It’s not often you get to see genuine music royalty on the big stage just a few minutes down the road, but let it be known that the Foo Fighters’ first gig in Manchester for six years was one we’ll remember for the rest of our lives.
We’re also going to go ahead and confess that this isn’t even a review, not really: consider it an ode to one of the greatest bands to ever do it and it’s only after seeing them live that we truly appreciated their status as the rock gods they’ve been for decades now.
For a long time, the Foos have felt somewhat otherworldly, almost as if they were too big for us to ever believe we were actually seeing them in person.
But pinches of disbelief aside, we did – though not before two extremely impressive support acts.
Getting to catch a glimpse of Manchester post-punk with a hint of funk band Loose Articles as we finally made our way through the queues and crowds was a delight and we’re always buzzing to see local artists being given a platform by bigger acts – and it doesn’t get much bigger than Foo Fighters.
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We didn’t hear much of their live set, we’ll admit, but they’ve been on our radar for a little while now and we’re certainly going to be watching them closely as they fly the flag for our city like so many before.
Wet Leg lead singer Rhian Teasdale was also full of praise for the warm-ups. The BRITs Best New Artist and Group of the Year for 2023 had just as much of a job on their hands to keep the thousands of Mancs dancing in the slight but steady rain, but they certainly lived up to the task.
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It might not necessarily have been their crowd but moments like the scream in ‘Ur Mum’ and the undeniably catchy bop that is ‘Chaise Longue’ are never going to miss, managing to ramp up the energy a notch just in time for the Foos to take their places.
Seeing Dave Grohl walk out on stage in front of you in the flesh is a feeling we don’t think we’ll ever be quite able to describe but all we’ll say is that it was like the entire crowd inside the Emirates Old Trafford were simply welcoming home an old friend whilst simultaneously losing their minds.
Then the buggers had the audacity to start with ‘Monkey Wrench’ of all tracks, immediately getting everyone moving and rolling back the years as they slipped straight into a personal favourite, ‘Learn to Fly’ and then proceeded to play at least one track from every single album. They have 11, for context.
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lt didn’t matter what era they drew from for the setlist and it’s no exaggeration when we say banger after banger. You don’t stay around for this long without putting out quality consistently.
Hearing cult favourite tunes like ‘Generator’, ‘Statues’ and even ‘Under You’, which Grohl was left stunned by as Manchester sang it back to him word for word – despite this being only one of the few occasions he’s played it live and just the first he’s played it entirely acoustic – it was all just so special.
We were also glad to see that Foo Fighters’ first night in Manchester had all the staples of an old-school rock show too, from long guitar solos and each band member getting a nice little intro/breakout moment, and even a 10-minute long jam in the form of ‘The Teacher’.
New drummer Josh Freese was a real standout too, showcasing exactly why the band picked him to follow in such big footsteps, but we can’t lie, there was any moment more emotional than the dedication to the late Taylor Hawkins.
Insisting that all they “ever do is tell Taylor” stories and that “he loved this place”, you could see faces welling up as they proceeded to play his song, ‘Aurora’, as a giant hawk motif appeared on the back of the stage and the applause felt like it would never end.
Another highlight was hearing the chorus of ‘ohs’ as they tried to play ‘The Best Of You’ and Dave simply said, “You win motherf***ers”, having already joked that he’d like to at least try and join in with us.
Manchester crowds hearing one note and running with it as they proceed to start the singalong themselves, voices in full, will simply never get old. It was the first night of the UK tour too; we set an example for everyone else – try following that.
After a truly memorable night, we can categorically confirm that Foo Fighters are as amazing live as you think they are – probably even better. Decades into their career and even with the loss of such a key driving force in the band, it’s incredible to see their stamina and talent haven’t wavered one bit.
These are the gigs you cross off your bucket list and if you’re going along on Saturday, you won’t be disappointed; plus you can still find all the important information you need in our Foo Fighters gig guide. Trust us, you’re going to have an absolute blast.
Featured Images — The Manc Group/Foo Fighters (via IG)
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Review | Villanelle debut: Liam Gallagher’s son’s band release their first track – here’s our review
Danny Jones
Liam Gallagher’s son, Gene, and his band Villanelle, have officially released their debut single to the masses, and since we’re still very much immersing ourselves in everything even remotely to do with Oasis, we thought we’d give this first track a review.
Now, if you’re expecting a familiar Britpop vibe like his dad and uncle used to bash out back in the day, you’d be very wrong…
It’s one thing to settle into something similar to what you’ve grown up around and try to continue a lineage if you’re from a successful family – especially with a legacy as important and influential as the one left by Liam and Noel – but we’re glad to report they’ve done something pretty different.
24-year-old Gene Gallagher and his bandmates Ben Taylor (guitar), Jack Schiavo (bass), and Andrew Richmond (drums) haven’t just tried to do an impression of Oasis; instead, they’ve found their own sound, and while it does give somewhat of an old-school flavour, it’s not what we expected.
It takes literally milliseconds for you to click into realising the vibe they’re going for.
‘Hinge’ is a simplistic but hard-hitting, grungey and dark debut from Villanelle, who, despite having played a number of in-progress songs live over the last year or so, have only just dropped their first studio single.
In fact, they’ve actually taken the admittedly bizarre and unorthodox first steps of having already played live with Liam Gallagher on the Definitely Maybe 30th anniversary tour before they actually released anything people can easily listen to outside of their live performances.
Nevertheless, the young four-piece introduces Villanelle as the latest post-punk outfit amidst the ongoing revival of the classic rock genre.
That is to say that punk is a tried and true classic style of music, not that these lads are trying to sound like The Rolling Stones…
Anyway, we’re getting sidetracked: Villanelle draw plenty of influences from both original and contemporary examples of this sonic subculture, and while it isn’t explosive per se, ‘Hinge’ is short, direct and hits the same formulaic notes.
It’s also fair to say you can hear a bit of the recognisable LG whine in Gene’s vocals at times, too. Listen to it in full down below and see if you agree.
Even the basic found-footage style video fits into the same category.
To call it straightforward isn’t intended as any kind of a diss, by the way – some of our favourite tunes and best artists spearheading the renaissance of the punk scene write like this.
What we will say is that it looks like bloody good fun to both play and listen to in a small, sweaty room, with plenty of pits and people bouncing off the walls.
Gallagher Sr. might be surprised to see his son going for a slightly heavier, more hardcore route with his sound, but he can’t accuse him of forgetting his roots as the child of a ‘Rock ‘N’ Roll Star.’
The boys are actually hitting the road this winter, including a date at The Castle Hotel in the Northern Quarter, if you fancy grabbing a ticket.
You can grab your tickets to see Villanelle on tour HERE, and in the meantime, let us know what you think of their debut track down in the comments.
Johnny Marr teases his work on upcoming Gorillaz album
Danny Jones
Legendary Manchester musician Johnny Marr has revealed he features on the new Gorillaz album, adding even more interest in the highly anticipated release.
The Mountain is the ninth studio LP from the musical collective led by Damon Albarn, which is set to drop in early 2026, more than three years on from their last album, Cracker Island.
Although the virtual band made up of several real-life creatives (though the ex-Blur frontman and artist, Jamie Hewlett, technically remain the only two consistent core members) hasn’t been away for too long, each new project brings a wave of excitement.
With that in mind, we have no shame in admitting we have even more interest in Gorillaz’s latest album now that we know Johnny Marr is attached to it.
I’m pleased to share that I appear on four tracks on the upcoming Gorillaz album The Mountain. It’s a privilege to be a part of this record along with so many great artists. #Gorillaz#JohnnyMarrpic.twitter.com/KXVZxgyGg9
In the new rundown of tunes already posted earlier this month, the former Smiths songwriter and lead guitarist features on four different songs on the new record. You can see it in full down below:
Gorrilaz – The Mountain tracklist
1. The Mountain (feat. Dennis Hopper, Ajay Prasanna, Anoushka Shankar, Amaan Ali Bangash and Ayaan Ali Bangash) 2. The Moon Cave (feat. Asha Puthli, Bobby Womack, Dave Jolicoeur, Jalen Ngonda and Black Thought) 3. The Happy Dictator (feat. Sparks) 4. The Hardest Thing (feat. Tony Allen) 5. Orange County (feat. Bizarrap, Kara Jackson and Anoushka Shankar) 6. The God of Lying (feat. IDLES) 7. The Empty Dream Machine (feat. Black Thought, Johnny Marr and Anoushka Shankar) 8. The Manifesto (feat. Trueno and Proof) 9. The Plastic Guru (feat. Johnny Marr and Anoushka Shankar) 10. Delirium (feat. Mark E. Smith) 11. Damascus (feat. Omar Souleyman and Yasiin Bey) 12. The Shadowy Light (feat. Asha Bhosle, Gruff Rhys, Ajay Prasanna, Amaan Ali Bangash, and Ayaan Ali Bangash) 13. Casablanca (feat. Paul Simonon and Johnny Marr) 14. The Sweet Prince (feat. Ajay Prasanna, Johnny Marr and Anoushka Shankar) 15. The Sad God (feat. Black Thought, Ajay Prasanna and Anoushka Shankar)
As you can see, the 61-year-old appears for the first time on song seven, ‘The Empty Dream Machine’, as well as ‘The Plastic Guru’, ‘Casablanca’, and the penultimate track on the album, ‘The Sweet Prince’.
It’ll be interesting to see how he fits into the captivating soundscape already teased by the group, with Gorillaz having now shared ‘The Happy Dictator’ featuring art pop duo Sparks.
A strong and politically loaded start.
Marr – who only released his fourth batch of solo material, Fever Dream Pts 1-4, back in 2022 – has continued to craft and produce with countless other artists over the past few decades, sharing the studio with fellow icons such as Noel Gallagher, Billy Bragg, Talking Heads and many more.
He even helped create the score for The Amazing Spider-Man 2 soundtrack with legendary composer Hans Zimmer.
That being said, we can only hope to hear some of his famous guitar tones sprinkled throughout this album, though it’s still unclear as to exactly how much input he had on The Mountain overall.
What we do know about the album is that it’s the first to be released via Albarn’s new record label KONG; it’s 15 tracks, and was largely made following extended recording sessions across India, with the likes of Ajay Prasanna, Omar Souleyman and Anoushka Shankar, joining IDLES, Jalen Ngonda and other collabs.
Perhaps most excitingly, the announcement of ‘Gorillaz no.9’ came alongside a series of tour dates, including one right here in Manchester. We can’t wait to see 2D, Murdoc Niccals, Russel Hobbs and Noodle ‘live’ in 0161.