Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
DMA’S announce VERY intimate shows ahead of major tour
Daisy Jackson
DMA’S have just announced details of some of their most intimate gigs yet, with the Aussie trio set to perform at record stores and tiny music venues around the UK.
The indie-rock heavyweights have just announced a handful of very intimate shows this summer, ahead of their much larger tour in 2027.
DMA’S will be treating fans to up-close acoustic gigs in cities including Manchester, Leeds, Middlesbrough, Dundee and Bristol.
The shows are to celebrate the release of their self-titled fifth album, which is due for release on 21 August.
DMA’S will be playing the outstore gigs the week after the album is released, kicking things off in Kingston on 24 August.
Then they’ll head out to some of the nation’s finest record stores and intimate event spaces, which means a show at The Yard here in Manchester.
DMA’S announce VERY intimate shows ahead of major tour. Credit: Roman Jody
DMA’S Manchester gig will be with Crash Records and Piccadilly Records, using the Cheetham Hill creative hub and record studio for the actual show.
Then they’ll end up back up North with a gig at Wardrobe in Leeds.
The announcement follows the release of the band’s latest single Killing Time, a fast-paced, euphoric and instantly infectious anthem that continues to build anticipation for the album.
This is a rare chance to see DMA’S – Johnny Took, Matt Mason and Tommy O’Dell – in an intimate setting, when they normally dominate some of the biggest stages in the world.
DMA’S have accrued over 500 million streams across their catalogue, four multi-platinum singles, multiple ARIA Award nominations, and 13 songs in triple j’s coveted Hottest 100.
These intimate outstores mean that fans won’t have to wait all the way until 2027 to see the boys live again, when they’ll be playing huge shows including two nights at the Manchester Academy.
DMA’S intimate record store shows
Monday 24 August – Kingston, Circuit (with Banquet)
Tuesday 25 August – Manchester, The Yard (with Crash & Piccadilly)
Wednesday 26 August – Middlesbrough, Empire (with Jacaranda)
Thursday 27 August – Dundee, Fat Sams (with Assai)
Blossoms to play special ‘intimate’ 10th anniversary gig at The Deaf Institute, Manchester
Danny Jones
Local indie and alternative lads Blossoms have announced a special one-off anniversary show at none other than The Deaf Institute right here in Manchester.
Coming to the iconic small-cap venue this summer, the Stockport band will be marking the 10th birthday of their self-titled debut album by playing one of the smallest gig spaces in the centre, but one that was a massive milestone for them back in the day.
Now a full decade on from the breakout LP, released on 5 August 2026, Blossoms will be rolling back the years by playing the biggest hits from the record, along with a selection from the many other bangers that they’ve gone on to release since.
This is going to be one very special night for the SK natives.
We’re playing an intimate gig at The Deaf Institute on Weds 5th August to celebrate 10 years of our debut album! We’re going to record the show & release it as a special edition double CD of our new album. Pre-order it now for exclusive pre-sale access. https://t.co/ztAkh95RWspic.twitter.com/kuZNnJJBok
Blossoms have never shied away from championing their Stopfordian roots, but neither have they forgotten the city that helped establish them as one of the biggest bands in Britain.
For instance, this upcoming Deaf Institute show – which promises to be a much more intimate show than they’re used to doing these days – comes not even two years on from the mini Manc residency, when they played five nights here in Manchester over the course of a single week.
As we come up to the sixth studio project, Songs From The Wedding Cake, and already have two singles from the next release, we have no shame in admitting we still listen to those first tracks as much as ever.
With that in mind, it’ll be a surreal full circle for everyone, we’re sure, when Tom, Chaz, Myles, Josh and Joe take the stage in that hallowed hometown room with a capacity of just 250 next month; they’re even playing it EXACTLY 10 years on the precise date that maiden outing dropped: 5 August 2026.
Combine this with them pulling stunts like playing people’s weddings and popping up with a surprise set from inside a van outside 42s nightclub on Deansgate, and it’s hard to think of an artist nailing it as well as Blossoms are right now.
Fans can enjoy exclusive early access by pre-ordering the new Blossoms album on their website, and those who have already done so qualify for presale automatically – just keep an eye out for the code in your email inbox.
This limited window will open from 9:30am this Thursday, 30 July, with general admission tickets for their return to Deaf Institute going live at the same time the following Friday (31 July).
Oh, and in case you somehow missed it, they’re also set to play their biggest ever arena shows across the UK later this year, including a huge gig at Co-op Live. Find out all the info down below.
Danny Jones -
22nd October 2024 
