Sankeys is – quite rightly – the stuff of legend, a part of Manchester’s nightlife that will be talked about for decades to come.
While Ancoats 2024 is a maze of bars and restaurants, back in the 1990s Sankeys was the only destination most people bothered with – mostly everything else was a shell of a warehouse.
The doors to the club opened, and closed, and opened again, and closed again, with a few tweaks to its name along the way.
Whether you remember it as the Sankeys Soap that opened in 1994, or the Sankeys that built an actual beach (using 50 tonnes of sand) in 2009, or even if you never made it onto this hallowed dancefloor, you probably have a story about the venue.
It hosted everyone from Boy George to Bjork to the Spice Girls to Daft Punk, but famously turned away a baby-faced Justin Bieber (too shuffley, apparently).
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Nowadays it’s one of many, many converted mill buildings around the neighbourhood, filled with small businesses and apartments.
But Urban Splash, who have repurposed Beehive Mill into a co-working space, have kept many traces of Sankeys alive.
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Building manager Carl Holt, once a doorman at Sankeys, remembers when the entrance – now a wall of glass doors with fingerprint recognition – when it had huge steel doors to deter the cars that used to try and ram their way in.
The foyer of the building proudly displays photographs from the club’s final days, showing off rows of empty spirits bottles, crumpled promotional posters, and sticky dance floors.
Videos from club nights at Sankeys are projected on to the concrete wall that houses the mail boxes.
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There’s even the old safe, which developers drilled open to find years-old contraband confiscated from clubbers.
The old dance floor is now home to the head office of The Prince’s Trust, who store their outdoors equipment (wetsuits and the like) in what was once the smoking area, the jungle-inspired graffiti still covering the walls.
The old wooden staircase of Sankeys is now a fire escape and mostly blocked off from public view, while the former recording studios have been turned into bicycle storage rooms and office spaces.
Important meetings that now take place here are actually in what was Sankeys’ medical room, tending to revellers who’d overdone it a bit.
Carl says: “When Urban Splash bought it, they revamped it from top to bottom.
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“It’s flipped on its head, where there’s now all this business based here. It’s great to see but it is a big change.
The safe Urban Splash found when converting Beehive Mill. Credit: The Manc GroupThe old Sankeys medical room. Credit: The Manc GroupFamiliar stairs at Beehive Mill, which used to be Sankeys. Credit: The Manc Group
“I find it quite satisfying – yes I loved it when it was Sankeys, but I also like it the way it is now.
“Some people say to me ‘No, Sankeys weren’t here, this ain’t Sankeys’, they say they don’t remember, and I tell them ‘You don’t remember for two reasons…’
“In the early days when we were refurbishing it, people used to come here for the history.
“For the cobbles and the bricks and all that. It’s history. I love it.”
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While Ancoats is now often lauded as one of the world’s coolest neighbourhoods, nowhere will ever quite be able to recreate the cool of the Sankeys days.
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below: