A night like this – when Bastille took to the stage at the AO Arena – reminds you exactly why live music matters.
It felt like travelling back to our early teens – windows down, speakers up, yelling Bastille lyrics like our lives depended on it. That familiar rush came flooding back the moment we stepped into the legendary AO Arena.
And honestly, the whole experience, from securing tickets through AXS to walking into one of Manchester’s best venues, was seamless and stress-free, setting the tone perfectly for the night.
The band opened with a classic from their debut album Bad Blood. A single orange beam flickered across the stage, almost like a fire dancing in the dark, creating an intimate calm before the storm. Dan Smith’s slow, acoustic rendition of ‘Things We Lost in the Fire’ pulled the entire crowd into silence. It was raw, emotional, and the perfect way to kick off a night dedicated to the anthems that shaped a decade.
From there, the pace picked up. The show unfolded like a living scrapbook of Bastille’s 15 years of music, skipping through albums and eras with effortless precision. Every transition felt like rediscovering a memory of songs we’d forgotten we loved, songs we never stopped playing, and songs that hit harder live than they ever could through headphones. It was a rollercoaster of indie brilliance, nostalgia, and the kind of energy only Bastille can create.
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Credit: Bastille at the AO Arena in Manchester
One of the biggest highlights of the night was the VS. (Other People’s Heartache) segment. We genuinely don’t talk enough about what a masterpiece that project is. The band stripped back their setup as two DJ decks rolled out centre stage, transforming the arena into a full-blown Bastille club experience. It was unexpected, refreshing, and showed off the band’s ability to bend genres without ever losing their identity. The lighting, the bass, the crowd reaction everything came together to create a completely different vibe, proving just how dynamic and experimental Bastille can be.
And then came ‘Pompeii’ and ‘Happier’ , two songs that feel almost woven into modern music culture at this point. Hearing thousands of voices echo those choruses back at Dan Smith was genuinely spine-tingling. It’s moments like that when you realise how much Bastille’s music has grown, evolved, and connected with fans over the years. Their audience now spans generations, and you could feel that unity in the room of parents with teens, old fans, new fans, and everyone in between, all sharing the same unforgettable moment.
What also stood out was the atmosphere. There’s something special about AO Arena: the acoustics, the crowd energy, the lights that sweep across the entire venue. Every detail enhances the performance, making even the quietest moments feel grand and the biggest hits feel monumental.
And honestly, the whole experience was made so much easier by AXS. Keeping track of gigs, managing tickets, and discovering upcoming shows is all right there in the app. No stress, no scrambling, just tap, book, go. It’s the perfect way to make sure you’re always one step ahead and never miss out on seeing your favourite artists live.
Last night wasn’t just a concert, it was a reminder of why we fell in love with Bastille in the first place. A celebration of their past, a showcase of their growth, and a promise that they’re not done surprising us yet.
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And if this tour is anything to go by, your next best memory might be only one AXS tap away.
Sankeys shares sneak peek at new venue as legendary Manchester nightclub gears up for return
Daisy Jackson
Sankeys has given Mancs a glimpse inside its new venue as the legendary nightclub gears up for its return.
The club was one of Manchester’s top nightlife spots for years, before shutting down seemingly for good almost a decade ago.
Set within Beehive Mill in Ancoats, Sankeys was a true icon of Manchester’s global nightlife scene.
And while the old Sankeys Soap nightlife space is now full of co-working spaces, the spirit of Sankeys is about to be reborn.
The exact location of the new club is still being kept under wraps ahead of its reopening at the end of January, but new renderings have been released to give us a glimpse of how it will look.
Sankeys is promising ‘A reimagined space. New energy. Same legendary nights’.
The new Sankeys Manchester will be a 500-capacity venue, designed to ‘capture the raw underground energy that made Sankeys one of the most iconic club brands in the world’.
It will feature an LED matrix grid installation that will immerse clubbers in ‘light, sound and atmosphere’.
Sankeys Manchester officially opens on 30 January – you can see a glimpse of how it will look below and grab tickets HERE.
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?