities for the better, and Co-op Live has done just that.”
It’s fair to say we’ve had some truly unforgettable nights in there already – and that’s just in the last month alone. Case and point:
With a continued commitment to achieving ‘Net Zero’ status too, the venue’s carbon reduction technologies, solar panels, heat pumps and rainwater harvesting, not to mention the recently refreshed CityLink walking in partnership with the Climate Pledge, are all things we can be proud of.
Bev Craig, Leader of Manchester City Council, went on to add: “We are delighted with the success of Co-op Live’s first year, and to see it taking the top spot off London.
“It shows Manchester is the home of live music in the UK, with Co-op Live bringing so many exclusives from artists like Bruce Springsteen to the city and Oasis playing massive hometown shows this summer – 2025 is going to be one of the biggest ever for our city’s music scene.”
Meanwhile, things are feeling less fortunate at the grassroots end of the spectrum, as the Music Venue Trust is imploring people to get behind a vulnerable Manc music institution.
Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Daisy Jackson -
31st August 2023 
