The Blossoms boys are ramping up for their ‘Five Nights in Manchester’ residency to round off their UK tour of Gary, the fantastic fifth studio album which released earlier this year to critical acclaim.
Set to play not just one or two but five certifiably fantastic-looking gigs at five different Manc music institutions, each with a special place in our hearts and theirs, the incredible run of nights kicks off this Tuesday, 18 November and will see them play tracks from the album along with their biggest hits.
If you managed to grab yourself a ticket to at least one of these sell-out shows, you’re likely already trying to get things organised in your head to stop yourself from simply tail-spinning into an excited frenzy, so we thought we’d help you out where we can.
From the support acts to stage times, setlists and more, here’s everything you need to know ahead of Blossoms‘ ‘Five Nights in Manchester’.
Blossoms Manchester residency – all the important info
First up on the list is Manchester Academy on Oxford Road, where Blossoms will be starting their Manchester marathon of shows on Tuesday, 19 November – it will be the first time they’ve played the 2,600-capacity room since 2016.
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Next up is the O2 Ritz on Wednesday (20 Nov), which many of the band members have said is their favourite venue of the lot given the number of acts they themselves have seen there and arguably their breakthrough hometown gig back in 2015, returning multiple times since then.
In at number three is the historic Albert Hall, where they’ve also taken the stage on a number of occasions, but this time their gig on Thursday, 21 November will see them perform their most polished and sprawling set yet.
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The penultimate place hosting Blossoms’ Man residency is the O2 Victoria Warehouse over in Stretford, which will see them start the weekend in style this Friday (22 Nov). A big gig space made for big bands, so they’re a perfect fit.
And lastly, the Stockport boys round out the ‘Five Nights in Manchester’ mini-tour at one of the city’s very best venues full stop: the O2 Apollo. That sloping sprung floor, the stocks and the angle from the top tier – if you don’t know why this place is so special, we just can’t help you…
Perhaps the best part about this entire section of the tour, in our opinion, is that you’re getting a TONNE of different support acts across the five nights.
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Not only are you getting different names every night but each Manchester gig will have not one but two warm-up acts, meaning you’ll fans will be treated to a total of 10 up-and-coming artists – and most of them are local too.
From Oldham’s very own Seb Lowe and Earlestown’s The K’s, who both supported them at Wythenshawe Park, to Scots Neon Waltz, local lads Delights; Manc rockers The Guest List; the ‘female Sam Fender’, a.k.a. Siobhan Winifred, London indie pop group Soft Launch, Brummy boys overpass, Leigh’s very-own Lottery Winners AND Liam Gallagher’s son’s exciting new band, Villanelle.
Phew. Let us catch our breath for a second. Sounds like an unreal few nights of nothing but non-stop indie and good times, right?
With doors opening from 7pm on all five nights in Manchester, you can expect a good half-hour or so for each support act, as well as two intervals to grab yourself a drink, nip to the loo or take a breather from your ape suit (trust us, we’ve seen plenty of people doing it) before the main event.
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Blossoms are scheduled to take the stage for their highly-anticipated headline performances at 9pm throughout the residency, so you can plan accordingly depending on how far long it takes you to get to each venue from your location.
Luckily, they’re all in the city centre, so it shouldn’t be too much of a hassle to get to any of them; maybe just give yourself an extra bit of leeway to head to the likes of a busy Oxford Rd and to queue of course.
The concerts so far on this tour have lasted around two hours, meaning you’ll be heading home by 11pm, which should be just enough time to get the earworm that is ‘Gary’ out of your head.
Setlist for Blossoms’ Gary tour
Now, it won’t surprise anyone to learn that most of their current setlist is made up of tunes from the new album, but we’ll warn you now that they won’t be playing Gary in full.
They’ve sprinkled hits from previous albums into the running order and, according to the Leeds show recorded on the ever trusty Setlist.fm, they have the split down as five songs from their debut, four from Foolish Loving Spaces, two tracks from Cool Like You and just one from Ribbon Around the Bomb.
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Meanwhile, there’ll be seven songs off Gary. You can see the most recent show from start to finish down below, but you can always expect some surprises from these guys:
Your Girlfriend
Perfect Me
Oh No (I Think I’m in Love)
What Can I Say After I’m Sorry?
I Can’t Stand It
Getaway
If You Think This Is Real Life
Big Star
Slow Down
The Keeper
Care For
Honey Sweet
Gary
I Like Your Look
At Most a Kiss
My Favourite Room
Encore:
Nightclub
There’s a Reason Why (I Never Returned Your Calls)
Charlemagne – obviously…
A glimpse at what the Blossoms stage will look like for the ‘Five Nights in Manchester’ shows.
And that should be just about everything you need to know ahead of Blossoms’ ‘Five Nights in Manchester’: a once-in-a-lifetime event that’s going to go down in history and Manc music heritage.
They’ve described this as a “lover letter” to the places that helped put them on the map, not to mention a trip down memory lane now more than a decade into their career.
If you were looking for a secret ticket link from us, we hate to break it to you but this thing sold out in a flash. You can of course keep your eye out on resellers like Twickets and SeeTickets but, as always with these things, be careful and due your due diligence.
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Get ready to say hello to an eight-foot-tall gorilla and have what we already know is going to be an amazing week.
Featured Images — Ewan Ogden (supplied)/The Manc Group
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A legend in leopard print – Magic Miles Kane at Albert Hall, Manchester | Gig Review
Harry Quick
There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
The show starts from 7pm, and you can secure your seat right HERE.
Danny Jones -
18th November 2024 
