Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
James Morrison is BACK with new music and coming to a beautiful Manchester venue
Danny Jones
Noughties favourite James Morrison is back with his first new album in six years and is putting on a small handful of special shows in a select few cities to celebrate, with Manchester being one of them, and tickets are going on sale next week.
With five records to his name over the course of a career spanning more than 20 years, it may have been a while since we’ve heard his instantly recognisable and raspy vocals, but he’s making his return later this year with his sixth studio LP and this limited run of live performances.
The Rugby-born singer-songwriter, acoustic guitarist and one-time regular in the pop charts enjoyed a successful period in the 2000s, even collaborating with the likes of Nelly Furtado, Demi Lovato, Olly Murs, Kelly Clarkson and more.
Having just announced his latest project, Fight Another Day, which is scheduled for release this autumn, we’re looking forward to seeing him not just back on stage but at a truly beloved and beautiful Manc music space.
My new album ‘Fight Another Day’ is out 03/10/25, and I’ll be going on tour this September. Pre-order the album here https://t.co/1ycLwUTETo to get early access to tickets, with pre-sale starting 10am on 04/06/25. I hope you enjoy 'Fight Another Day', my first single, out today pic.twitter.com/Ud6YKziGXd
Morrison, now 40, said of his latest music: “When I leaned into how I was feeling, that’s when the songs started coming. I started writing about what I was going through. My own struggles with myself. Every day being a bit of a battle. Trying to eke the light out after what felt like darkness for ages.
“I’m really proud of the album in terms of the creative, sonic elements and how I dealt with truthful stuff. But also it’s an album of songs that hopefully make you feel better and make you nod your head and stamp your feet and singalong.”
“It just sums up what the record is. It’s about reminding yourself what’s good. About convincing yourself you’ve got enough strength to keep the fight going”, he went on to add.
Having helped co-produce the entire thing with the likes of two-time Ivor Novello winner, Eg White; Daniel Merriweather, Connor Reeves and Andy Platt (Young Gun Silver Fox), fingers crossed it’s everything fans are hoping for.
As for the gig venue itself, the ‘Broken Strings’ and ‘You Give Me Something’ singer will be coming to Manchester’s grand Bridgewater Hall in September.
A historic and truly iconic place. (Credit: The Manc Group)
With just three other shows confirmed – Birmingham, Symphony Hall on 23 September, Glasgow, SEC Armadillo (24 Sep) and a night at the London Paladium (28 Sep) – Manchester can count itself lucky to have been chosen for these intimate evenings.
As for the album itself, Fight Another Day is due to drop on 3 October and is available for pre-save/pre-order right now; those who do so will gain access to the pre-sale window, which opens at will open at 10am next Wednesday, 4 June.
General admission to see James Morrison in Manchester city centre goes live at the same time on the following Friday (6 June); you can get ready to grab your tickets HERE.
Meanwhile, for those unaware of the venue itself, find out more down below.
A brand new grunge and hard rock festival is kicking off in Manchester
Danny Jones
Manchester grungers, hardcore heads, and fans of all things rock, pay attention because there is a brand new festival coming to the city centre – and it has possibly the best name for a live music event we’ve heard in some time.
Ahem… let us introduce you to Broken Knees Fest.
Yes, donning a name that feels increasingly more relatable the closer we get to the wrong side of 30, Broken Knees Festival 2025 marks the inaugural edition of Manchester’s newest series of rock and grunge gigs, helping spotlight rising artists across the genres from within two crucial grassroots venues.
Very loud music inside tightly-packed, small-capacity rooms? It’s a winning formula that never fails. It’s about time we broke a sweat – here’s hoping the knees just about hold out.
Hosted in the heart of the Northern Quarter, which continues to thrive as a creative hub for new music and art of all forms, the festival will be debuting at small-cap favourites Gullivers and Castle Hotel just across the road.
As you can see, the lineup is full of up-and-coming talent within the guitar-driven space, but you can bank on more than a few bringing their die-hard fans to fill the place out to the rafters.
It doesn’t matter if you prefer punk, hardcore, grunge or another specific sub-genre found somewhere in between the ever-sprawling rock spectrum, there’s something to suit all alternative tastes at this one.
With the likes of Bohmen, Mavis, One Dimensional Creatures and Smother headlining the first-ever iteration of the festival across four stages, you can expect plenty of energy and even more noise.
Set up by the events group of the same name, Broken Knees Promotions, who help platform rock and alt acts across Greater Manchester and beyond year-round, this is more than just a festival: it’s a grassroots celebration through and through.
Best of all, if you’re interested, you don’t have to wait long because it’s kicking off next month.
Gigs go off in here. If you know, you know… (Credit: Audio North)
Broken Knees Fest 2025 is happening on the weekend of 21-22 June, and you’ll be glad to hear that, as a brand new event, prices have been kept nice and low.
The early bird window had prices starting from just £12, and although this tier has now sold out, day tickets are still only £15 while a full weekend pass will set you back £25.
Until then, why not dive into another load of new Manchester music? We round up artists from all genres each month; we’ll also confess to leaning slightly more towards the heavier stuff from time to time.