Sounds of the City returned to Manchester on Wednesday, courtesy of about as big an opening act as the festival has ever had before, with Avril Lavigne soaking in her first taste of Castlefield Bowl and proclaiming how much she loved the venue.
Us too, Avril – just not as much as it loved you.
That’s right, Canada’s pop-rock princess kicked off Sounds of the City 2024 with a Greatest Hits gig on the limited UK leg of her European tour just a couple of days after doing the ultimate outdoor gig at Glastonbury – which looked and sounded amazing, by the way.
You could tell how pumped she was to be bringing some of that ‘rock out under rainy British skies’ energy to Manchester’s iconic amphitheatre but, in one of those most magical moments that sometimes happens at festivals, the clouds broke and we got a stunning nostalgic sunset singalong.
The weather shifted just moments after fellow Canadian pop-punk veterans Simple Plan took to the stage as main supports just like they have throughout her tour, with six countries and nearly 30 more gigs to go, but it didn’t look like they were already several shows deep and well into their 40s.
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It can be a tough ask getting a crowd going before a headliner sometimes, but these lot didn’t struggle at all and that’s why they’re still going all these years later.
Be it making ‘it’s not a phase, mom’ jokes, inviting a bunch of blokes dressed in Scooby Doo onesies on stage as they played the classic cartoon’s theme song (yes, they sing that one), giant beach balls, playing classics like ‘I’m Just A Kid’ or a few quick covers, they very much understood the assignment.
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After getting the crowd to ‘Jump’ as they would at any other rock concert, the mood was just right for the main event and let’s just say a lot of current and ex-emos, moshers and noughties kids alike were very happy when ageless Avril Lavigne walked out in Castlefield Bowl.
A very wholesome warm-up. Well, apart from the ‘play with our balls’ jokes but still. (Credit: The Manc)
Well, that’s not entirely accurate: after some suspense-building graphics and lots of anticipant screaming, she burst onto the stage – quite literally – with one of her first big hits, ‘Girlfriend’, as Manchester welcomed her back after a very long time and she set off a sea of streamers into the air.
An early confetti cannon is always a sign of a good gig and it will surprise absolutely no one to hear that Avril Lavigne still sounds absolutely sensational, not to mention that the acoustics of the Bowl proved perfect for letting her voice travel across Castlefield and beyond.
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It’s also worth mentioning that even if you’re just a casual fan or think you ‘only know the hits’, as this latest album release and series of shows has proved, the girl has a lot more hits than you even think.
Song after song we found ourselves knowing the words and chants, which only increased the nostalgia factor even more as we watched countless fans of all ages dancing their heads off and singing at the top of their lungs.
That’s what it’s all about.
Some way to say helloThat famous logoJammy gets…A rather loud scream when she came out – and that was just us.
The 39-year-old (yes, we know she still looks like she’s in her 20s, don’t rub it in) also had a really charming manner when it came to interacting with the crowd; it may have been a little bit less bantery than her support act but you could tell she was rolling back the years just as much as we were.
Looking back on more than two decades of making music, she was taking it all in: the venue, the people with pink hair and those wearing official Avril uniforms (neckties and spike bracelets), not to mention the drinkers as she sprayed a bottle of champagne into the front row.
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She even welcomed Simple Plan back on stage for a duet and also used the opportunity to invite some die-hard fans and little kids whose parents are clearly passing their impeccable music taste on to their little’uns to join them, taking photos, signing skateboards to sing the chorus of ‘Addicted’.
Dream come true stuff and a moment in which we suddenly remembered she’s no longer the Avril Lavigne that burst onto the scene and the biggest thing on MTV when she was just a teenager – she’s a mum these days and all her fans have grown up with her.
We love that feeling when everything feels like it’s come full circle and we can all pretend we’re ‘just a kid’, as her openers so aptly put it.
There were pyros, wholesome fan interactions, a train driver up on the viaduct stopping to wave at the crowd, and much more.
Once again, we don’t think we need to convince you that classics like ‘Sk8er Boi’ and ‘Complicated’ were as good as you’d hope they’d be, perhaps even better, and we can now tick seeing Avril Lavigne live in Manchester off the bucket list.
The whole Sounds of the City lineup for 2024 is great and there’s lots of variety in genre too, which is always a bonus, but we have to say that the throwback feeling of this particular gig was wonderful and we can’t think of many better ways to kick off a festival.
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Now watch as queen Avril Lavigne turned Castlefield Bowl into a choir for her ultimate ballad, ‘I’m With You’, in a perfect choice of closing song.
Is there any more beautiful a sound than a sea full of Mancs singing in harmony? Not a chance.
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Danny Jones -
4th July 2024 
