Surprise, surprise, it’s that time again: we’re rounding up the best music from in and around Greater Manchester that we’ve been listening to over the past few weeks, and this month’s been a belter.
In fact, we actually got a lot of our favourite stuff of late all in one day, and that just so happened to be Halloween 2025, a.k.a. one of the best new music Fridays we’ve had in ages.
We had a few new releases on our radar come 31 October, and they didn’t disappoint, with regional artists both new and old dropping some tasty new material.
So, without further ado, here is the Greater Manchester-based music we’ve been enjoying recently.
Music from in and around Manchester we’re listening to lately
1. Richard Ashcroft
Where else to start than with the man of the moment, in our opinion: the almighty Richard Ashcroft, who recently came back to not only the live circuit in the biggest way as the main support act on the Oasis Live ’25 reunion tour, but who finally returned with new music since 2018.
ADVERTISEMENT
Releasing his seventh studio album, ‘Lovin You, this October, we’ll admit that we much prefer his classic Britpop style to the few attempts at more modern poppy rock on the record, but the second you get onto the second track ‘Out Of These Blues’, you know that his timeless sound hasn’t depreciated one bit.
Now 54 and a music industry veteran, we still firmly believe he’s one of our greatest artists and songwriters. We’d recommend ‘Find Another Reason’ and ‘Heavy News’ off the new LP, as well as ‘All My Dream’ for old time’s sake. All hail “King Richard” and here’s to more long-overdue recognition for Wigan‘s finest.
We never tire of ‘They Don’t Own Me’, nor listening to the Oasis that pays tribute to him, either.
2. The Charlatans
From one local icon to another legendary British band with deep roots here in Manchester. This year’s big music story may have been the Oasis reunion, but there’s another band of Britpop/Madchester survivors that recently reared their heads again, too, and that’s The Charlatans.
Led by frontman Tim Burgess, the veteran alternative band always had one foot in the indie side of the Manc music scene, meanwhile keeping the other in the more psychedelic sub-section of UK rock, and nothing has changed with this satisfying return.
Even from the instantly recognisable and heavily processed keys in lead single ‘Deeper Deeper’, you’re immediately reminded of ‘The Only One I Know’, and the title track of their first new album since 2017, ‘We Are Love’, is one of the best in years; ‘You Can’t Push The River’ is also a quiet delight.
ADVERTISEMENT
It’s good to have you back, lads. (Credit: Cat Stevens)
3. The Maple State
Now, this is a band that we always felt never really got the recognition back in the day, but since they’ve also been on an understated comeback trail of their own, we’d like to think they’ve picked up a few new fans – and that’s part of the reason they’re included this month, because they deserve it.
We’d argue that The Maple State never quite fully took off because the emo/American-influenced scene here in Greater Manchester didn’t either; back in 2004, when the band was formed by two brothers and some school friends who started playing regularly in college, it was still mostly a transatlantic export.
Either way, we always had a soft spot for this unsung act that tried appealing to fans of that style over here, and their debut album, At Least Until We’ve Settled In, became a cult favourite of some famous names. ‘Temperate Lives’ is a timeless track for us, and we love ‘Canonball’ from their long-overdue 2018 follow-up, but we couldn’t be happier to hear them back in the studio again. Hear more below.
4. Westside Cowboy
Speaking of US influences, one group that has arguably benefitted from that same climate shifting over the years is the hugely exciting Westside Cowboy. As a kid who grew up somewhat awkwardly straddling a love for the big bands in the States and our domestic rock artists, the ‘Britainicana’ movement is right up my street.
Delivering the exact kind of sound you’d expect with a name like that – blending those more American, perhaps even ‘Midwest emo’ sounds with more familiar UK vibe and context – this isn’t a culture clash: it’s a contrast that really works and we’re hoping to see more of, with the guys at the forefront.
ADVERTISEMENT
Expect twangy, metallic guitar riffs, staccato snares mixed in with marching drum patterns that steadily build behind the joint vocals of their different vocalists and more. Our favourite songs so far include ‘Don’t Throw Rocks’, ‘Drunk Surfer’, and ‘I’ve Never Met Anyone I Thought I Could Love (Until I Met You)’. How very 1975 of you, WC.
Last but not least, this one is almost more of a special mention as they’re more North West than Manc per se, but they’re only based down the road in neighbouring Warrington; plus, since we’ve already written about other bands from Cheshire and other nearby outposts, we’re making an exception.
‘Why so keen to include them…’, you ask? Well, for one, they’re so bloody brilliant we couldn’t not talk about them, and two, they already have strong roots here in Manchester. Besides, regularly visiting and performing here, they recorded their first-ever EP in our city and even feature a tram on their single art.
Speaking of their material, Gustaffson‘s debut album, Black & White Movie, was even produced by Elbow’s very own Craig Potter, which only reinforces that local connection further. The LP itself has soulful notes similar to The Teskey Brothers and St Paul and the Broken Bones, and really is a joy from start to finish – get a load of their latest track, which was also recorded and visualised in Manchester:
A soulful, funk throwback with contemporary blues and a dancey feel. What a vibe.
We hope you give this October’s round-up of new Greater Manchester music a go and find these names in your rotation for months to come.
ADVERTISEMENT
As always, the best part about doing this is sharing artists people may not have heard yet, so please feel free to ping your own suggestions our way.
You’ll find us here again the same time next month, but until then, why not check out September’s picks?
Featured Images — Press shot/Cat Stevens (supplied)/Gustaffson (screenshot via YouTube)
Audio
How a cult classic game helped create the sound of Blossoms’ new album
Danny Jones
More specifically, their soundtracks, as in a recent chat with the Blossoms boys, we found out that their upcoming album was at least partly influenced by a beloved PlayStation 2 classic from 2006.
This is just more proof that you really can find inspiration in just about anything.
Yes, even if only in part, an old video game that many of you may have played back in the day is somehow connected to the latest and technically still yet to be announced release.
We’ve heard of groups such as The 1975 trying to make an album that sounds “as if John Hughes had directed a movie about our lives”, and Red Rum Club leaning further into the growing Western aesthetic with almost every outing, but we never thought we’d hear of a record born out of a love for Bully…
The lads actually touched on that whole ‘still TBC’ when we spoke to them at their studio in Stockport, joking not just about divorce but how they’re baffled by the whole ‘are they working on new music?’ speculation in the media. “Well, yeah, we’re a band – that’s what we do for a living”, as they put it.
But back to the point at hand: lead guitarist Dewhurt’s affection for Bully, a cult favourite PS2 title released by Rockstar Games – the same people behind Grand Theft Auto (GTA) and Red Dead Redemption – and the score behind it, essentially served as a seed for the feel of their newest work.
As he explained above, before being expanded on by frontman and primary lyricist Tom Odgen, they were fortunate enough to be in possession of the details for one half of a duo they both admire: Young Gun Silver Fox, a.k.a. British artist Andy Platts and US multi-talented instrumentalist, Shawn Lee.
Lee also just so happens to be the composer of the original Bully video game soundtrack.
Ultimately, this all came about because Josh contacted him over email simply to praise the game’s music (sure, when he was a teenager, we promise), and only took them until the last year or so to put two and two together. Small world, eh?
Oh, the nostalgia.
It has since occurred to us that we’ve come across him before, too.
For us, it was when playing the first Tales From The Borderlands (a spin-off of the popular action role-playing looter-shooter series that has since been turned into a Hollywood movie), which features his song ‘Kiss The Sky’ and ALSO enjoyed in our late teens.
It still continues to baffle us how things can come full circle like this.
As it turns out, his music appears in various pieces of pop culture, and with Tom professing his love for the funky, bass-forward 80s vibes of Lee and his partner Platts’ stuff, he was then roped in as part of the production team on the hypotheticalBlossoms LP number six. Not that we know anything about that…
What has now come out of all this is the previously alluded to lead single entitled ‘Joke About Divorce’, the music video for which dropped last month.
‘Joke About Divorce’ our new single is out now! We love this record, we recorded it live to tape at Tilehouse Studios with Shawn Lee producing. The second we got the mix back it felt like an instant Blossoms classic (if we do say so ourselves)!
We’re still not sure whether or not this is just the first finished song from the project, the opener or indeed even a title track; all we know is it’s another catchy creation from the Stopfordians.
But yeah, in a roundabout way, somehow that ‘problematic’ game that our parents and teachers complained about when we were kids, either by sheer chance, serendipity or perhaps the divine will of the audio gods, appears to have served as a kind of sonic sapling for a fresh era of the local outfit.
Sadly, we have very little else to offer you in terms of information regarding the ‘as yet confirmed’ next studio release from the Blossoms, but we can tell you we’re very much looking forward to hearing what comes next – especially live.
In case you missed it, they’re headlining this year’s edition of NBHD Weekender music festival at the end of the month; you can see the rest of the lineup down below.
Featured Images — Rockstar Games/Audio North/Press shot (via Go! Entertainment)
Audio
After All 2026 – the affordable grassroots music festival happening in Northern Quarter
Danny Jones
Grassroots music event After All Festival is returning to Manchester this weekend, with rising local artists and affordable tickets.
Now well over half a decade since it was founded, All All Fest takes place in the heart of the Northern Quarter, and this year they’re proving that their slow and steady approach to backing the best new up-and-coming bands at core intimate venues is more important than ever.
With plenty of previous acts having impressed in recent years, we’re looking forward to seeing how 2026 stacks up in comparison to its predecessors.
Increasingly prolific native group Dirty Laces are set to headline the whole thing, Manilla Times are locked in, and Bolton’s very own James Holt also stands out on the lineup, just to highlight a few.
As the festival continues to grow in size and popularity, they have obviously had to scale things up even further this year.
That being said, beloved live music spot and Manc institution, Band on the Wall, is among the chosen arts spaces for this latest iteration.
BoW will be offering up their 500-capacity main room to the organisers for the very first time, serving as the de facto main stage of After All Fest 2026.
Joining them will be the Rose and Monkey next door, as well as cult favourite pub, Gullivers on Oldham Street, who have a long history of supporting local musicians and the arts in general.
And would you look at that, now you’ve got all the stage splits and set times, too.
Labelled by Dead Records’ Rob Fiddaman as “one of the UK’s most exciting new music festivals”, homegrown DJing legend Dave Sweetmore has also described it as “unique in so many ways”, hailing it as a “brilliant event with a great atmosphere to discover new music.”
Having been ourselves on multiple occasions since its inception in 2019 – both as Audio North off-duty and as punters before then – we can’t recommend it highly enough.
The latest edition takes place at 12 noon onwards this Saturday until 2am on Sunday, 17 May, and while the cheapest early bird tickets (£16.50) are long gone, general admission tickets are still available, with prices starting from just £20. Grab yours HERE before they sell out.
It’s not the only live music event worth being a part of this month…
Danny Jones -
1st November 2025 
