British-Albanian performer and prolific pop star Dua Lipa is halfway through her first-ever international stadium tour, and it’s nothing shy of a spectacle – night one in Liverpool living, breathing, levitating proof.
To say I wasn’t singing more than half of this setlist verbatim would be a lie; the setlist for Lipa’s Radical Optimism tour is stacked with hits upon mega hits.
Her commanding single ‘Training Season’ kicks things off and besides getting the whole stadium hyped up, it sets the tone for the night ahead, one Dua has full control of, and also features a firework or two.
Within 15 minutes of stepping onto the stage, the unofficial anthem of Anfield’s resident football club and recently re-crowned Premier League champions, Liverpool FC, was played.
Dua Lipa performing ‘Physical’ at Anfield Stadium.Smiles all round at the ‘Radical Optimism’ tour in Liverpool.Credit: Audio North
In fact, ‘One Kiss’ was met with an unmatched electric energy that she ended up playing it again later on, because why the hell not?
This isn’t just a song: it’s a beast. When you’re playing a song that’s spent eight weeks at No.1, has 2.5 billion streams and at an arena with a legacy like Anfield‘s, there was simply no way these fans were going to be tame.
Similarly, partway through the second act, Lipa had the audience wrapped around her fingers once more as she played the dance-inducing smash ‘Levitating’. In that moment, we were all her “sugarboos.”
This was a proper crowd-pleasing moment. To be honest, they all were.
As we strut our stuff into the third act, we’re met with another dancefloor filler, ‘Physical’, fans were ready and waiting to chant “let’s get physical” with the superstar.
The fourth act, on the other hand, was much more relaxed. Ms. Lipa took some time to show her love to some of the album’s deeper cuts; I greatly appreciated being able to belt out “How looong?” as she played ‘Falling Forever.’
She finished this segment with the song that started it all, one she’s never forgotten to play since bursting onto the music scene back in 2015: ‘Be The One.’
Dua Lipa and Dave McCabe (The Zutons) performing ‘Valerie’.The superstar taking pictures with fans at Anfield.Liverpool is in for a treat if the second Dua Lipa show is even half as good as night one at Anfield.
Dua, let us tell you something, you’ll always be the one.
The encore felt like the epitome of all things Dua Lipa. It’s like when you hear that one ABBA megamix that has you shouting, “Oh, I know this one… and I know this one too!”
And rightly so, with a back-to-back, four-song medley spanning from ‘New Rules’ and ‘Dance the Night’, to ‘Don’t Start Now’ and ‘Houdini’. Perfect, perfect, perfect.
— DANIEL is calling..☎️💜 (@daniel__SG) June 24, 2025
After this medley, night one of the ‘Radical Optimism’ tour was over, but we and the fans were certainly left feeling radically optimistic.
Come on, how can you not be when the timeless classic ‘I Wanna Dance With Somebody’ by Whitney Houston is soundtracking your concert exit?
I have one last question for anyone who hasn’t splashed the cash for one of her shows yet… if you’re not watching Dua Lipa live, then ‘Whatcha Doing’?
Lipa had the crowd well and truly in her fingertips.Dua gave quite the performance in Merseyside.An increasing master of not just pop songs but stagecraft too. (Credit: Audio North)
Gorillaz announce huge Manchester arena gig on upcoming UK and Ireland tour
Daisy Jackson
Gorillaz are well and truly back, and they’ve announced a huge Manchester gig on the upcoming The Mountain Tour.
The legendary band, created by musician Damon Albarn and artist Jamie Hewlett, will be performing at the Co-op Live arena next spring.
Gorillaz is a virtual band made up of singer 2D, bassist Murdoc Niccals, drummer Russel Hobbs and Japanese guitar prodigy Noodle.
The huge tour announcement comes along with the announcement of their new album, The Mountain, which features a whole myriad of collaborations including Johnny Marr, IDLES’ Joe Talbot and Dennis Hopper.
It’s their ninth studio album and promises to be a ‘playlist for a party on the border between this world and whatever happens next, exploring the journey of life and the thrill of existence’.
The Gorillaz The Mountain Tour will visit arenas across the UK and Ireland next Spring, with support from Trueno, and follows the sold-out 5-star House of Kong exhibition and four triumphant performances at Copper Box Arena.
Manchester will get the new Gorillaz tour first, with the band kicking things off at Co-op Live on 21 March before heading to cities including Leeds, Cardiff, Nottingham, and Liverpool.
The BRIT and Grammy-winning virtual band formed following a collision of mishaps, meetings and pure luck to blow up a pre-digital world.
The album will officially release on 20 March 2026.
General on sale begins at 11am on Friday 19 September HERE.
Gorillaz’ ‘The Mountain Tour’ dates in full
MARCH 21 – Co-op Live, Manchester 22 – BP Pulse Live, Birmingham 24 – OVO Hydro, Glasgow (support from Trueno) 25 – First Direct Arena, Leeds 27 – Utilitia Arena, Cardiff (support from Trueno) 28 – Motorpoint Arena, Nottingham (support from Trueno) 29 – M&S Bank Arena, Liverpool (support from Trueno) 31 – SSE Arena, Belfast
APRIL 1 – 3Arena, Dublin (support from Trueno)
JUNE 20 – Tottenham Hotspur Stadium, London (support from Sparks and Trueno)
Featured image: Press image
Audio
The adopted Manc indie pop star with that we’re backing to win the Mercury Prize this year
Danny Jones
The 2025 Mercury Music Prize shortlist is officially out, and we’re proud to say that the North has been well represented once again this time around, with multiple names from the top end of the nation featured among the nominees – including an adopted Manchester-based rising star.
You know what, cratch that: she might as well be a Manc music queen at this point, if you ask.
We may be heavily biased here, but with indie and alt-pop artist CMAT making her way onto the Mercury Music Prize award shortlist this year, our vote is practically already cast.
If you haven’t listened to CMAT yet, then you’re seriously missing out, and following the release of her latest LP, Euro-Country, at the end of August, it’s little surprise she’s earned the Mercury nod.
She may be Irish-born, but the ‘Dubyone Diana’ truly started to make a name for herself in Manchester, and you’re damn right we’re taking her as one of our own.
Moving to 0161 as a teenager with her old band, Bad Sea, she was just 17 when she got here; now 29 and making fairly different music to the kind she did as part of the previous duo, she’s grown massively in popularity over the last few years – and she’s done a lot of it from right here in Greater Manchester.
From playing the city centre music venue circuit to stunning crowds at the likes of Kendal Calling and Glastonbury Festival, she’s come a long way in a relatively short amount of time.
Come on, if this isn’t award-winning energy, then we don’t know what is…
We welcome her to keep leaning into country music as much as she wants.
There’s another reason we want CMAT to win the Mercury Prize
It isn’t just because we’re somewhat biased local fans that we’re putting our money on her winning the 2025 Mercury Prize: she nearly already did this time last year for her sophomore outing, Crazymad, For Me, having released three impressive studio albums in less than 36 months.
“As she was reading it, I had this weird flip in my stomach, that I didn’t want to win the Mercury Prize for THAT record, because I had a feeling I could make something better.
“Two days later, I started to make EURO-COUNTRY. The Mercury Prize put a bottle rocket up my bum, to try and do something a bit more cutting edge and experimental and intense, if that makes sense.”
She signed off by adding, “I didn’t necessarily expect to be nominated again as a result, but I am very happy to have been.” We had a feeling she would, to be honest, hence why she was among our artists of the month – not even a fortnight before the shortlist was announced, no less.
Unsurprisingly, the likes of Fontaines D.C. and Sam Fender are also on there after a standout 12 months for both artists, but we’re sticking with CMAT for our 2025 Mercury Prize winner. After all, surely she can’t miss out two years in a row?