When you think of Joy Division you might think of Ian Curtis, The Hacienda, or Factory Records – but one thing that will certainly spring to mind is that insanely iconic ‘Unknown Pleasures’ album artwork.
Well earlier this year, the Music Declares Emergency campaign group teamed up with Peter Saville and Joy Division to reimagine the classic artwork as part of their campaign “NO MUSIC ON A DEAD PLANET”.
Now, it’s has been recreated again – only this time, it’s the size of a house.
The original artwork, designed by Peter Saville in 1979, depicts a series of lines which represent the radio waves emitted from a rotating pulsar (or a star to you and I) as it turns.
Over the years, the artwork has become one of the most recognisable of all time – but now, it has been given a much more impactful meaning by the Music Declares Emergency organisation.
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The iconic artwork has been redesigned with flat lines / Credit: Withington Walls
As part of their “NO MUSIC ON A DEAD PLANET” campaign – which is bringing music into the fight against climate change – they have reimagined the original piece. The previous lines that represented the radio waves have been reworked as flat lines to symbolise the death of a planet and the silence that follows.
This week, the poignant new artwork was unveiled as a giant mural on the side of a house on Moorfield Street in Withington.
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It’s been painted by hand by artist Tom Jackson – a founding member of London muralist collective Wood Street Walls – and given that the mural has popped up in Withington, you might have guessed that it’s collaboration with Withington Walls – a local organisation who have been setting up mural projects across the town to celebrate some of the famous people from the area.
These are the people behind the Marcus Rashford and Tony Wilson murals that you might recognise.
This Joy Division one is the latest one to add to their collection.
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Fitting, as the band’s record label, Factory Records, was founded in a flat just down the road from where the mural sits.
The original artwork remains one of the most recognisable album artworks of all time.
Music Declares Emergency is encouraging the entire music industry to join forces in the fight against climate change.
A whole host of musicians, DJ, producers and more have already got involved worldwide. Famous names like Annie Mac, Enter Shikari, Editors, Sam Fender, The Cribs, and more are all on board. They’re calling on governments and media institutions for immediate action and to paint a more truthful picture of environmental issues.
So, to find out more about Music Declares Emergency and the campaign, check out the organisation’s website.
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Featured Image – Withington Walls
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Sankeys shares sneak peek at new venue as legendary Manchester nightclub gears up for return
Daisy Jackson
Sankeys has given Mancs a glimpse inside its new venue as the legendary nightclub gears up for its return.
The club was one of Manchester’s top nightlife spots for years, before shutting down seemingly for good almost a decade ago.
Set within Beehive Mill in Ancoats, Sankeys was a true icon of Manchester’s global nightlife scene.
And while the old Sankeys Soap nightlife space is now full of co-working spaces, the spirit of Sankeys is about to be reborn.
The exact location of the new club is still being kept under wraps ahead of its reopening at the end of January, but new renderings have been released to give us a glimpse of how it will look.
Sankeys is promising ‘A reimagined space. New energy. Same legendary nights’.
The new Sankeys Manchester will be a 500-capacity venue, designed to ‘capture the raw underground energy that made Sankeys one of the most iconic club brands in the world’.
It will feature an LED matrix grid installation that will immerse clubbers in ‘light, sound and atmosphere’.
Sankeys Manchester officially opens on 30 January – you can see a glimpse of how it will look below and grab tickets HERE.
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?