It’s been five long years without new music from pop-punk icons Fall Out Boy – and rather than launching back into our lives with a huge arena show, the American rockers chose one of Manchester’s most intimate venues for their return.
The Grammy-nominated and multi-platinum group announced a very special intimate performance at Band on the Wall just last week, with tickets selling out in minutes.
The chance to see them performing in the 500-capacity venue is the stuff of a former emo kid’s wildest dreams.
Fall Out Boy are here to celebrate the release of So Much (For) Stardust, their first album since Mania in 2018.
They open the show with the first release from the new album, ‘Love from the Other Side’, the room immediately erupting in unified, punk-rock glee. The lads seemingly revel in the crowd belting back the lyrics of the two-week old track.
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Then it’s a jump back 10 years with The Phoenix, a track taken from the album Save Rock n Roll, the record that brought them back together from their hiatus.
Despite Patrick Stump being the lead singer, and all individual members having their own long-standing fan bases, Pete Wentz takes the lead with crowd interactions, talking to us between songs and keeping us hyped during.
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But of course, the 90-minute set gives each member their own time to shine. The band’s 19-song set plays out the band’s last two decades and shows just how far the emo veterans have come.
Three songs in, the four-piece explain they are ‘pretty f**king jetlagged’ and in true Manchester style, a member of the crowd shouts in response: “Do you want a tequila!?” Because if nothing else, us Manc lot know the cure for everything – booze.
Fall Out Boy
The floor bounces underneath your feet as 500 fans jump, dance, and mosh in unison, as Wentz extends a salute accompanied by a grin from ear to ear – after years of selling out huge venues, you can only imagine how greatan intimate one of this size must feel.
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The band perform with a backdrop of two sides of a smiley face, which they go on to explain represents the two halves of the new album, how it was built, and what it means. The second half of the record is based on the movie Field Of Dreams and the quote ‘If you build it, they will come’, acknowledging their five years of no music. Yet still, their fans are loyal as ever, as demonstrated by the enraptured congregation before them.
“It’s been a minute,” Pete says, “But we wanted to get it right so thank you for being patient, it’s almost here.
“Our band would not be a band at all, we probably wouldn’t be playing together if it weren’t for this city and what happened here for the music scene.” He makes nods to Manchester legends Oasis, The Smiths and Stone Roses and then jokingly says ‘anyway, here’s Wonderwall’. The crowd erupts, because who wouldn’t want to hear a live Fall Out Boy x Oasis mashup?
The end of the show is near but the band aren’t letting us Manchester lot go without us having something to remember as our own. After a quick intro from Pete, ‘Headfirst Slide Into Cooperstown on a Bad Bet’ is played to their fans for the first time since 2009. The atmosphere in the room is unmatched and seriously nostalgic – I can almost feel my arm reaching for the heavy black emo eyeliner buried in my drawer somewhere.
The band end the show with ‘Centuries’ and ‘Saturday’, where Pete Wentz ends his night of crowd interaction by climbing into the arms of fans as we channel our teenage angsty selves, because even though So Much (For) Stardust isn’t a throwback record, this was undeniably a throwback show.
Featured image: Publicity picture
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Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Sophey Donohue -
16th March 2023 
