A brand new gig venue with a late-night bar and restaurant and a plunge pool is opening in Manchester city centre next month.
Canvas will throw open the doors to its ‘next-generation’ music venue at the new Circle Square development just off Oxford Road.
The new three-storey hangout will have live music, club nights, a members’ lounge, and a bar and restaurant open until 4am, seven days a week.
It comes from the team behind two legendary London venues, The Pickle Factory and Oval Space, as well as the MAMA Group, which operated Lovebox and Wilderness festivals as well as the Manchester Ritz, G-A-Y and Hammersmith Apollo.
Canvas comes from the team behind Oval Space in London. Credit: Supplied
Canvas will also welcome creative music, art, wellness and technology programmes.
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The 600-capacity gig space itself will host live concerts, album launches and listening parties.
It will be kitted out with cutting-edge technology to deliver a world-class sound and visual experience, with video mapping and projectors enveloping audiences.
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Canvas will host panel talks for members. Credit: Supplied
It hopes to create a ‘blank space’ for emerging and underground talent.
The Canvas members’ lounge will invite members to participate in events, panel discussions and wellness classes, and will host some of Manchester’s most enterprising young professionals.
Later this summer, a plunge pool and sauna will be added for members to find their own serenity in the city.
At Your Beat dance classes will take place in a dark room filled with colourful lights and pumping tunes.
Memberships will be held in the form of a Canvas token (an NFT) which will include benefits like free access to gigs and club nights, discounts on food and drink, and part-ownership of the members’ club platform.
They’re priced at £15 per month for under 30s, with a different option for older members.
A food and drink lounge will serve global small plates – curated by Miam Miam Glou Glou – all day, before switching to a late night bar after 10.30pm.
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Diners can expect breakfasts like the Persian (Merguez sausage, hummus, spinach, harissa and poached egg) and the Cali (avocado, chilli, lime and egg) with sides of fresh juices, breakfast cocktails and health shots.
The rest of the day, small plates will incorporate dishes including sumac lamp chops, disco fries, and Korean barbecued chicken, plus slow-cooked chicken thighs, steak bavette, and road plum duck leg.
It will also serve sandwiches between 12pm and 5pm every day.
Cocktails will champion ‘a new breed of bartending’, like the Jasmine Margarita (El Jimador Blanco, Muyu Jasmine, silver needle and citrus), the Jungle Bird (Bacardi Cuatro, Appleton 8, Campari, pineapple, galangal and tamarind cordial) and Cafe Torino (Mr Black Coffee Amaro, Martini Rubino and soda).
Dean James, co-owner and co-founder, said: “We’re thrilled to finally open our doors at Canvas. With authenticity at the forefront of everything we do, our key ambition is to provide the most innovative space where emerging music and new talent can grow.
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“We’re incredibly proud of our diverseness; in both what we do and who we are – from our growing Canvas community, right through to our teams.
“By giving people a platform to share and collaborate, Canvas has a really unique way of bringing together artists and audiences from underrepresented backgrounds. We try hard to avoid being polarised – I think it’s this passion that keeps us ahead of the curve and relevant to what our communities actually want adjoin to.
“Through the development of Canvas membership programmes, our long-term vision is to forge an environment that young creatives and grass-roots talent are not only excited to be a part of, but we also hope that they share in a sense of ownership with us too.”
Featured image: Supplied
Audio
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Biig Piig brings home the bacon at Manchester’s New Century Hall
Clementine Hall
After releasing her long-awaited debut album, Biig Piig delivered an electric performance at one of the city’s coolest venues.
Oversized satin bomber jacket slipping off her shoulders, Biig Piig aka Jessica Smyth, wasted no time jumping around the stage to an audience equally as energetic.
The Irish artist’s headline tour is in celebration of her debut album 11:11, but the night was scattered with tracks from her prolific seven-year discography.
Biig Piig has two methods to her madness which she effortlessly switches between. Her chilled-out atmospheric songs inspired by R&B and jazz alongside her club dance tracks with heavy drops and mesmerising synth.
Throughout the night we were treated to both, receiving a masterclass in finding the balance between the two.
“You guys have filled out this room. I love Manchester there is so much energy”, she says just moments after opening with track ‘4am’.
“I’m out and I’m back and I’ve missed you”, she pleads to the crowd whilst parading up and down the stage adorned with hot pink strobe lights.
Her band, which features a bassist/saxophonist and drummer, adds nice bits of detail to her songs, specifically ‘Roses and Gold’ which won itself a groovy sax solo which was met with rapturous applause.
Moments later she picks up the pace with a few welcomed dance party throwbacks, ‘Sunny’ had everyone two-stepping along with her whilst flirty ‘Favourite Girl’ transformed the venue into an underground dance party.
Ending the night with a bang was ‘Kerosene’ for which she got the crowd to get low on the ground and bounce together as one, a request which can often prove risky but one which was pulled off without hesitation.
It was clear to see the fun that Jessica, her band, and the crowd were having throughout the hour-long show.
But what’s even clearer is Biig Piig’s path to the top of dance music stardom.
Daisy Jackson -
12th May 2022 
