Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
Manchester nightclub clamps down on no-phones policy after ‘disappointing’ rule breakers
Daisy Jackson
Amber’s, a nightclub in Manchester with a strict no-filming policy inside, has shared a strict new set of rules to prevent people using their phones.
The venue says it’s seen an ‘increased amount of phones on the dance floor’ despite its very clear policy against such a thing.
That’s included a recent set from Fred Again, where videos of his show were all over social media the next day.
Amber’s has said it’s ‘disappointing’ to see people flouting the rules of the space, leading to the venue introducing a zero tolerance policy.
Fans who are caught filming on their phones will be asked to leave Amber’s on the spot – no second chances.
There’ll even be extra members of staff patrolling the venue, to protect the ‘vibe of the space’.
“If you are spotted at any point across the night using your phone to record, you will no longer be permitted inside Amber’s,” they shared.
Amber’s wrote in a statement today: “Since our launch back in December, we have made it very clear that we are a No Phones venue. We want to create an experience for everyone where they are present in the moment and not distracted by phones.
“While the majority of people that attend Amber’s keep their phones away, there are a select few that don’t.
“This is of course disappointing.
“Over the recent weeks and months, we have seen an increased amount of phones filming on the dancefloor and we are aware of numerous videos shot on phone appearing online.
“To those that come to Amber’s and respect our house rules, thank you, you are contributing to an incredible vibe in the room.
“For those that don’t, we ask that you think about the space and the people around you before removing your stickers.
“The rules previously have been that if you are seen filming on your phone, you are politely asked to stop, if you are seen again, you are asked to leave the venue.
“From now on, as a renewed pledge to our No Phones policy, if you are seen recording in the venue, you will be asked to leave, there will be no second chances.
“There will now be extra members of staff patrolling the venue, ensuring that the vibe of the space is protected and if you are spotted at any point across the night using your phone to record, you will no longer be permitted inside Amber’s.
“Open your mind. Honour the concept. Respect the space.”
Katy Perry at AO Arena, Manchester – stage times, setlist, tickets and more
Daisy Jackson
Katy Perry will be playing a huge arena show here in Manchester this week, with a sold-out night at the AO Arena imminent.
The popstar is bringing her The Lifetimes Tour, which features an extravaganza of props and pyrotechnics, to town on Wednesday 8 October.
The Roar singer will be heading to the AO Arena this week, alongside shows in Sheffield, Glasgow, Birmingham and London.
Whether you’re going to watch hits like ‘California Gurls’, ‘Hot ‘N’ Cold’ or excited for the newer tracks like ‘I’m His, He’s Mine’, it’s sure to be one of the biggest gigs to hit the legendary arena all year.
Perry has the second most Diamond-certified singles in for a female artist in the U.S, four guiness world records and five UK number one hits.
Her latest album ‘143’, which is a numeric synonym of ‘I love you’ and the singer’s angel number, came out last year and stormed straight into the top 10 on the UK album charts.
If you’re heading to Katy Perry at the AO Arena tonight, we’ve rounded up all your essential information.
Stage times for Katy Perry at the AO Arena
The AO Arena hasn’t yet confirmed exact stage times for tonight’s show, but we do have enough information to give you a good estimate.
Doors will open at 6pm, with a show start of 7.45pm.
That will mean the support act should wrap up around 8.15pm and Katy Perry is likely to take to the stage between 8.30pm and 8.45pm.
For her Manchester show, Katy Perry will be supported by singer-songwriter Goldie Boutilier.
Goldie, who has also performed under monikers Kay, My Name Is Kay, and Goldilox during her career, will be joining Katy on most of her UK dates, before handing over the reins to Au/Ra and then Becky Hill.
Tickets for Katy Perry at the AO Arena
Katy Perry has completely sold out the AO Arena with The Lifetimes Tour, with no general tickets left at all.
However, there are a few tickets remaining on Ticketmaster’s resale platform, which are priced between £78.73 and £131.18 each.
Expected setlist
Katy has split her show into sections she’s calling ‘Levels’, as a nod to the video game inspiration behind the tour.
Each one is absolutely packed with pop bangers, as you’d expect.
Here’s the latest setlist from her most recent show in Glasgow.
Level 1: Artificial
ARTIFICIAL
Chained to the Rhythm
Teary Eyes
Dark Horse
Level 2: Woman’s World
WOMAN’S WORLD
California Gurls
Teenage Dream
Hot n Cold
Last Friday Night (T.G.I.F.)
Peacock
I Kissed a Girl
Level 3: Nirvana
NIRVANA
CRUSH
I’M HIS, HE’S MINE
Wide Awake
Level 3.5: Choose Your Own Adventure (fan requests)
For those of you heading to AO Arena, luckily, it’s connected to Manchester Victoria Station, and it has an integrated Metrolink stop to make your life even easier.
Head along the pink, light blue or yellow lines directly to the Victoria stop, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Train
Considering this live entertainment venue is situated right in the middle of one of Manchester’s most frequented stations, concertgoers should find no problem getting to the arena, wherever they are.
Bus
A variety of buses cover AO Arena andVictoria Station on their route, such as the 2 bus, which stops just a one-minute walk away from the venue.
A full list of buses and their routes can be found HERE.
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Getting there by car and parking
The Arena has its own official CitiPark, with 958 car parking spaces, including 40 Blue Badge parking bays, which can be booked in advance.
Alternatively, anyone attending a gig can park at their nearest train station and jump on a train service or the various Metrolink park and ride facilities.
Walk/cycle
Greater Manchester now also offers the option to hire bikes through the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app.
Danny Jones -
22nd October 2024 
