The full shortlist for the inaugural Nordoff and Robbins Northern Music Awards has been announced, and Tim Burgess is set to receive a huge honour.
The first-ever Northern Music Awards, set to take place in Manchester next month (before moving to different host cities in subsequent years), will be honouring the incredible talent of the northern music scene.
Across 15 awards categories, the event will champion everything from artist to venue to event to individual, who have all helped to make our corner of the UK such a global force in the music industry.
Created by the UK’s largest music therapy charity, Nordoff and Robbins, the awards will be taking place at the Albert Hall in Manchester on 23 April, with tickets on sale now.
And ahead of the glittering event, the Northern Music Awards have announced that indie superstar Tim Burgess will be honoured with the headline Northern Music Award 2024.
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The Worsley-born Charlatans frontman has five solo albums under his belt, as well as 13 with the indie rock band, and brought people together online (first in lockdown) with his ingenious Listening Parties.
The shortlist for the favourite northern festival award, sponsored by us here at The Manc, has been announced today as Sounds From The Other City in Salford, Beatherder in Lancashire, Tramlines in Sheffield, Kendal Calling in Cumbria, and Moovin in Stockport.
This is the only publicly-voted award, with voting closing on Wednesday 27 March.
Also announced today are the winners of the Disruptor in Music Award, sponsored by Notion Magazine, which goes to Rotherham’s indie-rock juggernauts The Reytons.
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Both The Reytons and Tim Burgess will be there to collect their awards in person on the night.
And the new shortlist for Music and Culture for Wellbeing highlights the power of music provision across the region, recognising projects that use music and culture to support and connect with people that face health, wellbeing, and socio-economic challenges.
Supported by the Greater Manchester Combined Authority, the shortlist for this award is Barnsley Libraries – Biblio Beats Festival; DanceSyndrome – Everybody Dance, Lancashire; Kirklees Council – Kirklees Year of Music; Manchester Camerata – Music in Mind; Royal Liverpool Philharmonic – Music and Health Programme; and Oyé Active Zone, Liverpool.
10 northern live music venues are in the running across two Inspirational Venue of the Year categories, sponsored by Skiddle.
The award for under 500 capacity sees Brudenell Social Club in Leeds, Future Yard in Birkenhead, Trades in Hebden Bridge and Manchester’s Night and Day, and Yes all shortlisted for the prize.
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Night & Day Cafe in Manchester. Credit: The Manc Group
The larger venues in the running for(under 2,000) are Albert Hall, Band on the Wall and New Century Hall – all in Manchester – along with Barbican in York and City Hall in Newcastle.
Nordoff and Robbins is the UK’s largest music charity and hopes that the event will be an essential fundraiser for a new centre in Salford, as well as kickstarting a new chapter celebrating the breadth of talent across the north of England.
Tim Burgess said: “It’s incredible to be recognised with the inaugural Northern Music Award. Music is important on so many levels, and I’m a firm believer in the unique way that it can connect people.
“It means a lot to me to be able to support the great work of Nordoff and Robbins, who use music therapy to unlock life for some of the most vulnerable people in society – and through the funds raised by everyone coming along to the Northern Music Awards we’ll be opening up music therapy to even more people across the North.”
Nadra Shah, Director of Engagement and Communications, Nordoff and Robbins, said: “Music is powerful, it’s universal, it breaks down barriers and it allows us to communicate in ways that otherwise some may not be able to – it’s the heartbeat of our organisation.
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“The Northern Music Awards is a chance for us to shine a light on those who work tirelessly to make sure live music is available and accessible throughout the North of England.
“We are excited to honour some of the industry’s much loved venues and festivals alongside an array of live performances and appearances from some of the most celebrated artists from the region.”
Sarah Slater, vice president – music and festivals, Ticketmaster UK, said: “We’re proud to be supporting the first ever Northern Music Awards and celebrating everyone who helps to bring live music to the north of England.
“It’s also an honour to be helping to raise funds for Nordoff and Robbins’ life-changing music therapy work, it has such an astoundingly positive impact for some of the most vulnerable people in society.”
You can find out more and book £40 public tickets for the inaugural Northern Music Awards here.
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Premium package tickets are also available to book. The package includes access to both the industry and public awards, live performances, canapes, a two-course evening meal and an alcohol and non-alcohol drinks package. Tickets are £250 with packages available. Email [email protected] for details.
The full list of nominees for the 2024 Nordoff and Robbins Northern Music Awards
Special Recognition Award, Sponsored by SJM Concerts
Melanie C
Northern Icon
Lisa Stansfield
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Northern Music Award 2024, Sponsored by Live Nation
Tim Burgess
Newcomer of the Year, Sponsored by PizzaExpress Live
Inspirational Venue of the Year (under 500), Sponsored by Skiddle
Brudenell Social Club – Leeds
Future Yard – Birkenhead
Night and Day – Manchester
Trades – Hebden Bridge
Yes – Manchester
Inspirational Venue of the Year (under 2,000), Sponsored by Skiddle
Albert Hall – Manchester
Band on the Wall – Manchester
Barbican – York
City Hall – Newcastle
New Century Hall – Manchester
Music Moment of the Year, Sponsored by Raymond Weil
TBA on the night
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Industry Icon, Sponsored by Tysers Live
Michael Adex, NQ
Music and Culture for Wellbeing Award, Supported by the Greater Manchester Combined Authority
Barnsley Libraries – Biblio Beats Festival
DanceSyndrome – Everybody Dance, Lancashire
Kirklees Council – Kirklees Year of Music
Manchester Camerata – Music in Mind
Royal Liverpool Philharmonic – Music and Health Programme
Oye Active Zone, Liverpool
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The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Daisy Jackson -
20th March 2024 
