The top dog at Co-op Live has issued a statement addressing the immediate future of the venue, which last night announced more high-profile event changes.
The enormous new arena out by the Etihad Stadium confirmed that Take That – who were lined up to play a whopping SEVEN shows at Co-op Live – would be moving their five May gigs across to established venue the AO Arena.
It follows the postponement of Olivia Rodrigo (Friday and Saturday), Keane (Sunday) and A Boogie Wit Da Hoodie (called off on Wednesday with fans already queueing outside) – not to mention Peter Kay and The Black Keys.
The Co-op Live has now said it will be taking ‘a short pause’ from events while it works to make the state-of-the-art space safe and secure for fans and artists.
Details of all the rescheduled shows, new dates and venue changes are towards the end of this article.
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An independent inspection of the arena ceiling will be taking place in the next fortnight.
The venue has apologised again, saying ‘we are aware our actions have frustrated and angered ticket holders’.
Take That is one of the acts affected by Co-op Live’s delayed openingA Boogie Wit Da Hoodie moves Manchester gig from Co-op Live to AO Arena after cancellation
In a statement it also said that the ‘significant impact’ on fans would be addressed and recognised, at the request of naming rights partner The Co-op Group – details on what that will look like will follow.
Tim Leiweke, Chairman and CEO of Oak View Group (which owns and operates Co-op Live), has now also released a statement offering his ‘sincere apologies’.
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He said: “As many of you will know, it’s not been the smooth start we had planned for, and I know that has caused a huge amount of disruption and frustration to thousands of people.
“On behalf of all of us at Oak View Group, I’d like to express my sincere apologies to all those that have been affected. We understand that there is work to be done to rebuild your trust in us.
“This starts now and at the request of the naming rights partner, The Co-op Group, we will be addressing impact on affected ticket holders, details of which will be shared soon.
“I’d like to reiterate my sincerest apologies to everyone that has been affected by the delays around the opening of Co-op Live.
“The team here is working incredibly hard to get the building up and running, and we look forward to welcoming you to the arena from 14 May 2024.”
Co-op Live’s full statement reads: “Ticket holders and fans. Following the events that led to the cancelled A Boogie Wit Da Hoodie show on 1 May, we have decided to take a short pause to events at Co-op Live to fully ensure the safety and security of fans and artists visiting the venue.
“This time will allow for an independent inspection of all elements of the arena ceiling.
“We have worked with promoters to limit the impact on fans, keeping as many shows as possible in Manchester.”
As for the rest of Co-op Live’s opening gig programme (the next scheduled show is Elbow on 14 May), it continued: “At this time, we do not expect further impact on our opening season.
“We are aware our actions have frustrated and angered ticket holders.
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“We know you’ve incurred significant disruption, and are finding a way to help make it right.
“We are taking the pause to think about the best ways to do that.
“Our naming rights partner, the Co-op Group, has also expressed the importance of ensuring that the significant impact on ticketholders is recognised and addressed, with more detail to follow soon.”
New dates and venue changes for Co-op Live’s rescheduled gigs
Peter Kay – original dates 23 and 24 April. Rescheduled dates 29 and 30 April. NEW DATES 23 and 24 May.
The Black Keys – original date 27 April. New date 15 May 2024.
A Boogie Wit Da Hoodie – original date 1 May – new date 4 May and venue change to AO Arena.
Olivia Rodrigo – original dates 3 and 4 May – new dates to be announced.
Keane – original date 5 May – new dates to be announced.
Take That – original dates 7, 10, 11, 12 May – venue change to AO Arena.
Take That – original date 8 May – new date 9 May and venue change to AO Arena.
Take That’s June dates remain unaffected.
Ticket holders for each event will be contacted by their point of purchase, and refunds will be available if preferred.
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Daisy Jackson -
3rd May 2024 
