Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
Akon speaks on his connection to Manchester after run of Co-op Live gigs
Danny Jones
Music veteran Akon has recently discussed his connection to our city following his run of live shows here in Manchester.
In fact, he went so far as to say he feels much more affinity here than he does with ‘The Big Smoke’.
The seasoned Senegalese-American rapper, singer-songwriter, entrepreneur and humanitarian, teamed up with fellow chart-topper Ne-Yo for not just one, not even two, but three whole nights at Co-op Live this May as part of their co-headline tour across the UK and Ireland.
Chatting with Simone Riley on BBC Radio Manchester before the third and final gig of the trio, Akon admitted that there’s “something about Manchester” that he loves way more than London.
As you can see, while he couldn’t quite put his finger on what exactly is about it in the North compared to the capital, he said simply that “it’s crazy here”, and he loves it.
Same, mate. Same.
Admitting that he feels “more attached to Manchester than London” and labelling the energy from the crowds as “stupid” up here (he meant it in a good way, we promise), Simone couldn’t help but confess her joy over his comments.
He’s not the only global superstar to have recently shouted out their affection for 0161, either, as Billie Eilish also said something similar.
Speaking to the mainline BBC at the premiere of her Hit Me Hard and Soft: The Tour (Live in 3D), she said that while the dates lining up were certainly a key factor, there were other reasons why she chose Manchester to film her new movie.
Our Audio North team were also lucky enough to chat with Akon’s touring partner Ne-Yo recently, too, who also had nothing but good things to say about us as a place to play.
As for Akon, the 53-year-old has obviously played here plenty of times over the decades, with last year’s tour being his first return in a decade.
That being said, given how glowingly he’s spoken about us and how popular these joint performances were, we reckon it won’t be that long before he comes back.
Last but not least, we obviously couldn’t resist going along to at least one of the nights for ourselves; listen to what we had to say about the tour in our full review down below.
Antony Szmeirek announces second album along with biggest UK tour dates yet
Danny Jones
Greater Manchester spoken word artist Antony Szmeirek has finally revealed the name, cover art and release date for his second album, along with his biggest run of UK tour dates yet.
The Tameside teacher turned full-time artist dropped his maiden record, Service Station at the End of the Universe, back in February 2025, and now, just over a year on from its launch, he’s getting ready to deliver his highly anticipated follow-up.
Entitled Decoding Birdsong, the sophomore studio project is scheduled for this summer, with a series of live shows booked for the following autumn.
Having already dropped lead single ‘The Heron’ earlier this year, Szmeirek has just released the opener from his upcoming LP, which is simply called ‘Chalk’; he’s also unveiled the rest of the tracklist and a rather striking bit of album artwork.
The Hyde-born artist is making big moves not only within the spoken word space but across multiple genres, with his music blending everything from indie, hip-hop, electronica and more.
His latest song, for instance, is more of an acid-house-esque meets contemporary EDM outing, and has quickly gone down as a popular addition among fans.
On the album name itself, he’s never one to shy away from a weird title or two – case in point, ‘The Great Pyramid of Stockport’ from his debut and ‘Dave’s Angling Superstore’ on this new record.
The 34-year-old carries that same idiosyncrasy throughout his lyricism and creative concepts, as well.
‘Chalk’ is a perfect example of this, as the song is inspired by The Edge of Everything documentary: a film about the career of legendary British snooker player, Ronnie O’Sullivan.
Here’s the music video…
As for his latest raft of live shows, these will be some of the biggest domestic gigs that the local lad has played in his career so far.
In addition to a pair of hometown shows here in Manchester, he is set to play a dozen different cities across Great Britain and Ireland.
Antony Szmierek UK/IE tour dates – October 2026
We’ve highlighted the Northern stops for you, too:
Danny Jones -
22nd October 2024 
