Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
ADVERTISEMENT
A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
ADVERTISEMENT
Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
ADVERTISEMENT
You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
ADVERTISEMENT
With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
ADVERTISEMENT
Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
Global girl group Katseye add Manchester to huge new world tour
Daisy Jackson
Katseye have announced a major arena world tour for this year – and the global girl group are coming to Manchester for the first time.
The pop superstars will be performing at the Co-op Live as part of their WILDWORLD TOUR, which is taking them right across the UK, Europe and North America.
Katseye formed through The Debut: Dream Academy, which narrowed 120,000 applicants down to just six talented singers and dancers – though the group will be touring as a five-piece this time (Manon Bannerman has taken a hiatus from the band).
The Los Angeles-based global girl group, formed by HYBE and Geffen Records, merges K-pop dance training with Western pop sounds, with members hailing from across the U.S., Europe, Asia, and beyond.
The group is currently made up of Daniela Avanzini, Lara Raj, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeung.
Katseye have not yet released a full studio album but have achieved major commercial success with songs like Gabriella, Pinky Up, Gnarly, and Internet Girl.
The group have already performed a major slot at Coachella, as well as taking the stage at the GRAMMY Awards this year where they were also nominated for two awards (including Best New Artist).
Katseye will be releasing their third EP, WILD, this summer ahead of their world tour, which reaches Manchester in September.
Tickets will first be on sale via a Weverse Artist Presale from 11am on Wednesday 20 May, followed by the Katseye.World presale from 3pm.
Fans can also register for presale access by pre-ordering Katseye’s new EP WILD or by signing up – no purchase necessary.
General sale will begin at 3pm on Thursday 21 May HERE.
Katseye WILDWORLD Tour – UK and European dates
1 September – Dublin, Ireland – 3Arena
3 September – London, UK – The O2
6 September – Manchester, UK – Co-Op Live
9 September – Paris, France – Accor Arena
11 September – Amsterdam, Netherlands – Ziggo Dome
13 September – Cologne, Germany – Lanxess Arena
15 September – Antwerp, Belgium – AFAS Dome
17 September – Copenhagen, Denmark – Royal Arena
Featured image: Publicity picture
Audio
Kacey Musgraves announces massive Manchester arena show early next year
Danny Jones
Country star Kacey Musgraves is returning to Manchester after what feels like forever away from the city, with a brand-new album and a run of live dates.
The female singer-songwriter is one of the most successful female musicians on the country scene, and after a little while away from the UK – barring a recent pre-album launch show down in Kingston – the Texan artist will be coming back to the North next year.
In support of her latest record, the sixth studio Kacey LP, the ‘Middle of Nowhere Tour’ will kick off in Glasgow, before Ms Musgraves makes her way to Manchester city centre.
One of just three British cities named as part of the leg, we can count ourselves lucky.
Hailing from the Southern US town of Golden, Middle of Nowhere, serves as the follow-up to 2024’s Deeper Well (DW), with the solo star now having won multiple Grammys and CMA Awards.
Speaking on this latest project, with finally dropped at the start of May and was immediately met with a positive reaction from fans, even after her lead single, ‘Dry Spell’, she said in a statement: “I started this record while still in the throes of DW after going through a pretty ridiculous breakup.
“The bulk of the record was made during the longest single period of my life, and I found that for the first time, it actually felt incredible being alone and existing in a space not defined by anyone else. I needed that period to really understand that I really don’t need someone to be happy.
“I became fascinated with the concept of liminal spaces, both geographical and emotional. We don’t linger in these spaces long enough. We rush to define where or whatever is next.
“I had a lot of time for reflection, clearing, and leaning into my roots in different ways […] heartbreak-soothing traditional Country music brought me comfort when I was sad.”
Coming to the AO not just for her venue debut but a very first arena slot here in Manchester, we CANNOT wait to hear these songs live for the first time.
Kacey goes on to add: “This album has a lot to do with borders. Unique things brush up against the edges of other things, and the way those melt together makes something new.
“My favourite artists are pretty genreless and have subtle infusions of so many things. But at the core of it, there’s a specific and linear feeling you get in your heart from it.”
Those looking for early access can do so by joining either her official mailing list or via the Arena’s specific venue presale window, which will open from 10am this Thursday, 14 May.
As for general admission, tickets to Kacey Musgraves here at AO Arena in Manchester in February 2027 will be available from the same time the following Friday (15 May). You can get ready to grab yours when go live right HERE.
Country really is having a huge moment right now, isn’t it?
Danny Jones -
22nd October 2024 
