Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
A big battle of the bands is happening in Manchester this week – and it’s all for charity
Danny Jones
A massive battle of the bands event is happening in Manchester this week, and it’s helping raise money for crucial grassroots organisations.
Better still, it’s happening at one of our favourite venues in the city centre: Band on the Wall.
Now, the beloved Northern Quarter institution hosts all kinds of live music throughout the year, so they’re no strangers to events like a battle of the bands competition. Teaming up with homegrown charity Forever Manchester and some other well-known faces, this is set to be a big one.
This brand new event will see local businesses and employees come together to form a band for one night only, to see who is the best of the best up on stage. Who knows? You could be about to see the best-kept secret…
Yes, Manc worker bees are banding together (quite literally) to form the exclusive super group and will be judged by a panel of audiophile aficionados.
It doesn’t matter whether you work in the industry, you do office admin or work in a cafe all day long; at the debut ‘Forever Manchester Rocks‘ competition, consider yourself a music god in the making.
The live on-stage battle is open to pre-existing bands who have already played together, but we’ll confess, we’re looking forward to seeing what those cobbled together specifically for this contest are going to sound like.
Finalists not only have the opportunity to perform at the most iconic venues, but the winners of this year’s competition will claim the inaugural ‘Manchester Business Rocks Legends’ trophy, as well as being invited to play the annual Forever Manchester Birthday Party at the Kimpton Clocktower in February.
Once again, the best part of this new battle of the bands event at Band on the Wall is that it’s all for the greater good, with important funding being generated for local community groups – a cause that both pursue with 24/7, 365 days a year.
If you’re interested in a last-minute sign-up, the rules for entering the competition are as follows:
A majority of band members must work at the same company or in the same industry
Covers or originals welcome – just bring your best 15-minute set
You bring the instruments and tunes – the backline, PA and sound engineer will be provided
Acts will be judged on talent, energy, crowd reaction, showmanship and amount of money raised.
Nick Massey CBE, chief exec at Forever Manchester, said: “As a region famed for its musical prowess, entrepreneurial spirit and its sense of community, Forever Manchester Rocks just made total sense to me as our next big occasion.
“It is a battle like no other, and we’re calling for businesses across the region to trade their KPIs for killer riffs to show us how they shine on stage… And it’s all in support of a fantastic cause, with the money raised helping to fund vital community initiatives in the Greater Manchester region.
“We can’t wait to see colleagues from across the region unleash their hidden talents and bring that Manchester energy to Band on the Wall on 10 December!”
For those looking to come along this Wednesday (10 Dec), you can grab your tickets HERE.
Featured Images — The Manc Group/Billy Weaver (supplied)
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The BRIT Awards announce Manchester host as Jack Whitehall, plus ticket info
Daisy Jackson
Jack Whitehall will host this year’s BRIT Awards, as the glittering music ceremony moves up to Manchester for the first time.
The BRIT Awards 2026 has now also confirmed that public tickets will be going on sale today, so us Mancs have a chance with being right in the action when the awards take place at the Co-op Live in February.
This is the first time in the nearly-50 year history of the BRITs that the show has moved north, with an exclusive broadcast with ITV1 and ITVX.
And Jack Whitehall will be back once again, after a five different gigs hosting the show down in London.
The BRIT Awards 2026 with Mastercard announced the news with an ‘Ode to Manchester’ video with Jack Whitehall, where he takes a green screen trip down the Curry Mile (except it’s actually the Northern Quarter), visits the Coronation Street cobbles, and pokes fun at the arrival of Soho House.
The comedian may be as southern as they come, but has special connections to Manchester, having studied at the University of Manchester – and later revisited those days in the sitcom Fresh Meat.
Jack credits the city as one of the most influential places that helped shape his early comedy career.
Jack said: “I am so excited to be coming back for this very special BRIT Awards in Manchester, a place that is so important to me.
“The city I started my comedy career in, it feels like a real full circle moment returning to host this historic night at the Co-op Live, a venue that is only a stone’s throw away from the comedy club I did my first 10 minute set in all those years ago.
“Hopefully I get a few more laughs than I did that night. I cannot wait.”
The BRIT Awards 2026 will be taking place at the Co-op Live in Manchester on 28 February – and tickets will be going on sale from 10am HERE.
Matthew Williamson with this year’s BRIT Award trophy. Credit: Supplied
Last week, the shortlist was revealed for the prestigious BRITs Critics’ Choice award (previous winners include Dua Lipa, Adele, The Last Dinner Party and more), with Jacob Alon, Rose Gray and SIENNA SPIRO the chosen three.
And this year’s physical BRIT Award is designed by internationally acclaimed British designer Matthew Williamson, inspired by his Manchester roots and built from an amber toned resin – resembling the golden honey of a worker bee.
Stacey Tang, Chair of the 2026 BRIT Awards Committee and Co-President of RCA Records at Sony Music UK said: “Jack is absolutely brilliant at his craft so we are thrilled to welcome him back and excited for the fun and mischief he’s bound to bring to the show again this year.
“His legacy hosting the awards speaks for itself and as the BRITs enters a new era, in a city familiar to him, there’s nobody better placed to take the helm of the biggest night in music.”
Danny Jones -
22nd October 2024 
