Kendal Calling 2025 was always going to be special: it was yet another sellout edition of a live music and cultural celebration that impresses every year, shifting its ticket capacity in record time.
Even after two decades of success, genuinely getting ‘bigger and better’ each time, the local event that started off as a cult favourite for roughly 900 people somehow remains one of the most underappreciated festivals not just in the North but in the country.
To be honest, there were so many factors that went into making this our best visit to Kendal Calling to date, but we thought we’d rattle off some of them in our review of 2025’s 20th anniversary year, in what was a truly momentous milestone weekend.
Here are just a few.
Kendal Calling 2025 review
The sun shines down on Lowther Deer Park
For starters, 2025 was comfortably the best weather we’ve ever had at Kendal Calling, as the rays beamed down on the valley pretty much all weekend long.
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In fact, the only bit of rain we had came overnight/in the early morning during the final 24 hours, and while there was a bit of showering later that night, we got to enjoy the bulk of the daytime making the most of dry ground – by which we mean jumping up and down every chance we got.
As much as there’s something very romantic about the inevitable wet and muddiness of a UK music festival, this particular tree-encased corner of Penrith is just so pretty set against pure sunlight and clear blue skies. Just gorgeous.
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The next big plus may come down to bias, but it gave us a buzz nevertheless. Cue Friday night’s headliners:
It’ll surprise none of you to hear that the Greater Manchester music scene was flying its big festival flag high, wide and handsome at Kendal’s 20th anniversary.
Tell me something I don’t know, right?
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From youngsters The Guest List, and fellow indie up-and-comers like M60, to now established main stage stars like The Lottery Winners and, oh, you know, a little-known band called The Courteeners, we had plenty of top-tier representation this time around.
This is not to say that we haven’t in the past, by the way. Everyone knows how prolific and influential our city is when it comes to the arts, in general; nevertheless, it felt like this year, extra eyes were on us.
We’d be fools not to surmise that some of this may have been down to Oasis fever still firmly gripping the nation by the neck with both hands (a sea of their adidas merch was certainly a tip-off), but seeing acts we’ve featured in our artists of the month to look out for felt affirming.
Another thing we can never get over is just how much fun we have after the headliners walk off around 11pm…
Beyond the nine stages located around the sprawling festival site, there are so many little nooks and crannies we are still finding three years in, such as a cosy tea tent with cushion seating and low lamplight, the new ‘Green Room’, which serves as a little taste of VIP, and tonnes more.
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The best part about all these bits is that they usually get better the longer the night goes on, and as we found from our two nights dancing until 3am to the silent disco over at the Woodlands stage amidst a trail of fairy lights and flashing headphones, Kendal has endless stamina.
Even on the walk back from the technicolour forest full of ravers, those warming their hands by open fires, or simply lying back and gazing up at the stars in the night sky, you’ll see the big Ferris wheel still spinning, food traders slinging out late-night scran, and people still dancing.
As for some of the names that really impressed us this year, Keo, Sports Team and The Big Moon were up there for some of our favourite sets of the weekend, but we have to say that Sheffield’s very own Reverend and the Makers were truly brilliant.
We’ve had the pleasure of seeing Jon McClure and co. live on a number of occasions over the course of our lifetimes, and while they’ve never quite been as massive as we feel they should be, Kendal Calling 2025 proved they deserve not just main stage but headline slots.
Barring arguably Fatboy Slim on Saturday night, they got the biggest energy and movement of the crowd we’d seen since we got there – and it came as no surprise, either, as the case was very much the same last time.
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They acknowledged themselves that they’re having a bit of a ‘Rev-naissance’ and we couldn’t think of a more deserving group of musicians.
Honestly, at this point, we’d say we were getting tired of trying to convince people to give Kendal Calling a go if they haven’t before, but we’re not sure we’ll ever be able to put into words a review that’s fitting enough of how much we adore this festival.
Happy birthday to one of the best. Thanks again for having us back, and here’s to 20 unbelievable years.
As ever, we cannot wait until we’re back on the fields again soon.
Gig tickets, signed merch and more up for grabs in important Headstock charity fundraiser
Daisy Jackson
Some huge music-related prizes have been announced as part of a major charity fundraising campaign for the music industry.
Headstock, a Manchester-based music and mental health social enterprise, is running a Crowdfunder campaign with prizes including tickets to huge arena shows, signed merch, and loads more.
Headstock has announced the campaign to raise funds for the support of MUSIC 85258, a 24/7 confidential text support service launched last year to support those working in the music industry.
The text support service is run in partnership with Music Minds Matter and delivered by Shout.
Headstock’s mission since its inception has been to deliver music-led solutions to tackle the growing mental health crisis, both within the music industry and beyond.
The dedicated mental health text support service has already drummed up loads of support, including being signposted back-of-house in key venues like the AO Arena, Co-op Live, and Warehouse Project.
Now, Headstock is running a fundraiser campaign to keep this vital service thriving, pulling together some major prizes across multiple prize draws.
These prizes have been donated by local Manchester bands and venues, and include VIP Parklife tickets, VIP to shows at the AO Arena and Co-op Live, season passes for WHP, and signed merch from the likes of Elbow, Courteeners and New Order.
To enter each prize draw, make a donation to the Crowdfunder – the bigger your donation, the more entries you will receive.
You can see all the prizes up for grabs and make a donation below – or you can just donate to Headstock HERE.
All the prizes in the Headstock fundraiser
Aitch – A pair of tickets to see Aitch’s headline show at Mayfield Depot + 4x signed albums – HERE
Parklife – 2x pairs of VIP tickets to Parklife 2026 – HERE
All money raised will be donated to mental health charity, Shout, who deliver MUSIC 85258 – a free, confidential and 24/7 text support service for anyone working within the music industry.
MUSIC 85258 is a de-escalation service for anyone working in the music industry who is struggling with their mental health. It is a partnership between Headstock, Music Minds Matter and Shout, with Mental Health Innovations providing the underlying service through Shout’s network of trained volunteers. To use the service, anyone that is struggling simply needs to text the word “MUSIC” to 85258 to connect with a volunteer for in-the-moment support.
Richard Ashcroft announces all-North West lineup of support acts for Alexandra Palace headliner
Danny Jones
Wigan’s finest, Richard Ashcroft, has announced an all-North-Western lineup for his upcoming headline show at ‘Ally Pally’.
The former Verve frontman is not only riding a fresh wave of popularity thanks to supporting Oasis on their incredible Live ’25 world tour, but also recently released his long-awaited new album, Lovin’ You.
Not just a Manc music icon but one of the biggest names to have come out of his borough, specifically, the legendary lyricist is finally getting more like the kind of recognition he deserves, and is making sure to pay that exposure forward in the best way possible.
He could have picked from all manner of big British acts as supports at Alexandra Palace, but Richard Ashcroft has chosen to keep flying the regional flag by picking a group he’s spent the last few months with, as well as a fellow Greater Manchester act.
That’s right: as well as signing up Liverpool’s very own Oasis Live ’25 openers, Cast, as one of the warm-up acts, the 54-year-old has also chosen another native Wigan artist in the form of The Lathums to join him for the momentous headline show.
Much-loved not only in their hometown but across Manchester and beyond, the indie favourites – who also released their latest studio LP, Matter Does Not Define, back in February – the young band are only getting better and becoming more established as time goes on.
Having already played the likes of the AO Arena here in Manchester and booked numerous big festival slots of the past few years, we reckon you can pretty much bank on them headlining this historic and bucket list venue for themselves in the future.
In terms of Cast, the scousers continue one of the busiest years for touring in their career by supporting ‘King Richard’, having followed up supporting ‘LG’ in 2024 to both Gallagher brothers over the summer.
As for Ashcroft himself, we’re glad to see him back releasing new music, and can confirm his seventh record is a great listen.
By no means our favourite, but just a taste of his latest sound.
Now, if you were wondering why we’re talking about this show over any of the other gigs (namely the Northern ones) on his upcoming UK run, it’s because most of the tour has now sold out.
His Co-op Live date was obviously the first to go, with Cardiff’s Principality Stadium going shortly after, and extra dates being added in the likes of London, Liverpool and over in Leeds.
If you do happen to be in the capital already or are willing to make a trip to London for the show, there are still some tickets left for Richard Ashcroft at Ally Pally in July 2026.
Cannot wait to hear how this sounds in that storied room: