‘Hello… is it more Manc tunes you’re looking for?’ because if so, you’re in the right place, as it’s time to reel off a whole new list of new music and Manchester artists we’ve been listening to over the past 30 days or so.
Give or take – you know how months work.
If you are new around here, it’s all very simple: every few weeks, we round up a load of local bands, duos, solo acts and everything in between to help spread some love and exposure to the wonderful talents that have been stuck in our rotations and so on.
Honestly, it really is that straightforward, and there’s no point in faffing around any longer, so let’s just get stuck into September’s Manc artists of the month.
Manchester music we’ve been listening to lately
1. SHADE
Now, this first one is rather bittersweet, because despite having just gotten back into SHADE, we’ve sadly learned that the lads are seemingly looking to wrap things up as a musical unit in just a matter of days with their final ever headline show right here in Manchester.
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The native four-piece band have always managed a good balance of the indie-rock split and, in our opinion, only gotten better with time; the instrumentation is tighter, Luke Owens’ vocals have come into their own, and the overall music itself is better produced.
Unfortunately, the lads never quite got the following we feel they deserved, and for whatever reasons, they confirmed they’re calling time after five years with one last gig at Gorilla. There’s a farewell after-party at Night and Day too, so come help us sing ‘Neverdie’, ‘Break Out’, ‘Lost in The World Together’ and more one last time.
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2. Roxanne
From an example of a group coming to the end of the journey to one just at the beginning of theirs, number two is fellow Manc indie and alt-rock outfit Roxanne, who look to be developing a slow-moving, haunting, ethereal wave/shoegaze sound. It’s still too early to tell, but we’re certainly interested.
These guys recently caught some attention via grassroots events at the likes of Stage and Radio, and Mother Mary’s; now they have ours. A minor gripe, ironically, is that these lot are yet to put on the red light and record much studio material – at least nothing that they’ve dropped as far as we can find so far.
On the upside, you can at least be in from the ground floor for when they do finally release stuff, and even from the little demo teasers they’ve shared on social media so far, we think it’s well worth keeping an eye on how their first proper releases fare.
In at number three is someone at the opposite end of the spectrum: New Jersey-born BC Camplight – real name, Brian James Christinzio – who’s been around for some 20 or so years now, releasing plenty of music, but that we’ve somehow only just started cottoning onto now he’s based in Greater Manchester.
Camplight released album number seven just this past June, and it’s nothing short of one of the coolest, most creative, candid and most surprising things we may have EVER listened to. It feels abstract, post-modern and absurdist at times, but the highly idiosyncratic and anecdotal lyrics remind us of John Grant and a slightly calmer sounding Petey USA.
We’ll definitely be working our way backwards through his discography over the coming weeks to see how he’s developed such a unique sound over the decades, but for now we’ll reccommend you start with ‘The Tent’ and ‘Two Legged Dog’, which features Abigail Moss from The Last Dinner Party, as well as the title track, ‘A Sober Conversation‘. Some truly staggering and style-sprawling work.
You can help but wiggle your head and shoulders within seconds of hitting play.
4. Mae Grace
Switching from post-modern vibes to post-punk, next up is a fledgling five-piece fronted by, you guessed it: Mae Grace Williams. Another product of BIMM (British and Irish Modern Music Institute) University’s city centre campus, like Roxanne, they’re also still very early days, but there’s undeniable talent there.
Backed by the monthly ‘New Cult’ nights, which are hosted by indie record label Heist or Hit and held at NQ pub turned live music venue, The Rat and Pigeon, not only must we praise the showcase itself, but we’re not the only ones who have been intrigued by their embryonic stages.
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There are elements of spoken word and prog rock guitar at points; we don’t know exactly what genre we’d call it or what they’re even going for in their infancy, but with another gig this autumn supporting Adult Leisure on Sunday, 2 November, your best chance of judging for yourselves is seeing them live.
Last but certainly not least is another Manchester-based project we’ve only just come across, but with just three songs to their name on Spotify, we don’t think we’ve been quite this excited by a local debut for a while now. And for bloody good reason, we think.
Moss Side Sauna Club isn’t just one of the best band names we’ve heard in ages, but the highly alternative, DIY, almost garage-rock act which throws in all manner of distortion, electronics, pedals, and more to build their deeply-layered and admittedly rather noisy experience. MSSC is its own sonic profile.
Even with all the processing and effects, it somehow doesn’t sound too cluttered either – at least not on tape, anyway. We’re yet to see them live for ourselves, but the triumvirate consisting of Will Brooks, Maddy Storm and Sam Craighan have got us gassed with their first trio of tracks. Watch. This. Space.
Would you look at that? We’re done with September’s round-up of new Greater Manchester music we’ve been listening to lately, just like that.
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It wasn’t intentional, but by and large, we really did spotlight some very up-and-coming acts on the scene for the most part. We love finding musicians right at their inception or riding the crest of a fresh wave of interest.
As always, we’ll be back again next month with more for you and in the meantime, you can always look back at Manchester bands and artists, be they new, current or old, that we’ve spotlighted in the past.
Featured Images — Bella Union/press shot (supplied)/SHADE (via Facebook)
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Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
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The show starts from 7pm, and you can secure your seat right HERE.
Printworks set to host a FREE music festival headlined by local music veterans
Danny Jones
You heard us right, Printworks is expanding its wide-ranging calendar of entertainment and leisure in 2026 with its very own completely free music festival here in Manchester.
Better still, it’s set to be headlined by some cult favourites.
The one-off event will debut next month to celebrate the arrival of the 2026 BRIT Awards, with the annual ceremony and accompanying seven days of intimate live shows coming to the city of Manchester for the very first time.
Set to take place from Friday afternoon until Saturday evening, 27-28 February (4-10pm and 2-10, respectively), the open access weekender has been dubbed ‘Live and Loud’.
Judging by the lineup of artists announced for Printworks’ debut music festival, we have every faith it will live up to the name.
As well as Manchester DJ Matt Hydes kicking things off, followed by the likes of R’n’B soul artist, KingFast, resident Reform Radio MC Urbi will also be joining the lineup, as well as regional dance veteran, Gareth James, and an intimate set by Sabira Jade.
That’s just a small handful of those who signed up to play the inaugural Live & Loud 2025.
As for your headliners, we’re buzzing to confirm that local house legends K-Klass are topping the bill; they may be from Chester, but they’ve been based here for ages and are practically part of the cultural fabric at this point.
You can see the full Live and Loud lineup and Printworks artist spotlight down below:
Friday, 27 Feb, 2026
Tristan Walsh
2Vibe
Urbi
KingFast
Honey Bee Jazz Band
Matt Hydes
Sat, 28
K-Klass
Matt Walsh & Jay Murt
Sabira Jade
Gareth James
Kick Back Sundays
Jorge Martin
Guy Connor
Emma Ellis
Printworks general manager, Dan Davis, said in an official statement: “Manchester is renowned for its musical heritage, and we are excited to bring music to life here at Printworks.
“Live & Loud will place Manchester artists front and centre, with an eclectic line-up that is diverse in genre, background and generation – reflecting our commitment to championing a wide range of local and upcoming artistic talent for a must-attend weekend of live music.”
In case you missed it, this brand-new event also comes amid a raft of small-capacity fundraising shows across the country.
Colette Burroughs-Rose, Director at Genre Music, added: “Live & Loud is Manchester in full voice – familiar faces and new names coming together under one roof across two standout days.
“This is Genre Music’s home city, and we’re proud to be partnering with Printworks on a music programme that welcomes everyone: family-friendly by day, great for evenings with friends.
“Alongside curating a truly eclectic mix of the city’s incredible DJs and live acts, we’re also capturing the artists’ stories on film to help amplify their voices and creativity beyond the stage.”
With the BRIT Awards being hosted at the Co-op Live arena not just this Feb but until 2027 as well, here’s hoping this is just the inaugural ‘L&L Fest and we at least get a sophomore edition next year.
There’s plenty of other music festivals happening in Greater Manchester throughout the year, especially this summer.
Sounds From The Other City has released its 2026 lineup, and there's set to be more than 100 exciting acts playing on 17 stages across #Salford. 🎶🎸
Danny Jones -
30th September 2025 
