There’s a lot to be said about those people in your life that show you new music. These are the best kind of people. Cherish them, they’re special. If you don’t know what I mean, now’s the time to look for new friends.
Jokes aside, there are other ways to discover music and club history. For example, through the imaginative new concept of Electronic Echoes.
It all involves the humble QR code. We’re all familiar with these by now (thanks Boris).
Four QR codes have been placed around the city centre, each next to an iconic Manchester club – Sankeys, Music Box, Roadhouse and SoundControl.
These beloved music venues might not exist anymore, but these buildings are steeped in history waiting to be rediscovered.
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“Scanning a QR code will take you to a unique page, which will feature information about the club with pictures and music from some of the artists and club nights,” said James Montrose, Electronic Echoes founder.
“Each page will have an email subscription, where you will receive a track and information about the club.
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“As the project grows, we’ve got people lined up to provide exclusive mixes and interviews that will support this and add different layers to the experience.”
To kick things off, four artists that represent a healthy mix of genres have been lined up to provide tracks and mixes. From the drum and bass of Nian Dub, to the hard techno of Slave to Society, James has got it covered.
The artists featured in Electronic Echoes
As for the clubs, they’ve been selected on a personal basis, in honour of some of James’s most memorable club nights. For instance, the monthly ‘Keep it Unreal’ night at Music Box, where he went spent his early clubbing years.
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But these clubs are held dearly to a lot of Mancunians’ hearts too.
Famed for its industrial warehouse vibe, Sankeys is perhaps the most well-known venue on the list. Countless household names played at this former Ancoats club, including Daft Punk, The Chemical Brothers, Carl Cox and Swedish House Mafia.
Sankeys Manchester closed its doors for good in 2017. But not before taking the franchise all over the world. The most notorious being Sankeys Ibiza, which I hold dearly to my own heart!
Sankeys Manchester
That in mind, the Electronic Echoes project provides us with a nostalgic look back at happier times within the scene. A touch of 2020 escapism is exactly what we need, right? But there is plenty to be learnt about our city’s past at the same time.
James recognises this and wants to “reconnect us to physical space”: A profound request, but what does it mean?
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It’s all about interacting with the city’s rich music history and clubs past and present.
“What we’re really trying to do here is create something that lets you engage with the social history, memories and hopefully encourage people to (safely) venture out and learn a little bit about some of Manchester’s clubs.”
Since the first lockdown in March, James has found his DJing friends out of work. Many have been severely impacted by the lack of government support, as much of the music industry has. With this project, he wants to give back.
Roadhouse Manchester / Wikimedia Commons
“The aim of this project is to not only support musicians but also anyone who has been affiliated with the night-time club scene. Sound engineers, photographers, promoters,” James said.
“Throughout the first lockdown, it really struck me how much we depend on music in our daily lives and how much I missed the community of a night out.
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“This is a way that people can at least learn about the clubs, get some music and feel some connection to the nights that have now all but disappeared.”
From the ashes of a once thriving nightlife scene, Electronic Echoes gives artists some much needed exposure. But it’ll also teach us a thing or two about why Manchester’s music scene is so valued.
So, if you’re able to get out and about safely, head to one of the four QR codes and scan to see what you can find.
Harry Styles One Night Only at Co-op Live – he’s right, we do belong together
Daisy Jackson
This is not the Harry Styles we left behind in 2023, and he seems quite keen for us all to notice that from the get-go.
The sequin two-pieces have been packed away, the hair’s been cut into a modern mullet, and he’s into synths now.
Harry Styles emerges onto an in-the-round stage at Co-op Live and promptly hunches over a sound desk to mix the intro of Aperture. For a horrible moment, I think it’s going to be like a Fred Again concert – but then he straightens up, picks up the mic, and starts to dance, and we collectively realise we’re about to witness something truly special.
The chance to see Harry Styles on a small (hahahahaha) stage like this isn’t likely to happen again, not when he’s selling out record-breaking runs at Wembley Stadium.
The chance to see him after such a long hiatus, performing brand new music in full, is even less likely.
And the chance to have it all going on right here in Manchester, just days after our city also hosted the BRITs, is (and I don’t say this lightly) an honour.
Harry Styles One Night Only at Co-op Live. Credit: Netflix
For One Night Only, we hear every song off his fourth studio album (Kiss All The Time, Disco Occasionally) in full – with a few surprises thrown in at the end for good measure.
The whole thing has been filmed for Netflix, with a handful of cameramen chasing around after Harry on stage.
And there are definitely moments where you are conscious you’re watching a Netflix special being made, like when he ventures down the catwalk for Ready, Steady, Go and no spotlight follows him, but a camera does.
That’s not a reflection on Harry though, who performs for the audience first and foremost. He seems taken aback at how thoroughly we’ve all studied the lyrics to his hours-old album already, welling up with emotion as he returns to the live stage for the first time in three years.
Harry Styles on stage, in the round, in Manchester
“There’s so much danger in the world,” he says. “But love is powerful and kindness is powerful. The world could use a little extra peace right now.”
Unusually, too, the show had a strict phones-free policy, with the poor venue staff doing their level best to enforce Harry’s wishes to keep cameras in pockets for one night only.
I would love more gigs to be phone free. The crowd is DARK, and present, with both hands in the air, and it lets Harry shine. I don’t believe anyone could honestly say they had a worse night for not being able to film it.
As for those new songs which had their live debut last night, Season 2 Weight Loss makes a lot more sense live, with real thudding drums, than it does on the album (I ranked it my least-favourite of the record); Coming Up Roses translates beautifully with a live orchestra; and Pop is a certified bop that’ll have those stadiums boogying.
Harry Styles One Night Only. Credit: Netflix
If you listened to Dance No More and thought it was set up for a call and response, you were correct, even if we do all clumsily tiptoe around the lyrics a bit.
Carla’s Song is a perfect closer in every setting, whether it’s in your headphones listening to the album or as one final collective moment in an arena.
It wasn’t just the new album we got at the One Night Only – Harry also dug into the archives to play a few extra treats for us all – From the Dining Table (live for the first time in almost a decade), Golden, Watermelon Sugar, As It Was, and Sign of the Times.
The show opens and closes with Aperture, the lead single from the album, and his one night only proves his point from the song – we really do belong together.
Neighbourhood’s city centre festival returns to Manchester with promising first wave
Danny Jones
Neighbourhood Festival’s city centre all-dayer is returning to Manchester for 2026 after a year off, and this first wave of the lineup is looking promising already.
Following teasers over the past month or so, it didn’t take long for us to figure out that NBHD Festival was coming back, especially with the Weekender in Warrington having taken a similar hiatus in 2024.
However, when festivals like these take time out, it can be easy to worry whether or not they’ll lose momentum or come back stronger.
Judging by this initial batch of acts alone, there’s no doubt NBHD Fest ’26 will be another cracker.
Neighbourhood Festival 2026! Manchester’s biggest multi-venue festival returns on Saturday 17 October. The first wave of acts just announced with many more brilliant artists to be revealed. Sign-up for exclusive pre-sale which goes live 10am Tue 10 Mar. https://t.co/Qq0c7Ibuxqpic.twitter.com/8CQoeqdpWm
As you can see, as well as the fast-rising grungey alternative and garage rock quartet, KEO, being announced as one of the first big hitters on the list, there are some other familiar names on the lineup.
Especially for us Mancs.
With both Bolton and Altrincham youngsters, Florentenes and The Guest List, both joining the roster, as well as the likes of Bury-born ‘rockabilly’ revivalist Elliot James Reay also featuring on there, there’s a good deal of local talent to be enjoyed as always.
That goes for the regional delegation in general, too, with the likes of Jos River heading back up this way from her base in London, and Leeds’ fittingly named indie four-piece, The North, also booking a slot.
We’ll admit there are plenty of bands and artists coming up from the capital for the all-day festival, but at least they know where the UK’s real home of music is.
You only have to look at the festival vibes up here to know that…
It’s worth reminding, once again, that since its inception in 2016 (yes, it really has been a decade now), Neighbourhood Fest has continued to serve as a proper launchpad for the next wave of superstars, not just here in the North West but across the country.
We still remember seeing the likes of Sam Fender, Holly Humberstone, Declan McKenna, Mahalia, The Lathums and more – some for the very first time – on these city centre stages, and it’s crazy to see how big some of them have gone on to become.
Set to take over some of Manchester’s most iconic venues along the Oxford Road Corridor once again, this is, without a doubt, one of the best dates for independents on the annual live music calendar.
Hosting a total of 11 stages on Saturday, 17 October for a full day of live music, tickets for this year’s Neighbourhood Festival go on sale HERE at 10am on Friday, 13 March – and remember, there’s still plenty more to be added to the 2026 lineup.
Hannah Starkie -
4th December 2020 
