Sounds of the City returned to Manchester on Wednesday, courtesy of about as big an opening act as the festival has ever had before, with Avril Lavigne soaking in her first taste of Castlefield Bowl and proclaiming how much she loved the venue.
Us too, Avril – just not as much as it loved you.
That’s right, Canada’s pop-rock princess kicked off Sounds of the City 2024 with a Greatest Hits gig on the limited UK leg of her European tour just a couple of days after doing the ultimate outdoor gig at Glastonbury – which looked and sounded amazing, by the way.
You could tell how pumped she was to be bringing some of that ‘rock out under rainy British skies’ energy to Manchester’s iconic amphitheatre but, in one of those most magical moments that sometimes happens at festivals, the clouds broke and we got a stunning nostalgic sunset singalong.
The weather shifted just moments after fellow Canadian pop-punk veterans Simple Plan took to the stage as main supports just like they have throughout her tour, with six countries and nearly 30 more gigs to go, but it didn’t look like they were already several shows deep and well into their 40s.
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It can be a tough ask getting a crowd going before a headliner sometimes, but these lot didn’t struggle at all and that’s why they’re still going all these years later.
Be it making ‘it’s not a phase, mom’ jokes, inviting a bunch of blokes dressed in Scooby Doo onesies on stage as they played the classic cartoon’s theme song (yes, they sing that one), giant beach balls, playing classics like ‘I’m Just A Kid’ or a few quick covers, they very much understood the assignment.
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After getting the crowd to ‘Jump’ as they would at any other rock concert, the mood was just right for the main event and let’s just say a lot of current and ex-emos, moshers and noughties kids alike were very happy when ageless Avril Lavigne walked out in Castlefield Bowl.
A very wholesome warm-up. Well, apart from the ‘play with our balls’ jokes but still. (Credit: The Manc)
Well, that’s not entirely accurate: after some suspense-building graphics and lots of anticipant screaming, she burst onto the stage – quite literally – with one of her first big hits, ‘Girlfriend’, as Manchester welcomed her back after a very long time and she set off a sea of streamers into the air.
An early confetti cannon is always a sign of a good gig and it will surprise absolutely no one to hear that Avril Lavigne still sounds absolutely sensational, not to mention that the acoustics of the Bowl proved perfect for letting her voice travel across Castlefield and beyond.
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It’s also worth mentioning that even if you’re just a casual fan or think you ‘only know the hits’, as this latest album release and series of shows has proved, the girl has a lot more hits than you even think.
Song after song we found ourselves knowing the words and chants, which only increased the nostalgia factor even more as we watched countless fans of all ages dancing their heads off and singing at the top of their lungs.
That’s what it’s all about.
Some way to say helloThat famous logoJammy gets…A rather loud scream when she came out – and that was just us.
The 39-year-old (yes, we know she still looks like she’s in her 20s, don’t rub it in) also had a really charming manner when it came to interacting with the crowd; it may have been a little bit less bantery than her support act but you could tell she was rolling back the years just as much as we were.
Looking back on more than two decades of making music, she was taking it all in: the venue, the people with pink hair and those wearing official Avril uniforms (neckties and spike bracelets), not to mention the drinkers as she sprayed a bottle of champagne into the front row.
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She even welcomed Simple Plan back on stage for a duet and also used the opportunity to invite some die-hard fans and little kids whose parents are clearly passing their impeccable music taste on to their little’uns to join them, taking photos, signing skateboards to sing the chorus of ‘Addicted’.
Dream come true stuff and a moment in which we suddenly remembered she’s no longer the Avril Lavigne that burst onto the scene and the biggest thing on MTV when she was just a teenager – she’s a mum these days and all her fans have grown up with her.
We love that feeling when everything feels like it’s come full circle and we can all pretend we’re ‘just a kid’, as her openers so aptly put it.
There were pyros, wholesome fan interactions, a train driver up on the viaduct stopping to wave at the crowd, and much more.
Once again, we don’t think we need to convince you that classics like ‘Sk8er Boi’ and ‘Complicated’ were as good as you’d hope they’d be, perhaps even better, and we can now tick seeing Avril Lavigne live in Manchester off the bucket list.
The whole Sounds of the City lineup for 2024 is great and there’s lots of variety in genre too, which is always a bonus, but we have to say that the throwback feeling of this particular gig was wonderful and we can’t think of many better ways to kick off a festival.
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Now watch as queen Avril Lavigne turned Castlefield Bowl into a choir for her ultimate ballad, ‘I’m With You’, in a perfect choice of closing song.
Is there any more beautiful a sound than a sea full of Mancs singing in harmony? Not a chance.
A beautifully chaotic Thursday night – Rossi. at YES Pink Room for BRITs Week 2026 for War Child | Review
Harry Quick
There’s something beautifully chaotic about watching Rossi. take over a room the size of YES’s Pink Room on a midweek night in Manchester.
No towering LED walls. No Ibiza sunset backdrop. Just low ceilings, flashing pink strobes, and a crowd packed in tight enough to feel every kick drum in your ribcage.
For a DJ who has commanded renowned venues across the globe like Space Miami, Hï Ibiza, and Manchester’s very own Warehouse Project, it felt almost mischievous seeing him in a space this intimate on a Thursday night.
If you were lucky enough to grab a ticket to this instalment of the BRITs Week 2026 for War Child fringe events, you could tell early doors that whoever had one was more than ready to turn up for him. When Rossi. stepped behind the decks, taking over from the talented Olive F, who set the tone for the evening, and once the headphones were firmly sat on his curly locks, he eased us in with a rolling, groovy opener – not so subtly dripping in snippets of his biggest and best tracks. We’d have to wait for those.
His sound sits in that sweet spot between underground grit and polished punch. Tech-house, but with his own East End character. The drums feel tight and deliberate. The basslines don’t just thud, they glide.
To start us out, we were hit with a few dancey vocals filled with his hometown of London’s Grime influence, all the way to Frank Ocean’s ‘Lost’ at 125 bpm. Within minutes, the pink room was in full swing.
From there, the set unfolded like a guided tour through the different shades of Rossi.’s catalogue. Underground favourites like ‘U WONT SEE ME’ slipped into the mix with a knowing reaction from the very keen lads at the front. ‘FREAK IN THE SHEETS’ followed later, cheeky and rhythmic, drawing that half-grin from dancers absolutely going for it at the front right.
It’s easy to forget how far he’s come. A decade ago, he was carving out space in the underground. Now he’s headlining globally recognised parties like Circoloco, Music On, Paradise, and Fuse, and launching a world tour that’s been tearing through the UK, Ireland, Europe, and the US. Yet here, there was no arena ego. Just a cheeky lad going back to his roots like he’s on his CDJs in the bedroom.
Mid-set, he began to lift the energy. Brighter synths edged in with the odd jangly finger floater for good measure (that’s what I’m calling that dance move anyway!). The percussion grew punchier. The room, already warm, never quite tipped into sweatbox territory. Strangers were dancing together. Drinks were abandoned on ledges. I had realised I’d bagged the perfect vantage spot overlooking things on the ledge, in prime view of a truly fortuitous occasion.
Rossi. at YES for BRITs Week 2026 for War Child / Credit: Holly Pimlott (Supplied)
Then came one of the night’s real eruptions. ‘High On Me’ – his breakout collaboration with Jazzy – landed like a spark in dry grass. The track, which stormed into the UK Top 20 and racked up over 20 million streams in a matter of weeks, felt enormous in a room this size.
Arms shot up. Lyrics were shouted back. For a few minutes, YES felt like the epicentre of British dance music or maybe a flashback to a ruthless TikTok doom scroll session.
But what impressed me most was the pacing. Rossi. didn’t sprint through bangers. He let grooves breathe. He allowed tension to stretch before unleashing the drop on almost every occasion. Teasing in a little snippet of an upcoming track, a few minutes before we could revel in it in full. It’s the confidence of someone who’s sold out 2,500-capacity headline shows – even breaking ticketing systems with demand – yet still understands that the magic is in the build.
The talented Olive F supported and set the tone for the evening / Credit: Holly Pimlott (Supplied)
As the final stretch approached, he nudged the tempo upward… and he was about to drop some serious crowd pleasers.
LEDs dampened. Darkness fell. The murmurings of ‘Lady – Hear Me Tonight’ rose in unison with the crowd’s curiosity. It didn’t take long until the entire gaff was going mental. Just pure, euphoric house music.
And to finish, with his headphones resting against the decks and mixing all said and done, he pressed play on the swan song. As ‘These Sounds Fall Into My Mind’ echoed around the room, the speakers hardly needed to be playing anymore. When he finally eased out, it felt less like an ending and more like an enticing warning shot for the summer ahead… hello, is that Ibiza calling?
Rossi. at YES wasn’t just a warm-up for this Saturday’s big BRIT Awards, it was proof that no matter how big the stages get, he thrives in the arm-flaring closeness of a proper club room.
Global headline DJ. Underground heart.
Featured Image – Holly Pimlott (Supplied)
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Olivia Dean proves she deserves all her flowers with a captivating performance for BRITs Week 26 for War Child
Clementine Hall
BRITs Week 26 for War Child continued in Manchester last night, with Olivia Dean taking over a beautiful candle-lit Albert Hall… and it was a night we won’t forget.
I don’t need to tell you how utterly brilliant Olivia Dean is.
It’s something I’ve known for years (humble brag), but luckily it seems the entire world has caught on over the past few months.
I’ve been lucky enough to see Olivia five times now, and from watching her joyfully shake here banana-shaped maraca on a small stage at Glastonbury in 2023, to swishing her olive green satin gown at one of the country’s best venues last night – her indisputable talent remains.
Images: The Manc
The Art of Loving, her sophomore album, came out in September last year and features global hits ‘Man I Need’ and ‘Nice to Each Other’.
The record is a perfect analysis of love in all forms. Her heartfelt yet humoured lyricism explores its constant ups and downs, but perhaps the most prominent theme of love throughout is self-love.
And this is so clear as we watch Olivia beam from ear to ear as she makes her way through a setlist that is a celebration of her entire discography.
Of course, we heard all the fan favourites from the new album including ‘Lady Lady’ and ‘So Easy (To Fall In Love)’, but we were also treated to some of her older songs like ‘Echo’ and ‘UFO’ that initially brought her into the limelight.
A highlight for me was Ladies Bathroom which saw the gigantic disco ball hanging above us kick into gear, which as you can imagine at the gorgeous Albert Hall was a real sight to behold.
The entire evening underlined why smaller, grassroots venues are so bloody brilliant and deserving of our support now more than ever.
Image: Supplied
No pushing, no overcrowding, we were all there to revel in Olivia’s greatness and we all knew how lucky we were.
This was no doubt a very special show, a complete one-off in aid of BRITs Week 2026 to raise money for War Child, which Olivia joyfully announced that we had raised £270,000 for that night.
It’s no surprise that Olivia Dean is one of the most exciting artists in the world right now, oozing class, charm and impeccable talent.
We’ll be watching with our fingers crossed as she attends the BRIT Awards on Saturday evening with an impressive (and very well deserved) five nominations.
If you’re lucky enough to have tickets to her upcoming tour then just know how much fun you’ll have, but you’ll never have as much fun as Olivia does on that stage.
You can find out more about the remaining War Child performances here.
Danny Jones -
4th July 2024 
