Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
BRIT Awards 2026 nominations and first performer announced live in Manchester
Daisy Jackson
The full list of nominations for the BRIT Awards 2026 have been announced today live from Manchester, as the landmark music awards ceremony moves up north for the first time in its 30-year history.
With just weeks to go until the Co-op Live arena hosts one of the biggest nights in music, all eyes are firmly on Manchester.
And now, thanks to a live broadcast from the venue this afternoon, we know exactly who’s up for an award – and have our first live performer confirmed too.
Olivia Dean is set to perform live at the BRIT Awards when they take place in Manchester on Saturday 28 February.
She’s out in front as one of the most-nominated artists too, with five nominations including MasterCard Album of the Year, Song of the Year (for Man I Need), and Artist of the Year.
Also coming out on top with five nominations is Lola Young, marking a key moment for the next generation of British talent.
With four nominations, there’s Sam Fender, following on from his Mercury Prize win.
And with three nominations apiece is Lily Allen, Wolf Alice, Dave, Fred Again, and Jim Legxacy.
Representing as one of the north’s greatest bands are Sheffield’s Pulp, who have their first BRIT Awards nomination in 30 years.
Other artists to be recognised include Jade, Chapel Roan, Taylor Swift, Sabrina Carpenter, Lady Gaga, Bruno Mars, Little Simz, Skye Newman, Sombr, Wet Leg, and loads more.
The live-streamed announcement has been hosted by Charley Marlowe and Sarah Storey, with artists nominated across 15 categories revealed today at Co-op Live, and viewers given a glimpse inside the new home of the BRIT Awards.
There was also a performance from this year’s Critics Choice winner, Jacob Alon.
The actual awards will take place on 28 February, hosted by Jack Whitehall, with an amazing new trophy designed by Manchester-born designer Matthew Williamson.
The BRIT Awards 2026 nominations have been revealed in Manchester
Some winners will be determined by public vote, including Song of the Year with Mastercard, and International Song of the Year – voting is open on the BRITs WhatsApp channel and socials from Friday 30 January until Friday 13 February.
Stacey Tang, Chair of the 2026 BRIT Awards Committee and Co-President of RCA Records at Sony Music UK said: “The breadth of artists nominated reflects a thriving year in music and reaffirms that British artists continue to capture imaginations across the globe. I think this list is a powerful demonstration of how vibrant and varied music is right now, with artists across different genres and generations reflecting music that is both commercially successful and has lasting cultural impact.
“At its core, the BRIT Awards exists to celebrate creativity, and these nominations set the stage for an exciting and memorable night.”
BPI Chief Executive, Dr Jo Twist OBE, said: “It’s fantastic to see British talent doing so well across the board, especially a next generation of brilliant artists who have broken through with such impact on the global stage in the past 12 months led by Olivia Dean, Lola Young, Sam Fender, PinkPantheress, Skye Newman, among others – our congratulations to all The BRITs nominees and their labels.
“The BRIT Awards with Mastercard in Manchester will provide a compelling moment for them all to shine brightly and to spotlight the diverse breadth of talent drawn across the UK and internationally.”
Manc rock band left ‘broke as f***’ despite just finishing EU arena tour as industry concerns grow
Danny Jones
Manchester musicians Witch Fever have revealed that they are now almost completely “broke” despite having just finished touring with a major rock band on a lengthy arena run across Europe, as concerns continue to grow around shows in the EU.
Post-Brexit, it has become increasingly more difficult for UK bands not only to make money playing around the mainland but to even book support slots in the first place.
From more stringent visa requirements that limit the amount of time they can perform on the road, as well as other essential work permits, to tax, transport and wider logistics, almost every aspect of the live music landscape has become more complicated on the continent.
Unfortunately, ‘Doom-punk’ outfit Witch Fever is one of countless groups being affected by these issues; opening up on a recent podcast appearance, they said that this is simply “what the music industry is like at the moment.”
As you can see, speaking in the most recent episode of the 101 Part Time Jobs with Giles Bidder – a fellow artist as well as pod and radio host – two members of the local outfit put it as plainly as they could: “we’re broke as f***”.
Breaking things down into as basic terms as possible, bassist Alex Thompson said that while the “fees are [already] low, the costs are getting higher and higher” relative to what they can afford.
Thompson went on to admit that she is now relying on the remainder of her late mother’s pension to get by and that no one in the band can even get a steady enough job right now because they’re heading back out on tour again this March.
As explained by lead singer Amy Walpole, the band has only just finished supporting Danish veterans Volbeat, but any potential ‘profit’ from the two-months’ worth of shows is currently “stuck in withholding taxes across Europe” – a common problem for most British artists trying to play overseas right now.
Surprisingly, they even received a little bit of backlash on social media since the interview (which you can watch in full HERE) went live.
This just in, JK Rowling super fan celebrating us struggling coz the music industry is impossible rn because *checks notes* it’s karma for disagreeing with JKs views lol
It wasn’t long ago that the Witch Fever gang booked a big hometown gig here in the city centre, either, as their warm-up shows for Volbeat also involved a trip to the AO Arena back in November.
We’ve seen them live a couple of times now, and if those shows were anything to go by, we really think you should go see them on their upcoming tour.
As it happens, we put them on our artists of the month round-up in January 2024, and they’ve only got bigger since then; it’s more important than ever that we support rising bands and grassroots venues on our doorstep when we can.
If you’re interested, you can grab your tickets now. Even if not, in the meantime, you can see what we had to say about them and four other fantastic Greater-Manchester-based bands down below.
Danny Jones -
22nd October 2024 
