Maneskin, the Italian rock stars who became a global sensation after winning Eurovision, have announced a huge world tour – and the only UK date is here in Manchester.
The four-piece from Rome will be taking their Rush World Tour to cities across the USA, South America, Europe, Asia and Australia.
The huge tour will wrap up here in Manchester, with a gig at the AO Arena on 19 December.
We’ll be the only city in the UK to welcome Maneskin, who have also announced a landmark gig at the iconic Madison Square Garden in New York.
This will be the first time they’ve performed here in Manchester after shooting to fame by winning 2021’s Eurovision Song Contest with their song Zitti e buoni.
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They’ve since found viral fame with their cover of Frankie Valli and the Four Seasons’ ‘Beggin’, as well as their own songs ‘I Wanna Be Your Slave’ and ‘Supermodel’.
Måneskin are currently on their Loud Kids world tour in Europe, which will take them to London in May.
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They’ve also been announced as performers at Glastonbury festival this summer.
Maneskin announced their Rush World Tour on social media yesterday, posting: “This year we want to keep the whole world rockin’!!!
“Get ready, cause RUSH! WORLD TOUR is coming to youuu. Tickets info soon.”
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Tickets for Maneskin’s gig in Manchester will go on sale on Monday 20 March at 10am through See Tickets.
Maneskin Rush World Tour Dates in full
Maneskin after winning Eurovision. Credit: Publicity picture
SEPTEMBER 3 – Hanover, Germany – EXPO Plaza 6 – Nancy, France – Nancy Open Air 21 – New York, NY – Madison Square Garden 23 – Columbia, MD – Merriweather Post Pavilion 25 – Boston, MA – TD Garden 27 – Toronto, ON – Scotiabank Arena 29 – Chicago, IL – Allstate Arena
OCTOBER 1 – Detroit, MI – Michigan Lottery Amphitheatre at Freedom Hill 3 – Nashville, Nashville, TN – Nashville Municipal Auditorium 6 – Irving, TX – The Pavilion at Toyota Music Factory 10 – Los Angeles, CA – Kia Forum 13 – Oakland, CA – Oakland Arena 15 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre 20 – Mexico City, Mexico – Palacio De Los Deportes 24 – Bogotá, Colombia – Movistar Arena 27 – Santiago, Chile – Estadio Bicentenario La Florida 29 – Buenos Aires, Argentina – Movistar Arena
NOVEMBER 1 – Rio de Janeiro, Brazil – Qualistage 3 – San Paulo, Brazil – Espaço Unimed 20 – Brisbane, QLD – BCEC 22 – Sydney, NSW – Hordern Pavilion 23 – Melbourne, VIC – Margaret Court Arena 25 – Adelaide, SA – AEC Theatre 27 – Singapore
DECEMBER 2 – Tokyo, Japan 3 – Tokyo, Japan 7 – Kobe, Japan 14 – Dublin, Ireland – 3 Arena 19 – Manchester, UK – AO Arena
Featured image: Publicity picture
Audio
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Audio
Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Daisy Jackson -
16th March 2023 
